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Partita In A Minor For Solo Flute (Bach)
The Partita in A minor for solo flute, BWV 1013, is a partita in four movements composed by Johann Sebastian Bach. Its date of composition is uncertain, though on the basis of its advanced playing technique, which is more demanding than in the flute part for the Fifth Brandenburg Concerto, for example, it must have been written after 1723. The title, however, is the work of 20th-century editors. The title in the only surviving 18th-century manuscript is "Solo p ur uneflûte traversière par J. S. Bach". History The discoverer of the sole surviving manuscript, Karl Straube, believed it to be an autograph and this view was accepted by Alfred Einstein. However, more recently it has been shown that it was made by two copyists. Although their names are unknown, one appears to be identical with the principal scribe of another manuscript, P 267 (containing the violin sonatas and partitas, BWV 1001–1006), which places this part of the copy of the Partita in the first half of the 1720s. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Partita
Partita (also ''partie'', ''partia'', ''parthia'', or ''parthie'') was originally the name for a single-instrumental piece of music (16th and 17th centuries), but Johann Kuhnau (Thomaskantor until 1722), his student Christoph Graupner, and Johann Sebastian Bach used it for collections of musical pieces, as a synonym for suite. Johann Sebastian Bach wrote two sets of partitas for different instruments. Those for solo keyboard the composer published as his Opus 1 (known as the Klavierübung I). One additional suite in B minor, the ''Overture in the French Style'' (often simply called ''French Overture'') is sometimes also considered a partita. See ''Partitas'' for keyboard (825–830) and choral partitas for organ. The "Partita" in A minor for solo flute (BWV 1013) which takes the form of a suite of four dances, has been given the title "partita" by its modern editors; it is sometimes transposed for oboe. Bach also wrote three partitas for solo violin in 1720 which he paired wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brandenburg Concertos
The ''Brandenburg Concertos'' by Johann Sebastian Bach (Bach-Werke-Verzeichnis, BWV 1046–1051), are a collection of six instrumental works presented by Bach to Christian Ludwig of Brandenburg-Schwedt, Christian Ludwig, Margrave of Brandenburg-Schwedt,Giles MacDonogh, MacDonogh, Giles. ''Frederick the Great: A Life in Deed and Letters''. St. Martin's Griffin. New York. 2001. in 1721 (though probably composed earlier). The original French title is ''Six Concerts à plusieurs instruments,'' meaning "Six Concertos for several instruments". Some of them feature several solo instruments in combination. They are widely regarded as some of the best orchestral compositions of the baroque music, Baroque era. History In 1721, Johann Sebastian Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Tyrrell (professor Of Music)
John Tyrrell (17 August 1942 – 4 October 2018) was a British musicologist. He published several books on Leoš Janáček, including an authoritative and largely definitive two-volume biography. Early life Tyrrell was born in Salisbury, Southern Rhodesia (now Harare, Zimbabwe), he studied at the universities of Cape Town, Oxford and Brno. He pursued his Bachelor of Music at the University of Cape Town following which he moved to Oxford University to pursue a doctoral degree under the supervision of Edmund Rubbra Career Tyrrell started his career working in an editorial capacity at The Musical Times. He was a Lecturer in Music at the University of Nottingham (1976), becoming Reader in Opera Studies (1987) and Professor (1996). From 1996 to 2000 he was Executive Editor of the second edition of ''The New Grove Dictionary of Music and Musicians'' (2001). From 2000-08, he was Research Professor at Cardiff University. He received numerous awards and honours throughout his career. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Solo (music)
In music, a solo (from the Spanish language, Spanish and Italian language, Italian based-word: ''Solo'', meaning ''alone'' or ''by yourself'') is a musical composition, piece or a section (music), section of a piece played or sung featuring a single performer, who may be performing completely alone or supported by an accompanying instrument such as a piano or Organ (music), organ, a Basso continuo, continuo group (in Baroque music), or the rest of a choir, orchestra, band, or other ensemble. Performing a solo is "to solo", and the performer is known as a ''soloist''. The plural is soli or the anglicisation, anglicised form solos. In some contexts these are interchangeable, but ''soli'' tends to be restricted to classical music, and mostly either the solo performers or the solo passage (music), passages in a single piece. Furthermore, the word ''soli'' can be used to refer to a small number of simultaneous parts assigned to single players in an orchestral composition. In the Baroq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Straube
Montgomery Rufus Karl Siegfried Straube (6 January 1873 – 27 April 1950) was a German church musician, organist, and choral conducting, conductor, famous above all for championing the abundant organ music of Max Reger. Career Born in Berlin, Straube studied organ under Heinrich Reimann there from 1894 to 1897 and became a widely respected concert organist. In 1897 he was appointed organist at Willibrordi-Dom (St Willibrord Cathedral) in Wesel, but left in 1902 to take up the position of organist at the Thomaskirche in Leipzig. He gave up his career as a performer relatively early in order to pursue teaching and publishing, particularly the music of Max Reger, though he still kept his position at the Thomaskirche. He was also appointed to the organ faculty of the Leipzig Conservatorium in 1907, receiving the title of "Royal Professor" in 1908. This most honorary title, which is seemingly astounding for a professor of only one year, reflects more on Straube's cleverness than ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Einstein
Alfred Einstein (December 30, 1880February 13, 1952) was a German-American musicologist and music editor. He was born in Munich and fled Nazi Germany after Hitler's ''Machtergreifung'', arriving in the United States by 1939. He is best known for being the editor of the first major revision of the Köchel catalogue, which was published in the year 1936. The Köchel catalogue is the extensive catalogue of the works of Wolfgang Amadeus Mozart. Biography Einstein was born in Munich. Though he originally studied law, he quickly realized his principal love was music, and he acquired a doctorate at Munich University, focusing on instrumental music of the late Renaissance and early Baroque eras, in particular music for the viola da gamba. In 1918 he became the first editor of the ''Zeitschrift für Musikwissenschaft''; slightly later he became music critic for the ''Münchner Post''; and in 1927 became music critic for the ''Berliner Tageblatt''. In this period he was also a friend of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Das Orchester
''Das Orchester'' is a German-language magazine for musicians and management which has been published eleven times a year since 1953 by Schott Music and is distributed in over 45 countries worldwide. The editor-in-chief is based in Berlin while the publishing house's editorial office is located in Mainz. Content The magazine deals with all topics concerning the orchestra: with music education and professional life, with music and music medicine, with music education and training programmes, audience acquisition and cultural financing, orchestra marketing and orchestra management. It takes a look at the international orchestra landscape, reports on the work of and publishes studies on audience research. Reports on concert series, music theatre premieres, music festivals, competitions and symposia reflect current musical life. In addition, there is information about new things for musicians, also in instrument making, short news items and detailed reviews of new books, sheet m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Winfried Michel
Winfried Michel (born 1948 in Fulda) is a German recorder player, composer, and editor of music. Michel studied with Ingetraud Drescher, Nikolaus Delius, and Frans Brüggen. He is lecturer for the recorder at the Staatliche Hochschule Münster and at the Musikakademie Kassel. In addition to compositions published under his own name, he has written numerous pieces in the style of the early 18th century under the pseudonym Giovanni Paolo Simonetti. In 1993 he succeeded in convincing noted Haydn scholar H. C. Robbins Landon and the pianist/scholars Paul and Eva Badura-Skoda that six piano sonatas he had composed were long-lost works by Joseph Haydn. Based on the opening few bars of six lost Haydn works, found in an old thematic index, these sonatas were published in 1995 as works by Haydn, "supplemented and edited by Winfried Michel." He has similarly completed the Viola ; german: Bratsche , alt=Viola shown from the front and the side , image=Bratsche.jpg , caption= , ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach-Jahrbuch
The ''Bach-Jahrbuch'' ("Bach yearbook" or according to the publication's website "Bach Annals") is an Periodical literature, annual publication related to the composer Bach. It is published in German by the Neue Bachgesellschaft in Leipzig. It is the most respected publication for international Bach research. The ''Bach-Jahrbuch'' contains contributions of notable Bach scholars related to recent research of Bach and his family. It also provides a Bach bibliography. Begun in 1904, it is the oldest periodical dedicated to one composer. The first editor was the musicologist Arnold Schering from 1904. The present editor is Peter Wollny. Editors * Arnold Schering (1904–1939) * Max Schneider (music historian), Max Schneider (1940–1952) * Alfred Dürr and Werner Neumann (1953–1974) * Hans-Joachim Schulze and Christoph Wolff (1975–2005) * Peter Wollny (from 2005) External links * Neue Bachgesellschaft {{italic title Annual publications Classical music publications ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suites By Johann Sebastian Bach
Suite may refer to: Arts and entertainment *Suite (music), a set of musical pieces considered as one composition ** Suite (Bach), a list of suites composed by J. S. Bach ** Suite (Cassadó), a mid-1920s composition by Gaspar Cassadó ** ''Suite'' (Penderecki), a 1994 composition by Krzysztof Penderecki ** :Suites (music) *Suite, a set of related illustrations considered to be part of one art composition (e.g., the Vollard Suite by Picasso) *'' Suite!'', a 2019 album by Roberto Magris *"Suite", a poem by Patti Smith from her book ''Babel'' *''Suite PreCure'', a series of the Pretty Cure anime franchise Architecture and design *Suite (address), a kind of address or location in an office building, shopping mall, etc. *Suite (hotel), a type of hotel room *Secondary suite, an additional separate dwelling unit on a property that would normally accommodate only one dwelling unit Other uses * Suite (geology), a lithodemic unit *Software suite, a collection of related software *Retinue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
