Paul West (playwright)
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Paul West (playwright)
Paul West (26 January 1871 – 30 October 1918) was an American playwright, lyricist, newspaper editor, journalist, screenwriter, author, and talent agent. After working as a journalist in Massachusetts from 1888 to 1892, he began his career in the theatre as a press representative for Charles H. Hoyt; followed by a season as the business manager for the opera singer and actress Camille D'Arville and the comedian Frank Daniels. From 1898 to 1911 he worked on the editorial staff ''The New York Sunday World'' during which time be began a career as a prolific lyricist for both Broadway theatre, Broadway musicals and Tin Pan Alley publishers of popular song; publishing more the 500 songs during his lifetime. He also worked as a playwright, penning both plays and the books for several musicals. More than 15 of his stage works were mounted on Broadway between the years 1902–1913. In 1904 his children's book ''The Pearl and the Pumpkin'' was published; a work which he later adapted into a ...
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Newspaper Editor
An editor-in-chief (EIC), also known as lead editor or chief editor, is a publication's editorial leader who has final responsibility for its operations and policies. The highest-ranking editor of a publication may also be titled editor, managing editor, or executive editor, but where these titles are held while someone else is editor-in-chief, the editor-in-chief outranks the others. Description The editor-in-chief heads all departments of the organization and is held accountable for delegating tasks to staff members and managing them. The term is often used at newspapers, magazines, yearbooks, and television news programs. The editor-in-chief is commonly the link between the publisher or proprietor and the editorial staff. The term is also applied to academic journals, where the editor-in-chief gives the ultimate decision whether a submitted manuscript will be published. This decision is made by the editor-in-chief after seeking input from reviewers selected on the basis of re ...
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Silent Films
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema p ...
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The Red Petticoat
''The Red Petticoat'' is a 1912 musical-comedy in 3 acts with book and lyrics by Rida Johnson Young and Paul West, music by Jerome Kern, and directed by Joseph W. Herbert. Set in the fictional town of Lost River, Nevada, the Western-genre musical starred Helen Lowell as tough lady barber Sophie Brush in the rough silver-mining town of Lost River, Nevada, who gets her man. Songs included "I Wonder", "My Peaches and Cream", "Oh You Beautiful Spring", "The Ragtime Restaurant", and "Since the Days of Grandmamma".Hischak, Thomas S. (2013). ''The Jerome Kern Encyclopedia'', p. 163 The musical was based on a 1911 farcical melodrama by Young titled ''Next!''.Banfield, Stephen (2006"First Triumphs" ''Jerome Kern'', Yale University Press It was Kern's first complete score. It opened at Daly's 30th St. Theatre on 13 November 1912 and moved to the Broadway Theatre Broadway theatre,Although ''theater'' is generally the spelling for this common noun in the United States (see American and ...
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Gus Edwards (vaudeville)
Gustave Edwards (August 18, 1878 – November 7, 1945) was an American composer, songwriter and film director. He also was a vaudevillian, organised his own theatre companies and was a music publisher. Early life Edwards was the son of Morris and Johanna Simon. He was born Gustav Schmelowsky in Inowrazlaw, German Empire (present-day Inowrocław, Poland). His family boarded the steamship ''Spaarndam'' as steerage passengers; they arrived at the Port of New York on 29 July 1891 ending up in Williamsburg. During the day, he worked in the family cigar store, and in the evenings, he wandered looking for any sort of show business job. He found work as a singer at various lodge halls, on ferry boat lounges, in saloons, and even between bouts at the athletic clubs. As a very young boy, Edwards worked as a song plugger at Koster and Bial's, at Tony Pastor's theatre, and at the Bowery Theatre. In those old vaudeville days, song publishers would often hire a very young boy to s ...
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Edgar Smith (librettist)
Edgar McPhail Smith (December 9, 1857 – March 8, 1938) was an American writer and lyricist for musicals in the early decades of the 20th century. He contributed to some 150 Broadway musicals. Weber and Fields starred in many of his works."Edgar Smith, 80, Librettist, Dead"
'''', March 9, 1938, accessed August 23, 2021


Early life and career

Smith was born in , New York. After attending



The-Merry-Go-Round
''The-Merry-Go-Round'' was a musical vaudeville production that ran at the Circle Theatre on Broadway in 1908. The music was by Gus Edwards, with a book by Edgar Smith and lyrics by Paul West; it featured skits including "Stupid Mr. Cupid" by Theodore M. Morse and Edward Madden, "He's A-my Brud" by Fred Fisher and Jesse Lasky, and "The Shop Window Girls", with lyrics by Will D. Cobb. It was directed by George F. Marion with choreography by Joseph C. Smith. The musical takes place in Mineola, New York and New York City New York, often called New York City or NYC, is the List of United States cities by population, most populous city in the United States. With a 2020 population of 8,804,190 distributed over , New York City is also the L ....* References External links * American musicals 1908 musicals Broadway musicals Musicals set in New York Musicals set in New York City {{1900s-play-stub ...
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Ziegfeld Follies
The ''Ziegfeld Follies'' was a series of elaborate theatrical revue productions on Broadway in New York City from 1907 to 1931, with renewals in 1934 and 1936. They became a radio program in 1932 and 1936 as ''The Ziegfeld Follies of the Air''. Founding and history Inspired by the Folies Bergère of Paris, the Ziegfeld Follies were conceived and mounted by Florenz Ziegfeld Jr., reportedly at the suggestion of his then-wife, the stage actress and singer Anna Held. The shows' producers were turn-of-the-twentieth-century producing titans Klaw and Erlanger. The Follies were a series of lavish revues, something between later Broadway shows and the more elaborate high class vaudeville and variety show. The first follies, '' The Follies of 1907'', was produced that year at the ''Jardin de Paris'' roof theatre. During the Follies era, many of the top entertainers, including W. C. Fields, Eddie Cantor, Josephine Baker, Fanny Brice, Ann Pennington, Bert Williams, Eva Tanguay, Bob H ...
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Musical Revue
A revue is a type of multi-act popular theatrical entertainment that combines music, dance, and sketches. The revue has its roots in 19th century popular entertainment and melodrama but grew into a substantial cultural presence of its own during its golden years from 1916 to 1932. Though most famous for their visual spectacle, revues frequently satirized contemporary figures, news or literature. Similar to the related subforms of operetta and musical theatre, the revue art form brings together music, dance and sketches to create a compelling show. In contrast to these, however, revue does not have an overarching storyline. Rather, a general theme serves as the motto for a loosely-related series of acts that alternate between solo performances and dance ensembles. Owing to high ticket prices, ribald publicity campaigns and the occasional use of prurient material, the revue was typically patronized by audience members who earned more and felt even less restricted by middle-class s ...
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The Follies Of 1907
''The Follies of 1907'' is a 1907 musical revue which was conceived and produced by Florenz Ziegfeld Jr. The first of several theatrical revues that are collectively known as the " Ziegfeld Follies", the work contained songs material written by a variety of individuals; including music by Seymour Furth, E. Ray Goetz, Gus Edwards, Billy Gaston, Jean Schwartz, Silvio Hein, Matt Woodward and Gertrude Hoffman; and lyrics by Vincent Bryan, Edgar Selden, Will D. Cobb, Billy Gaston, William Jerome, Matt Woodward, Martin Brown and Paul West. Harry B. Smith authored the words for the comedic and dramatic sketches used in-between the musical numbers; as well as serving as head lyricist. Herbert Gresham staged the production and Max Hoffman, Sr. served as the musical director. ''The Follies of 1907'' premiered at the Savoy Theatre in Atlantic City, New Jersey on July 3, 1907, for tryout performances prior to its presentation on Broadway. The production included many well known ente ...
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Gustave Kerker
Gustave Adolph Kerker (February 28, 1857 – June 29, 1923) was a German-born composer and conductor who spent most of his life in the US. He became a musical director for Broadway theatre productions and wrote the music for a series of operettas and musicals produced on Broadway and in the West End. His most famous musical was '' The Belle of New York''. Life and career Kerker was born in Herford, Germany and began to study the cello at the age of seven."Gustave Kerker, Composer, Dead," ''New York Times'' (June 30, 1923), p. 11 His family emigrated to the U.S. in 1867, settling in Louisville, Kentucky. Kerker played in pit orchestras at local theatres and then began to conduct. His early operetta, ''Cadets'', toured the South in 1879. Kerker then moved to New York City, where he was engaged as the principal conductor at the Casino Theatre. There, he began to add his own songs into the scores of foreign operettas, notably Charles Lecocq's ''The Pearl of Pekin'', since these ...
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Roderic C
Roderic (also spelled Ruderic, Roderik, Roderich, or Roderick; Spanish and pt, Rodrigo, ar, translit=Ludharīq, لذريق; died 711) was the Visigothic king in Hispania between 710 and 711. He is well-known as "the last king of the Goths". He is actually an extremely obscure figure about whom little can be said with certainty. He was the last Goth to rule from Toledo, but not the last Gothic king, a distinction which belongs to Ardo. Roderic's election as king was disputed and he ruled only a part of Hispania with an opponent, Achila, ruling the rest. He faced a rebellion of the Basques and the Umayyad invasion. He was defeated and killed at the Battle of Guadalete. His widow Egilona is believed to have married Abd al-Aziz ibn Musa, the first Muslim governor of Hispania. Early life According to the late ''Chronicle of Alfonso III'', Roderic was a son of Theodefred, himself a son of king Chindaswinth, and of a woman named Riccilo. Roderic's exact date of birth is unknown b ...
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The White Hen (musical)
''The White Hen'' (originally titled '' The Girl from Vienna'') is a musical in two acts with music by composer Gustav Kerker, a book by Roderic C. Penfield, and lyrics co-authored by Penfield and Paul West. Set in Tyrol, Austria, the story takes place at an inn, 'The White Hen', owned by Hensie Blinder. The musical begins after Blinder returns from a trip to Vienna in which he engaged a matrimonial agency to help him find a wife. Upon his return to the inn, several women arrive in response to the advertisement placed by the agency and a comedy of errors ensues; including Blinder mistakenly believing he has committed the crime of bigamy.Dietz, p. 412 Performance history ''The White Hen'' was initially performed outside of New York City for tryout performances during which time adjustments were made to the work by its creators. This included a change to the title which was initially ''The Girl from Vienna''. The name was changed after the original production's male lead, Louis Man ...
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