Palazzo Della Loggia (Brescia)
   HOME
*



picture info

Palazzo Della Loggia (Brescia)
Palazzo della Loggia (the Loggia palace, or the Loggia) is a Renaissance palace situated in the eponymous piazza in Brescia. History In 1484, the city authorities of Brescia decided to dedicate a new building to its citizens to express ''good governance''. It was planned to replace the original loggia and to add to the monumental architecture of the Piazza della Loggia, which was coming up at the same time. The function of the building during the Venetian domination of Brescia was to host the hearings of the Venetian Podestà, whose ''Consiglio Cittadino'' and the ''Collegio dei Notai'' demonstrated the centrality of the building in city life, both geographically and politically. The first proposal was by Tomaso Formentone, an architect from Vicenza, who designed a wooden model. But Formentone was not a prolific architect, and was at the time also involved in the Basilica at Vicenza. It is unlikely, therefore, that he was a chief designer of Brescia's biggest building. More like ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Brescia
Brescia (, locally ; lmo, link=no, label= Lombard, Brèsa ; lat, Brixia; vec, Bressa) is a city and ''comune'' in the region of Lombardy, Northern Italy. It is situated at the foot of the Alps, a few kilometers from the lakes Garda and Iseo. With a population of more than 200,000, it is the second largest city in the administrative region and the fourth largest in northwest Italy. The urban area of Brescia extends beyond the administrative city limits and has a population of 672,822, while over 1.5 million people live in its metropolitan area. The city is the administrative capital of the Province of Brescia, one of the largest in Italy, with over 1,200,000 inhabitants. Founded over 3,200 years ago, Brescia (in antiquity Brixia) has been an important regional centre since pre-Roman times. Its old town contains the best-preserved Roman public buildings in northern Italy and numerous monuments, among these the medieval castle, the Old and New cathedral, the Renaissance ' ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Luigi Vanvitelli
Luigi Vanvitelli (; 12 May 1700 – 1 March 1773), known in Dutch as (), was an Italian architect and painter. The most prominent 18th-century architect of Italy, he practised a sober classicising academic Late Baroque style that made an easy transition to Neoclassicism. Biography Vanvitelli was born in Naples, the son of an Italian woman, Anna Lorenzani, and a Dutch painter of land and cityscapes (veduta), Caspar van Wittel, who also used the name Vanvitelli. He was trained in Rome by the architect Nicola Salvi, with whom he worked on the construction of the Trevi Fountain. Following his notable successes in the competitions for the facade of the Basilica di San Giovanni in Laterano (1732) and the facade of Palazzo Poli behind the Trevi Fountain, Pope Clement XII sent him to the Marche to build some papal projects. At Ancona in 1732, he devised the vast Lazaretto, a pentagonal building covering more than 20,000 square meters, built to protect the military defensive author ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Loggias In Italy
In architecture, a loggia ( , usually , ) is a covered exterior gallery or corridor, usually on an upper level, but sometimes on the ground level of a building. The outer wall is open to the elements, usually supported by a series of columns or arches. They can be on principal fronts and/or sides of a building and are not meant for entrance but as an outdoor sitting room."Definition of Loggia"
Lexic.us. Retrieved on 2014-10-24.
An overhanging loggia may be supported by a . From the early , nearly every Italian

picture info

Renaissance Buildings And Structures
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally dat ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Luigi Vanvitelli Buildings
is a fictional character featured in video games and related media released by Nintendo. Created by Japanese video game designer Shigeru Miyamoto, Luigi is portrayed as the younger fraternal twin brother and sidekick of Mario, Nintendo's mascot. Luigi appears in many games throughout the Mario (franchise), ''Mario'' franchise, oftentimes accompanying his brother. Luigi first appeared in the 1983 Game & Watch game ''List of LCD games featuring Mario#Mario Bros., Mario Bros.'', where he is the character controlled by the second player. He would retain this role in many future games, including ''Mario Bros.'', ''Super Mario Bros.'', ''Super Mario Bros. 3'', ''Super Mario World'', among other titles. He was first available as a primary character in ''Super Mario Bros. 2''. In more recent appearances, Luigi's role became increasingly restricted to spinoffs, such as the ''Mario Party'' and ''Mario Kart'' series; however, he has been featured in a starring role in ''Nelsonic Industr ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Jacopo Sansovino Buildings
Jacopo (also Iacopo) is a masculine Italian given name, derivant from Latin ''Iacōbus''. It is an Italian variant of Giacomo. * Jacopo Aconcio (), Italian religious reformer * Jacopo Bassano (1592), Italian painter * Iacopo Barsotti (1921–1987), Italian mathematician * Jacopo da Bologna (), Italian composer * Jacopo Comin (1518–1594), Italian painter otherwise known as Tintoretto * Jacopo Carucci (1494–1557), Italian painter otherwise known as Pontormo * Jacopo Corsi (1561–1602), Italian composer * Jacopo da Leona (died 1277), Italian poet * Jacopo Peri (1561–1633), Italian composer * Jacopo della Quercia (1438), Italian sculptor * Jacopo Riccati (1676–1754), Italian mathematician * Jacopo Sadoleto (1477–1547), Italian Catholic cardinal * Jacopo M. (1989), Italian Communicator, upholder of the European Commission Fictional characters: * Jacopo, a key character in the 2002 film version of ''The Count of Monte Cristo'' (and a minor character in the book). * Jacopo Be ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Andrea Palladio Buildings
Andrea is a given name which is common worldwide for both males and females, cognate to Andreas, Andrej and Andrew. Origin of the name The name derives from the Greek word ἀνήρ (''anēr''), genitive ἀνδρός (''andrós''), that refers to man as opposed to woman (whereas ''man'' in the sense of ''human being'' is ἄνθρωπος, ''ánthropos''). The original male Greek name, ''Andréas'', represents the hypocoristic, with endearment functions, of male Greek names composed with the ''andr-'' prefix, like Androgeos (''man of the earth''), Androcles (''man of glory''), Andronikos (''man of victory''). In the year 2006, it was the third most popular name in Italy with 3.1% of newborns. It is one of the Italian male names ending in ''a'', with others being Elia (Elias), Enea (Aeneas), Luca (Lucas), Mattia (Matthias), Nicola (Nicholas), Tobia (Tobias). In recent and past times it has also been used on occasion as a female name in Italy and in Spain, where it is consid ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Piazza Della Loggia Bombing
The Piazza della Loggia bombing was a bombing that took place on the morning of 28 May 1974, in Brescia, Italy during an anti-fascist protest. The terrorist attack killed eight people and wounded 102. The bomb was placed inside a rubbish bin at the east end of the square. In 2015, a Court of appeal in Milan issued a final life sentence to '' Ordine Nuovo'' members Carlo Maria Maggi and Maurizio Tramonte for ordering the bombing, closing one of the longest-running cases on terrorism during Italy's years of lead. Overview The first judicial investigation led to the condemnation in 1979 of a member of the Brescian far-right movement, Ermanno Buzzi. However, this first sentence was cancelled in 1982, but in 1983 the Court of Cassation declared the appeal process must be redone at the Court of Appeal in Venice. The suspects were acquitted in 1985 by the Court of Venice, and in 1987 by the Supreme Court of Cassation. Buzzi, killed in Novara's prison by neo-fascists Pierluigi Co ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Antonio Campi
Antonio Campi (c. 1522 – 1587) was an Italian painter of the Renaissance. He was born in Cremona. His style merges Lombard with Mannerist styles. In Cremona, his extended family was the foundation of the Cremonese school of painting. Giulio Campi and Antonio were reportedly half-brothers, while Vincenzo Campi was a full brother. Bernardino Campi may have been a relative. All were active as painters. Among Antonio's pupils are Galeazzo Ghidoni, Ippolito Storto, Giovanni Battista Belliboni, and Giovanni Paolo Fondulo. Partial anthology of works *''The Mystery of the Passion of Christ''*''Gaius Mucius Scaevola'' (drawing of Roman voluntarily placing hand into fire* ''Virgin and Child with Saints'' * ''Saint Jerolamus'' (''San Gerolamo'') (1563) * ''The Martyrdom of Saint Lawrence'' (1581) * ''Nude Woman'' (drawing) * ''Studies of an Old Woman's Face and a Leg'' (drawing) * ''Francesco Sfondrati Francesco Sfondrati (1493–1550) was an Italian Catholic Church, Roman Catholi ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Giulio Campi
Giulio Campi (1502 – 5 March 1572) was an Italian painter and architect. His brothers Vincenzo Campi and Antonio Campi were also renowned painters. Biography The eldest of a family prominent painters, Campi was born at Cremona. His father Galeazzo (1475–1536) taught him the first lessons in art. In 1522, in Mantua, he studied painting, architecture, and modelling under Giulio Romano. He visited Rome, became an ardent student of the antique, and like Bernardino — distantly related to him — he combined a Lombard and Roman traditions. He collaborated on some works with Camillo Boccaccino, the son of Boccaccio Boccaccino, with whom Campi may also have received training. Campi is called the "Ludovico Carracci of Cremona" for his influence, since Campi was as influential during the Renaissance in Cremona as the latter was on the Baroque school of Bologna. When he was just twenty-seven Giulio executed for the church of Sant'Abondio his masterpiece, a ''Virgin and Child wi ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Antonio Tagliaferri
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António ( Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galicia ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]