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Paths Of Glory (painting)
''Paths of Glory'' is a 1917 painting by British artist C. R. W. Nevinson. The title quotes from a line from Thomas Gray's 1750 poem ''Elegy Written in a Country Churchyard'': "The paths of glory lead but to the grave". It is held by the Imperial War Museum in London, which describes it as "one of Nevinson's most famous paintings". Background Nevinson had served as a volunteer ambulance driver with the Friends' Ambulance Service on the Western Front in the early months of the First World War, from November 1914 to January 1915, and then returned to England. He served as an orderly in the Royal Army Medical Corps in London but was invalided out in late 1915 due to rheumatic fever. During this period he painted several paintings such as '' La Mitrailleuse'' (1915) and ''The Doctor'' (1916). He was commissioned as a war artist in 1917 and was sent to France by the British War Propaganda Bureau. He adopted a Realist style to depict the horror of the war, moved decisively away f ...
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Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ...
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Arthur Lee (British Army Officer)
Lieutenant-Colonel Arthur N. Lee, DSO, OBE, (August 1877- October 1954) was the British military censor in France of paintings by official British war artists during World War I from 1916 to the Peace. Biography Lee was born in Southwell, Nottinghamshire and attended Trinity College, Cambridge, graduating in 1899 and subsequently qualified as a solicitor before becoming a director of the Sheffield cutlery manufacturers Walker & Hall. He was a territorial officer with the Sherwood Foresters from 1903 and on the outbreak of World War I was mobilised with his regiment and sent to the Western Front. In 1916 he served as a Major in Dublin where the Sherwood Foresters suffered heavy losses during the Easter Rising and was awarded the DSO. He was then transferred to the HQ of the British Expeditionary Force as a Lieutenant-Colonel where he was appointed military censor. He had several well-recorded disputes with war artists, particularly William Orpen and Christopher Nevinson whose '' ...
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World War I In Popular Culture
The First World War, which was fought between 1914 and 1918, had an immediate impact on popular culture. In over the hundred years since the war ended, the war has resulted in many artistic and cultural works from all sides and nations that participated in the war. This included artworks, books, poems, films, television, music, and more recently, video games. Many of these pieces were created by soldiers who took part in the war. Art The years of warfare were the backdrop for art which is now preserved and displayed in such institutions as the Imperial War Museum in London, the Canadian War Museum in Ottawa, and the Australian War Memorial in Canberra. Official war artists were commissioned by the British Ministry of Information and the authorities of other countries. After 1914, avant-garde artists began to consider and investigate many things that had once seemed unimaginable. As Marc Chagall later remarked, "The war was another plastic work that totally absorbed us, whic ...
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Painting Controversies
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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Paintings By C
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrati ...
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Anti-war Paintings
An anti-war movement (also ''antiwar'') is a social movement, usually in opposition to a particular nation's decision to start or carry on an armed conflict, unconditional of a maybe-existing just cause. The term anti-war can also refer to pacifism, which is the opposition to all use of military force during conflicts, or to anti-war books, paintings, and other works of art. Some activists distinguish between anti-war movements and peace movements. Anti-war activists work through protest and other grassroots means to attempt to pressure a government (or governments) to put an end to a particular war or conflict or to prevent it in advance. History American Revolutionary War Substantial opposition to British war intervention in America led the British House of Commons on 27 February 1783 to vote against further war in America, paving the way for the Second Rockingham ministry and the Peace of Paris. Antebellum United States Substantial antiwar sentiment developed in the Un ...
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War Paintings
War is an intense armed conflict between states, governments, societies, or paramilitary groups such as mercenaries, insurgents, and militias. It is generally characterized by extreme violence, destruction, and mortality, using regular or irregular military forces. Warfare refers to the common activities and characteristics of types of war, or of wars in general. Total war is warfare that is not restricted to purely legitimate military targets, and can result in massive civilian or other non-combatant suffering and casualties. While some war studies scholars consider war a universal and ancestral aspect of human nature, others argue it is a result of specific socio-cultural, economic or ecological circumstances. Etymology The English word ''war'' derives from the 11th-century Old English words ''wyrre'' and ''werre'', from Old French ''werre'' (also ''guerre'' as in modern French), in turn from the Frankish *''werra'', ultimately deriving from the Proto-Germanic *''we ...
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Paintings In The Imperial War Museum
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrati ...
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1917 Paintings
Events Below, the events of World War I have the "WWI" prefix. January * January 9 – WWI – Battle of Rafa: The last substantial Ottoman Army garrison on the Sinai Peninsula is captured by the Egyptian Expeditionary Force's Desert Column. * January 10 – Imperial Trans-Antarctic Expedition: Seven survivors of the Ross Sea party were rescued after being stranded for several months. * January 11 – Unknown saboteurs set off the Kingsland Explosion at Kingsland (modern-day Lyndhurst, New Jersey), one of the events leading to United States involvement in WWI. * January 16 – The Virgin Islands, Danish West Indies is sold to the United States for $25 million. * January 22 – WWI: United States President Woodrow Wilson calls for "peace without victory" in Germany. * January 25 ** WWI: British armed merchantman is sunk by mines off Lough Swilly (Ireland), with the loss of 354 of the 475 aboard. ** An anti-prostitution drive in Prostitution in t ...
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Ministry Of Information (United Kingdom)
The Ministry of Information (MOI), headed by the Minister of Information, was a United Kingdom government department created briefly at the end of the First World War and again during the Second World War. Located in Senate House at the University of London during the 1940s, it was the central government department responsible for publicity and propaganda. The MOI was dissolved in March 1946, with its residual functions passing to the Central Office of Information (COI); which was itself dissolved in December 2011 due to the reforming of the organisation of government communications. First World War Before the Lloyd George War Cabinet was formed in 1917, there was no full centralised coordination of public information and censorship. Even under the War Cabinet, there were still many overlapping departments involved. The Admiralty, War Office and Press Committee (AWOPC) had been formed in 1912 as a purely advisory body, chaired initially by the Secretary of the Admiralty Sir G ...
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War Office
The War Office was a department of the British Government responsible for the administration of the British Army between 1857 and 1964, when its functions were transferred to the new Ministry of Defence (MoD). This article contains text from this source, which is available under th Open Government Licence v3.0 © Crown copyright It was equivalent to the Admiralty, responsible for the Royal Navy (RN), and (much later) the Air Ministry, which oversaw the Royal Air Force (RAF). The name 'War Office' is also given to the former home of the department, located at the junction of Horse Guards Avenue and Whitehall in central London. The landmark building was sold on 1 March 2016 by HM Government for more than £350 million, on a 250 year lease for conversion into a luxury hotel and residential apartments. Prior to 1855, 'War Office' signified the office of the Secretary at War. In the 17th and 18th centuries, a number of independent offices and individuals were re ...
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Leicester Galleries
Leicester Galleries was an art gallery located in London from 1902 to 1977 that held exhibitions of modern British, French and international artists' works. Its name was acquired in 1984 by Peter Nahum, who operates "Peter Nahum at the Leicester Galleries" in Mayfair. History In July 1902, Cecil and Wilfred Phillips opened a gallery in Leicester Square. The following year Ernest Brown joined the organisation, and they became Ernest Brown and Phillips Ltd, operating the Leicester Galleries. The exhibited works of modern British and French painters, including John Lavery, Robert Medley, Mark Gertler and Henry Moore. Works exhibited included drawings, watercolours, paintings, prints and sculptures. Every one of the more than 1,400 exhibitions had a printed catalogue. Emerging artists - such as William Roberts, Christopher Nevinson, David Bomberg, and Jacob Epstein - were recognized in their annual "Artists of Fame and Promise" exhibition. Henri Matisse, Picasso, Camille Pissarro ...
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