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Paul Motian And The Electric Bebop Band
''Paul Motian and the Electric Bebop Band'' is an album of bebop jazz standards by American drummer Paul Motian originally released on the German JMT label. It was the first release by the Electric Bebop Band, which featured the veteran drummer working mainly with younger musicians and which subsequently became one of Motian's primary groups until the end of his life. Recorded in 1992, it was released in 1993 and features performances by Motian with tenor saxophonist Joshua Redman, guitarists Brad Shepik and Kurt Rosenwinkel, and bass guitarist Stomu Takeishi. The album was rereleased on the Winter & Winter label in 2004. accessed August 9, 2011 Reception The revie ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy Gillespie
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote, "Dizzy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Power Station (recording Studio)
Power Station at BerkleeNYC, formerly known as Avatar Studios (1996–2017) and Power Station, is a recording studio at 441 West 53rd Street between Ninth and Tenth avenues in the Hell's Kitchen neighborhood in Manhattan, New York City. The building contains 5 studio spaces: A, B, C, G, and E, as well as a black box theater. History The building was originally a Consolidated Edison power plant. In 1977, it was rebuilt as a recording studio by producer Tony Bongiovi and his partner Bob Walters. The complex was renamed Avatar Studios (under the Avatar Entertainment Corporation) in May 1996. In 2017, the studios were renamed back to Power Station, by special arrangement with Berklee NYC. The studio reopened in 2020 after a full renovation, while maintaining the studio spaces. In 1995, Sonalysts, which had begun as an underwater acoustics research company, licensed the Power Station's design and naming rights from Bongiovi and Walters. The company built a perfect replica of the o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
52nd Street Theme
This is a list of compositions by jazz musician Thelonious Monk. 0-9 52nd Street Theme A contrafact based loosely on rhythm changes in C, and was copyrighted by Monk under the title "Nameless" in April 1944. The tune was also called "Bip Bop" by Monk, and he claims that the tune's latter title was the origin of the genre-defining name bebop. It quickly became popular as an opening and closing tune on the clubs on 52nd Street on Manhattan where Dizzy Gillespie and Charlie Parker played. It was first recorded by Dizzy Gillespie's sextet on February 22, 1946, under the title "52nd Street Theme". Leonard Feather claims he gave the latter title. A Ask Me Now A tonally ambiguous ballad in D first recorded on July 23, 1951, for the '' Genius of Modern Music'' sessions. It also appears on ''5 by Monk by 5'', and ''Solo Monk''. Jon Hendricks wrote lyrics to the tune and called it ”How I Wish”; it was first recorded by Carmen McRae on ''Carmen Sings Monk''. Mark Murphy sings a versio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thelonious Monk
Thelonious Sphere Monk (, October 10, 1917 – February 17, 1982) was an American jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire, including " 'Round Midnight", "Blue Monk", " Straight, No Chaser", "Ruby, My Dear", "In Walked Bud", and "Well, You Needn't". Monk is the second-most-recorded jazz composer after Duke Ellington. Monk's compositions and improvisations feature dissonances and angular melodic twists and are consistent with his unorthodox approach to the piano, which combined a highly percussive attack with abrupt, dramatic use of switched key releases, silences, and hesitations. Monk's distinct look included suits, hats, and sunglasses. He also had an idiosyncratic habit during performances: while other musicians continued playing, Monk would stop, stand up, and dance for a few moments before returning to the piano. Monk is one of five jazz musicians to have been featured on the cover of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monk's Dream (Thelonious Monk Album)
''Monk's Dream'' is an album by jazz pianist Thelonious Monk that was released by Columbia Records in March 1963. It was Monk's first album for Columbia following his five-year recording period with Riverside Records. Recording and music "Bye-Ya" and "Bolivar Blues" were recorded on October 31, 1962; "Body and Soul" and "Bright Mississippi" on November 1; "Sweet and Lovely", "Just a Gigolo" and "Monk's Dream" on November 2; and "Five Spot Blues" on November 6. "Bright Mississippi" is the only composition on the album that Monk had not previously recorded. "Bolivar Blues" was originally titled "Ba-lue Bolivar Ba-lues-are" and had been on Monk's 1957 Riverside album, ''Brilliant Corners''. "Five Spot Blues" was called "Blues Five Spot" and first appeared on the album '' Misterioso'', which was recorded in concert at the Five Spot Cafe in New York in 1958 and released by Riverside. "Monk's Dream", "Bye-Ya", and "Sweet and Lovely" were recorded for Prestige at a session ten years earl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, band leader and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was an extremely brilliant virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber. Parker acquired the nickname "Yardbird" early in his career on the road with Jay McShann. This, and the shortened form "Bird", continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise". Parker was an icon for the hipster ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scrapple From The Apple
"Scrapple from the Apple" is a bebop composition by Charlie Parker written in 1947, commonly recognized today as a jazz standard, written in F major. The song borrows its chord progression from " Honeysuckle Rose", a common practice for Parker, as he based many of his successful tunes over already well-known chord changes. While the A section is based on " Honeysuckle Rose", the B section or "middle eight" comes from the rhythm changes, which are based on George Gershwin's "I Got Rhythm". Other versions * Lenny Breau – '' Pickin' Cotten'' (1977, released 2001) * Sonny Criss with Tal Farlow – ''Up, Up, and Away'' (1967) * Miles Davis – ''Many Miles of Davis'' (1962) * Curtis Fuller – ''Jazz Conference Abroad'' (1962) * Dexter Gordon – ''Our Man in Paris'' (1963) * Jim Hall – ''Jim Hall Live!'' (1975) * Tom Harrell with Kenny Garrett and Kenny Barron – ''Moon Alley'' (1985) * Keith Jarrett – '' After the Fall'' (1998, released 2018) * Frank Morgan Quartet – ''Yard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy Atmosphere
''Dizzy Atmosphere'' is a jazz standard by Dizzy Gillespie originally recorded in 1945 with Charlie Parker. Harmonically, it is based on the chord progression found in George Gershwin's I Got Rhythm, or "rhythm changes Rhythm changes are a common 32- bar chord progression in jazz, originating as the chord progression for George Gershwin's "I Got Rhythm". The progression is in AABA form, with each A section based on repetitions of the ubiquitous I–vi–ii–V ..." as referred to in jazz. References {{1940s-jazz-composition-stub 1945 compositions 1940s jazz standards Compositions by Dizzy Gillespie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tadd Dameron
Tadley Ewing Peake Dameron (February 21, 1917 – March 8, 1965) was an American jazz composer, arranger, and pianist. Biography Born in Cleveland, Ohio, Dameron was the most influential arranger of the bebop era, but also wrote charts for swing and hard bop players. The bands he arranged for included those of Count Basie, Artie Shaw, Jimmie Lunceford, Dizzy Gillespie, Billy Eckstine, and Sarah Vaughan. In 1940-41 he was the piano player and arranger for the Kansas City band Harlan Leonard and his Rockets. He and lyricist Carl Sigman wrote " If You Could See Me Now" for Sarah Vaughan and it became one of her first signature songs. According to the composer, his greatest influences were George Gershwin and Duke Ellington. In the late 1940s, Dameron wrote arrangements for Gillespie's big band, who gave the première of his large-scale orchestral piece ''Soulphony in Three Hearts'' at Carnegie Hall in 1948. Also in 1948, Dameron led his own group in New York, which included F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot House (composition)
"Hot House" is a bebop jazz standard, standard, composed by United States, American jazz musician Tadd Dameron in 1945. Its harmony, harmonic structure is identical to Cole Porter's "What Is This Thing Called Love?" (see contrafact). The tune was made famous by Dizzy Gillespie and Charlie Parker as a quintet arrangement and become synonymous with those musicians; "Hot House" became an anthem of the Be-bop movement in jazz, American jazz. The most famous and referred to recording of the tune is by Charlie Parker, Parker and Dizzy Gillespie, Gillespie on the May 1953 live concert recording entitled Jazz at Massey Hall, after previously recording it for Savoy records in 1945 and at Carnegie Hall in 1947. The tune continues to be a favorite among jazz musicians and enthusiasts: * In 1962, Bud Powell recorded it on his Bouncing with Bud album for Delmark records * In 1964, Charles McPherson (musician), Charles McPherson played it with Carmell Jones on his Prestige album ''Bebop Revisited ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie DeLange
Eddie DeLange (''né'' Edgar DeLange Moss; 15 January 1904 – 15 July 1949) was an American bandleader and lyricist. Famous artists who recorded some of DeLange's songs include Frank Sinatra, Ella Fitzgerald, Louis Armstrong, Nat King Cole, Duke Ellington, and Benny Goodman. Biography DeLange was born in Long Island City, Queens, New York. He graduated from the University of Pennsylvania in 1926. He became a stunt man in twenty-four comedies produced by Universal Studios, often for Reginald Denny. DeLange went back to New York City in 1932, earning a contract with Irving Mills. He had several hits in his first year, including " Moonglow." He and composer Will Hudson ''(né'' Arthur Murray Hainer; 1908–1981) formed the Hudson-DeLange Orchestra in 1935. The Orchestra recorded many of their collaborative songs and did many road shows as well. Hudson and DeLange's partnership dissolved in 1938, but DeLange created a new band that played on several tours. He formed a new part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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