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Paris Concert (Gerry Mulligan Album)
''Paris Concert'' (also released in France as ''3e Salon du Jazz, Paris, 1954, À Pleyel'') is a live album by saxophonist and bandleader Gerry Mulligan featuring performances recorded at the Salle Pleyel in Paris in June 1954 and released on the Pacific Jazz label.Pacific Jazz Records Catalog: 1200 series
accessed February 29, 2016
Gerry Mulligan Discography
accessed February 29, 2016
In 1966, Pacific Jazz released an album with the same title but with a slightly different track listing and edited versions of previously released tracks. The original recordings were made by
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Gerry Mulligan
Gerald Joseph Mulligan (April 6, 1927 – January 20, 1996), also known as Jeru, was an American jazz saxophonist, clarinetist, composer and arranger. Though primarily known as one of the leading jazz baritone saxophonists—playing the instrument with a light and airy tone in the era of cool jazz—Mulligan was also a significant arranger, working with Claude Thornhill, Miles Davis, Stan Kenton, and others. His pianoless quartet of the early 1950s with trumpeter Chet Baker is still regarded as one of the best cool jazz groups. Mulligan was also a skilled pianist and played several other reed instruments. Several of his compositions, such as "Walkin' Shoes" and "Five Brothers", have become standards. Biography Early life and career Gerry Mulligan was born in Queens Village, Queens, New York, United States, the son of George and Louise Mulligan. His father was a Wilmington, Delaware native of Irish descent; his mother a Philadelphia native of half-Irish and half-German desce ...
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Love Me Or Leave Me (Donaldson And Kahn Song)
"Love Me or Leave Me" is a popular song written in 1928 by Walter Donaldson with lyrics by Gus Kahn. The song was introduced in the Broadway musical comedy ''Whoopee!'', which opened in December 1928. Ruth Etting's performance of the song was so popular that she was also given the song to sing in the play ''Simple Simon'', which opened in February 1930. Recorded versions Major recorded versions The original version of the song, the biggest-selling at the time, was recorded by Ruth Etting on December 17, 1928. It was issued by Columbia Records as catalog number 1680-D, with the flip side "I'm Bringing a Red, Red Rose", another Donaldson/Kahn composition. The song reached #2 on the charts in 1929. Other versions which also enjoyed popularity at this time were by Guy Lombardo's Royal Canadians, with a vocal by Carmen Lombardo (recorded March 20, 1929, released by Columbia Records as catalog number 1782D, with the flip side "I'm Still Caring") and by Leo Reisman and his orchestra (r ...
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Makin' Whoopee
"Makin' Whoopee" is a jazz/blues song, first popularized by Eddie Cantor in the 1928 musical ''Whoopee!''. Gus Kahn wrote the lyrics and Walter Donaldson composed the music for the song as well as for the entire musical. The title refers to celebrating a marriage. Eventually "making whoopee" became a euphemism for intimate sexual relations. The song has been called a "dire warning", largely to men, about the "trap" of marriage. A review of a James Naughton cabaret performance. "Mr. Naughton pounces on the dire warning to men lurking beneath the song's playful surface: that once the honeymoon is over, marriage can become a trap from which there is no escape." "Makin' Whoopee" begins with the celebration of a wedding, honeymoon and marital bliss, but moves on to babies and responsibilities, and ultimately on to affairs and possible divorce, ending with a judge's advice. Other versions *1928 George Olsen and His Music. Released by Victor on November 12, 1928 as catalog number 21816- ...
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Lorenz Hart
Lorenz Milton Hart (May 2, 1895 – November 22, 1943) was an American lyricist and half of the Broadway songwriting team Rodgers and Hart. Some of his more famous lyrics include " Blue Moon", " The Lady Is a Tramp", "Manhattan", "Bewitched, Bothered and Bewildered", and "My Funny Valentine". Life and career Hart was born in Harlem, New York City, the elder of two sons, to Jewish immigrant parents, Max M. and Frieda (Isenberg) Hart, of German background. Through his mother, he was a great-grandnephew of the German poet Heinrich Heine. His father, a business promoter, sent Hart and his brother to private schools. (His brother, Teddy Hart, also went into theatre and became a musical comedy star. Teddy Hart's wife, Dorothy Hart, wrote a biography of Lorenz Hart.) Hart received his early education from Columbia Grammar School and entered Columbia College in 1913, before switching to Columbia University School of Journalism, where he attended for two years.
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Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American Musical composition, composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including ''Pal Joey (musical), Pal Joey'', ''A Connecticut Yankee (musical), A Connecticut Yankee'', ''On Your Toes'' and ''Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', ''Flower Drum Song'', ''Carousel (musical), Carousel'', ''South Pacific (musical), South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for brin ...
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John Blackburn (songwriter)
John M. Blackburn (October 19, 1913 in Massillon, Ohio – November 15, 2006 in Newport, Oregon) was a lyricist. He wrote the lyrics to " Moonlight in Vermont". He was raised in Shaker Heights, a suburb of Cleveland, Ohio. He traveled with a puppet theater that brought him to Vermont, inspiring the lyrics to " Moonlight in Vermont", the music was composed by Karl Suessdorf. It was introduced by Margaret Whiting in 1944. In 1957, Oscar Peterson Oscar Emmanuel Peterson (August 15, 1925 – December 23, 2007) was a Canadian virtuoso jazz pianist and composer. Considered one of the greatest jazz pianists of all time, Peterson released more than 200 recordings, won seven Grammy Awards, ... recorded Blackburn's "Susquehanna". External linksJohn Blackburnfrom Jazz Biographies {{DEFAULTSORT:Blackburn, John 1913 births 2006 deaths Songwriters from Ohio American musical theatre composers American musical theatre lyricists People from Massillon, Ohio People from Newpor ...
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Karl Suessdorf
Karl A. Suessdorf (April 28, 1911 – February 25, 1982) was an American songwriter. Biography The son of Henry F. Suessdorf, he was born in Valdez, Alaska, United States, where his father operated from 1907 to 1917 the Copper Block Buffet, a hotel and saloon that offered electric lights, hot baths and steam, and served men only. At the time of the 1920 U.S. Census (January 1920), Karl was living in Los Angeles with his grandmother. In 1938, he married Anna E. van Kleeff (stage name Kita van Cleve), who was then performing the part of Herodias in the Lester Horton non-verbal all-dance production of the play "Salome" written by Oscar Wilde. At the time of the 1940 U.S. Census (April 1940), the couple was renting a small house in Hollywood; his occupation was listed as a "salesman" working in a gasoline station. He and Kita were divorced about 1946. Suessdorf was best known for his collaboration with lyricist John Blackburn in composing the jazz standard, " Moonlight in Verm ...
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Moonlight In Vermont (song)
"Moonlight in Vermont" is a popular song about the U.S. state of Vermont, written by John Blackburn (lyrics) and Karl Suessdorf (music) and published in 1944. It was introduced by Margaret Whiting in a 1944 recording. Background The lyrics are unusual in that they do not rhyme. John Blackburn, the lyricist, has been quoted as saying, "After completing the first 12 bars of the lyric, I realized there was no rhyme and then said to Karl, 'Let’s follow the pattern of no rhyme throughout the song. It seemed right.'"Sheila Davis (1984) ''The Craft of Lyric Writing '', Writer's Digest Books, Cincinnati The lyrics are also unconventional in that each verse (not counting the bridge) is a haiku. The song is considered an unofficial state song of Vermont and is frequently played as the first dance song at Vermont wedding receptions. Recorded versions "Moonlight in Vermont" has been covered by numerous other artists over the years: *Johnny Smith recorded a version of the song in 195 ...
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Mike Stoller
Lyricist Jerome Leiber (April 25, 1933 – August 22, 2011) and composer Michael Stoller (born March 13, 1933) were American songwriting and record producing partners. They found success as the writers of such crossover hit songs as " Hound Dog" (1952) and "Kansas City" (1952). Later in the 1950s, particularly through their work with The Coasters, they created a string of ground-breaking hits—including " Young Blood" (1957), "Searchin'" (1957), and "Yakety Yak" (1958)—that used the humorous vernacular of teenagers sung in a style that was openly theatrical rather than personal. Leiber and Stoller wrote hits for Elvis Presley, including " Love Me" (1956), " Jailhouse Rock" (1957), " Loving You", " Don't", and "King Creole". They also collaborated with other writers on such songs as " On Broadway", written with Barry Mann and Cynthia Weil; " Stand By Me", written with Ben E. King; "Young Blood", written with Doc Pomus; and "Spanish Harlem", co-written by Leiber and Phil Spector. ...
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Jerry Leiber
Lyricist Jerome Leiber (April 25, 1933 – August 22, 2011) and composer Michael Stoller (born March 13, 1933) were American songwriting and record producing partners. They found success as the writers of such Crossover music, crossover hit songs as "Hound Dog (song), Hound Dog" (1952) and "Kansas City (Leiber and Stoller song), Kansas City" (1952). Later in the 1950s, particularly through their work with The Coasters, they created a string of ground-breaking hits—including "Young Blood (The Coasters song), Young Blood" (1957), "Searchin'" (1957), and "Yakety Yak" (1958)—that used the humorous vernacular of teenagers sung in a style that was openly theatrical rather than personal. Leiber and Stoller wrote hits for Elvis Presley, including "Love Me (Leiber/Stoller song), Love Me" (1956), "Jailhouse Rock (song), Jailhouse Rock" (1957), "Loving You (Elvis Presley song), Loving You", "Don't (Leiber/Stoller song), Don't", and "King Creole (song), King Creole". They also collaborate ...
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Bernie Miller
Bernie Miller (1919–1945) was a native of Washington, DC and is best known as the composer of "Bernie's Tune", a 1950s jazz standard that was popularized by the Gerry Mulligan Quartet and brought attention to the West Coast Jazz movement. In 1955, songwriters Jerry Leiber and Mike Stoller added lyrics to "Bernie's Tune." Additional information In his book, "Fifties Jazz Talk: An Oral Retrospective (Studies in Jazz)", author Gordon Jack included an interview with Gerry Mulligan where Mulligan stated, "Bernie Miller wrote "Bernie's Tune," but I never knew him. As far as I know, he was a piano player from Washington D.C., and I think he had died by the time I encountered any of his tunes. He had a melodic touch, and he wrote a couple of other pieces that musicians liked to play."Fifties Jazz Talk: An Oral Retrospective (Studies in Jazz)", Gordon Jack Miller is also known for composing the jazz tune, "Loaded", which was covered by Chet Baker, Stan Getz, Vido Musso, Kai Winding, ...
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