Parisian Women In Algerian Costume (The Harem)
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Parisian Women In Algerian Costume (The Harem)
''Parisian Women in Algerian Costume (The Harem)'', sometimes known as ''Interior of a Harem in Montmartre (Parisian Women Dressed in Algerian costumes)'', is a painting by Pierre-Auguste Renoir, completed 1872, which Renoir created in homage to Eugène Delacroix's '' Women of Algiers in their Apartment'' (1834, Louvre). It was rejected for entry to the 1872 Paris Salon, disliked by the artist and eventually sold for a small sum as part of a larger lot. It is now in the National Museum of Western Art, Tokyo. Homage to Delacroix In the 1870s, Renoir temporarily rejected the realism of Gustave Courbet and Édouard Manet in favour of the colour and drama of his hero Delacroix. He painted ''The Harem'' in homage to Delacroix's ''Women of Algiers in their Apartment'' (1834, Louvre) which he later described as "the most beautiful picture in existence".Benjamin, Roger. (2003) ''Renoir and Algeria''. New Haven: Yale University Press, p. 19. The title of the picture acknowledged the art ...
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Pierre-Auguste Renoir
Pierre-Auguste Renoir (; 25 February 1841 – 3 December 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau." He was the father of actor Pierre Renoir (1885–1952), filmmaker Jean Renoir (1894–1979) and ceramic artist Claude Renoir (1901–1969). He was the grandfather of the filmmaker Claude Renoir (1913–1993), son of Pierre. Life Youth Pierre-Auguste Renoir was born in Limoges, Haute-Vienne, France, in 1841. His father, Léonard Renoir, was a tailor of modest means, so, in 1844, Renoir's family moved to Paris in search of more favorable prospects. The location of their home, in rue d’Argenteuil in central Paris, placed Renoir in proximity to the Louvre. Although the young Renoir had a natural proclivity for drawing, he exhibited a greater t ...
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Lise Tréhot
Lise Tréhot (14 March 1848 – 12 March 1922) was a French art model who posed for artist Pierre-Auguste Renoir from 1866 until 1872, during his early Salon period. She appeared in more than twenty paintings, including notable works such as ''Lise with a Parasol'' (1867) and ''In Summer'' (1868), and she was the model for almost all of Renoir's work featuring female figures at this time. Tréhot married Georges Brière de l'Isle in 1883 and raised four children to whom she bequeathed two of Renoir's paintings, '' Lise Sewing'' (1867–68) and '' Lise in a White Shawl'' (1872), both of which are currently held by the Dallas Museum of Art.Collins, John (2013). "Tréhot, Lise." In Jill Berk Jiminez (ed). Dictionary of Artists' Models'. Routeledge. pp.526–528. . .Cooper, Douglas (May 1959).Renoir, Lise and the Le Cœur Family: A Study of Renoir's Early Development-1 Lise" ''The Burlington Magazine'', 101 (674): 162–171. . Early life Lise Tréhot was born in Ecquevilly, Seine ...
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Paintings By Pierre-Auguste Renoir
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ...
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1872 Paintings
Year 187 ( CLXXXVII) was a common year starting on Sunday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Quintius and Aelianus (or, less frequently, year 940 ''Ab urbe condita''). The denomination 187 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Septimius Severus marries Julia Domna (age 17), a Syrian princess, at Lugdunum (modern-day Lyon). She is the youngest daughter of high-priest Julius Bassianus – a descendant of the Royal House of Emesa. Her elder sister is Julia Maesa. * Clodius Albinus defeats the Chatti, a highly organized German tribe that controlled the area that includes the Black Forest. By topic Religion * Olympianus succeeds Pertinax as bishop of Byzantium (until 198). Births * Cao Pi, Chinese emperor of the Cao Wei state (d. 226) * G ...
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Olympia (Manet)
''Olympia'' is a painting by Édouard Manet, first exhibited at the 1865 Paris Salon, which shows a nude woman ("Olympia") lying on a bed being brought flowers by a servant. Olympia was modelled by Victorine Meurent and Olympia's servant by the art model Laure. Olympia's confrontational gaze caused shock and astonishment when the painting was first exhibited because a number of details in the picture identified her as a prostitute. The French government acquired the painting in 1890 after a public subscription organized by Claude Monet. The painting is on display at the Musée d'Orsay, Paris. Content What shocked contemporary audiences was not Olympia's nudity, nor the presence of her fully clothed maid, but her confrontational gaze and a number of details identifying her as a ''demi-mondaine'' or prostitute. These include the orchid in her hair, her bracelet, pearl earrings and the oriental shawl on which she lies, symbols of wealth and sensuality. The black ribbon around her n ...
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Madame Clémentine Valensi Stora (L'Algérienne)
''Madame Clémentine Valensi Stora (L'Algérienne)'' is an oil painting by Pierre-Auguste Renoir, completed in 1870. It depicts a young Jewish woman, Rebecca Clémentine Stora, in Algerian costume and is untypical of Renoir's work, leading to debate about the place of the painting within his ''oeuvre''. Renoir and Stora both later repudiated the work. Background Pierre-Auguste Renoir was closely associated with the Impressionist movement and the painting of modern life in France in the mid-nineteenth century. ''L'Algérienne'' is untypical of his output in depicting a named living subject in an oriental costume. Renoir did create a number of Orientalist works including ''Woman of Algiers ("Odalisque")'' (1870) and ''Parisian Women in Algerian Costume (The Harem)'' (1872), however, both were homages to existing works rather than portraits of living people, Ingres' '' Grande Odalisque'' (1814, Louvre) in the first case and Delacroix's ''Women of Algiers in their Apartment'' (1834 ...
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Les Femmes D'Alger (Picasso)
''Les Femmes d'Alger'' (English: ''Women of Algiers'') is a series of 15 paintings and numerous drawings by the Spanish artist Pablo Picasso. The series, created in 1954–1955, was inspired by Eugène Delacroix's 1834 painting '' The Women of Algiers in their Apartment'' (). The series is one of several painted by Picasso in tribute to artists that he admired. The entire series of ''Les Femmes d'Alger'' was bought by Victor and Sally Ganz from the Galerie Louise Leiris in Paris for $212,500 in June 1956 (equivalent to $ million in ). Ten paintings from the series were later sold by the Ganz's to the Saidenberg Gallery, with the couple keeping versions "C", "H", "K", "M" and "O". Many of the individual paintings in the series are now in prominent public and private collections. Origin In December 1954, Picasso began to paint a series of free variations on Delacroix's ''The Women of Algiers in their Apartment (Les Femmes d'Alger)''. He began his first version (cat. 19) si ...
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List Of Paintings By Pierre-Auguste Renoir
This is an incomplete list of paintings by Impressionist painter Pierre-Auguste Renoir. Renoir painted about 4000 paintings that have sold at auction for as much as $78.1 million (in 1990). The largest collection of Renoir paintings is at the Barnes Foundation in Philadelphia, Pennsylvania, United States. 1860–1869 1870–1879 }) , , 1870 , , , , São Paulo Museum of Art, São Paulo, Brazil , - , , , '' Woman with Parakeet''(french: La femme à la perruche) , , 1871 , , , , Solomon R. Guggenheim Museum, New York , - , , , ''Charles Le Coeur'' , , c. 1872 , , , , Musée d'Orsay , , Paris , - , , , '' Parisian Women in Algerian Costume (The Harem)''(french: Parisiennes en costume algérien (Le Harem)) , , 1872 , , , , National Museum of Western Art, Tokyo , - , , , '' Le Pont-Neuf''('' :fr:Le Pont-Neuf'') , , 1872 , , , , National Gallery of Art, Washington, D.C. , - , , , '' Madame Monet Lying on a Sofa''('' :fr:Madame Monet étendue sur un so ...
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Anthony Hecht
Anthony Evan Hecht (January 16, 1923 – October 20, 2004) was an American poet. His work combined a deep interest in form with a passionate desire to confront the horrors of 20th century history, with the Second World War, in which he fought, and the Holocaust being recurrent themes in his work. Biography Early years Hecht was born in New York City to German-Jewish parents. He was educated at various schools in the city – he was a classmate of Jack Kerouac at Horace Mann School – but showed no great academic ability, something he would later refer to as "conspicuous". However, as a freshman English student at Bard College in New York he discovered the works of Wallace Stevens, W. H. Auden, T. S. Eliot, and Dylan Thomas. It was at this point that he decided he would become a poet. Hecht's parents were not happy at his plans and tried to discourage them, even getting family friend Ted Geisel, better known as Dr. Seuss, to attempt to dissuade him. In 1944, upon completing his ...
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Bernheim-Jeune
Bernheim-Jeune gallery is one of the oldest art galleries in Paris. Opened on Rue Laffitte in 1863 by Alexandre Bernheim (1839-1915), friend of Delacroix, Corot and Courbet, it changed location a few times before settling on Avenue Matignon. The gallery promoted realists, Barbizon school paintings and, in 1874, the first impressionist and later post-impressionist painters. It closed in 2019. History In 1901, Alexandre Bernheim, with his sons, Josse (1870-1941), and Gaston (1870-1953), organized the first important exhibition of Vincent van Gogh paintings in Paris with the help of art critic Julien Leclercq. In 1906, ''Bernheim-Jeune frères'' started presenting works by Pierre Bonnard, Édouard Vuillard, Paul Cézanne, Henri-Edmond Cross, Kees van Dongen, Henri Matisse, Le Douanier Rousseau, Raoul Dufy, Maurice de Vlaminck, Amedeo Modigliani, Maurice Utrillo and Georges Dufrénoy. From 1906 to 1925, art critic Félix Fénéon was the director of the gallery and was instrum ...
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Ambroise Vollard
Ambroise Vollard (3 July 1866 – 21 July 1939) was a French art dealer who is regarded as one of the most important dealers in French contemporary art at the beginning of the twentieth century. He is credited with providing exposure and emotional support to numerous then-unknown artists, including Paul Cézanne,Cooper, Philip. ''Cubism''. London: Phaidon, 1995, p. 48. Aristide Maillol, Pierre-Auguste Renoir, Louis Valtat, Pablo Picasso, André Derain, Georges Rouault, Paul Gauguin and Vincent van Gogh. He was also an avid art collector and publisher, especially of print series by leading artists. Biography Born in Saint-Denis, Réunion, he was raised in the French Indian Ocean colony. After his matura (final exams) in La Réunion, he went to study jurisprudence in France from 1885, for a while in Montpellier, then at the École de droit in Paris, where he received his degree in 1888. During his studies, Vollard converted himself into an "amateur-merchant" by becoming a cler ...
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