|
Palazzo Del Popolo, Todi
Palazzo del Popolo, also called ''Palazzo del Priori'' or ''Podesta'', is a Gothic architecture civic palace in Todi, region of Umbria, Italy. The palace was erected in 1213-1228, thus decades before the adjacent Palazzo del Capitano. The wide staircase that serves as a bridge into the main council room was added in 1267 by the Podestà Pandolfo Savelli. The orientation of the main facade was established in the 16th century. The palazzo was extensively refurbished in the 19th century, which added the merlons to the rooflines of two buildings in this piazza. Museo Civico Pinacoteca The top floors of the Palazzo del Capitano and the Palazzo del Popolo house the Pinacoteca Civic Museum of Todi. Among the items in the collections of the museum are an 11th-century bas relief in marble depicting Saints Fortunato, Cassiano and Christ; a 16th-century wood model of the church of Santa Maria della Consolazione by Ventura Vitoni; an altarpiece depicting the ''Coronation of the Virgin'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Todi006
Todi () is a town and '' comune'' (municipality) of the province of Perugia (region of Umbria) in central Italy. It is perched on a tall two-crested hill overlooking the east bank of the river Tiber, commanding distant views in every direction. In the 1990s, Richard S. Levine, a professor of Architecture at the University of Kentucky, included Todi in academic design exercises aimed at conceiving hypothetical improvements to the city and presented its results in a conference titled "The Sustainable City of the Past and the Sustainable City of the Future". As a result, the Italian press incorrectly reported on Todi as ''the world's most livable city''. History According to the legend, said to have been recorded around 1330 BC by a mythological Quirinus Colonus, Todi was built by Hercules, who here killed Cacus, and gave the city the name of ''Eclis''. Historical Todi was founded by the ancient Italic people of the Umbri, in the 8th-7th century BC, with the name of ''Tute ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gothic Architecture
Gothic architecture (or pointed architecture) is an architectural style that was prevalent in Europe from the late 12th to the 16th century, during the High and Late Middle Ages, surviving into the 17th and 18th centuries in some areas. It evolved from Romanesque architecture and was succeeded by Renaissance architecture. It originated in the Île-de-France and Picardy regions of northern France. The style at the time was sometimes known as ''opus Francigenum'' (lit. French work); the term ''Gothic'' was first applied contemptuously during the later Renaissance, by those ambitious to revive the architecture of classical antiquity. The defining design element of Gothic architecture is the pointed or ogival arch. The use of the pointed arch in turn led to the development of the pointed rib vault and flying buttresses, combined with elaborate tracery and stained glass windows. At the Abbey of Saint-Denis, near Paris, the choir was reconstructed between 1140 and 1144, draw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Todi
Todi () is a town and ''comune'' (municipality) of the province of Perugia (region of Umbria) in central Italy. It is perched on a tall two-crested hill overlooking the east bank of the river Tiber, commanding distant views in every direction. In the 1990s, Richard S. Levine, a professor of Architecture at the University of Kentucky, included Todi in academic design exercises aimed at conceiving hypothetical improvements to the city and presented its results in a conference titled "The Sustainable City of the Past and the Sustainable City of the Future". As a result, the Italian press incorrectly reported on Todi as ''the world's most livable city''. History According to the legend, said to have been recorded around 1330 BC by a mythological Quirinus Colonus, Todi was built by Hercules, who here killed Cacus, and gave the city the name of ''Eclis''. Historical Todi was founded by the ancient Italic people of the Umbri, in the 8th-7th century BC, with the name of ''Tutere'' in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Umbria
it, Umbro (man) it, Umbra (woman) , population_note = , population_blank1_title = , population_blank1 = , demographics_type1 = , demographics1_footnotes = , demographics1_title1 = , demographics1_info1 = , demographics1_title2 = , demographics1_info2 = , demographics1_title3 = , demographics1_info3 = , timezone1 = CET , utc_offset1 = +1 , timezone1_DST = CEST , utc_offset1_DST = +2 , postal_code_type = , postal_code = , area_code_type = ISO 3166 code , area_code = IT-55 , blank_name_sec1 = GDP (nominal) , blank_info_sec1 = €22.5 billion (2018) , blank1_name_sec1 = GDP per capita , blank1_info_sec1 = €25,400 (2018) , blank2_name_sec1 = HDI (2018) , blank2_info_sec1 = 0.884 · 12th of 21 , blank_name_sec2 = NUTS Region , blank_info_sec2 = ITE , web ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Del Capitano
Palazzo del Capitano is a Gothic architecture, late 13th-century civic palace in Todi, Italy. References Palaces in Umbria Buildings and structures in Todi Gothic architecture in Todi Gothic palaces in Italy {{Italy-palace-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Merlons
A merlon is the solid upright section of a battlement (a crenellated parapet) in medieval architecture or fortifications.Friar, Stephen (2003). ''The Sutton Companion to Castles'', Sutton Publishing, Stroud, 2003, p. 202. Merlons are sometimes pierced by narrow, vertical embrasures or slits designed for observation and fire. The space between two merlons is called a crenel, and a succession of merlons and crenels is a crenellation. Crenels designed in later eras for use by cannons were also called embrasures. Etymology The term ''merlon'' comes from the French language, adapted from the Italian , possibly a shortened form of , connected to Latin (pitchfork), or from a diminutive , from or (a wall). An alternative etymology suggests that the medieval Latin (mentioned from the end of the 10th century) functioned as a diminutive of Latin , " blackbird", expressing an image of this bird sitting on a wall. As part of battlements As an essential part of battlements, merlons were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Maria Della Consolazione, Todi
Santa Maria della Consolazione is a Renaissance-style pilgrimage church in Todi, Italy. The centralized, symmetric plan, surmounted by a tall dome, distinguishes this Renaissance church, from the more common elongated basilica or Latin-cross designs. The original project is attributed to Donato Bramante, despite the absence of documentation. Cola da Caprarola, supposedly aided by Baldassarre Peruzzi, began construction in 1508 on the flank of the city hill, just outside the walls. The design is often erroneously attributed to Bramante. It has a Greek cross plan: three apses are polygonal and the one on the north side is semicircular. Other architects who helped bring the work to completion were Antonio da Sangallo the Younger, Galeazzo Alessi, Michele Sanmicheli, Vignola and Ippolito Scalza. The church was completed only by 1607. The apse is surmounted by a square terrace with four eagles at the corners, from which the dome rises. Legend holds that a worker, who was blin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lo Spagna
Lo Spagna (died ''c.'' 1529), "the Spaniard" in Italian, was a painter of the High Renaissance, active in central Italy. His name was Giovanni di Pietro, but he was known as ''Lo Spagna'' because he was born in Spain. After Raphael, he was a main pupil and follower of the Umbrian painter Perugino, whose style his paintings develop. He should not be confused with Pietro di Giovanni D'Ambrogio of Siena. Lo Spagna is known for a number of major works completed in the region, that include the ''Birth of the Virgin'' from Spineta in Todi, the ''Adoration of the Magi'' of Ferentillo and the ''Nativity'' of St Anthony in Perugia. Lo Spagna married Santina Martorelli from one of Spoleto's leading families and here he was nominated ''Capitano delle Arti dei Pittori e degli Orefici'' in 1517. He died in 1528, possibly of the plague. Giovanni di Pietro completed the decoration of the apse and two chapels of the church of ''San Giacomo'' in Spoleto. The records indicate that some thirty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Paolo Sensini
Pietro Paolo Sensini (1555 – 1632) was an Italian painter active in a Mannerist-style painting religious altarpieces mainly in his native city of Todi and nearby towns in Umbria. Biography He was born in Todi to a prominent family. He worked alongside Ferraù Fenzoni, Bartolomeo Barbiani, and Andrea Polinori. From 1585 to 1606 he was engaged in creating a number of lunette A lunette (French ''lunette'', "little moon") is a half-moon shaped architectural space, variously filled with sculpture, painted, glazed, filled with recessed masonry, or void. A lunette may also be segmental, and the arch may be an arc take ... frescoes for the refectory of the Monastery SS. Annunziata in Todi. Frescoes in the guest room of the ''Annunciation'' and the ''Nativity'' (restored in the 18th century) are also attributed to Sensini. The Museo Civico Pinacoteca in Todi holds a 1608 ''Deposition'' by Sensini. Benedetto de Ceccho of Rocchette castle commissioned a painting of "The Madon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferraù Da Faenza
Ferragut (also known as Ferragus, Ferracutus, Ferracute, Ferrakut, Ferraguto, Ferraù, Fernagu) was a character—a Saracen paladin, sometimes depicted as a giant—in texts dealing with the Matter of France, including the ''Historia Caroli Magni'', and Italian epics, such as '' Orlando Innamorato'' by Matteo Maria Boiardo and ''Orlando Furioso'' by Ludovico Ariosto. In the tales, he was portrayed as physically invulnerable except at his navel/stomach, and was eventually killed (or fated to be killed) by the paladin Roland. Name "Ferracutus" was the Latin form of the name used in the ''Pseudo-Turpin Chronicle''. Thomas Bulfinch used "Ferragus" in his English adaptation ''Legends of Charlemagne'', but the form "Ferragut" appears to be the most frequent in English today. In his ''Orlando innamorato'', Matteo Maria Boiardo used Feraguto/Feragu (Ferraguto/Ferragu). Ferraù is a syncopated form used in ''Orlando furioso'' by Ludovico Ariosto. Texts Ferracutus in the ''"Pseu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Polinori
Andrea Polinori (1586 – 1648) was an Italians, Italian painter active in a Baroque art, Baroque-style mainly in his native city of Todi in Umbria. Biography He was born in Todi. He spent a formative period circa 1615 in Rome. He is described as leading an intemperate life. His brother, Giovanni Antonio Polinori, was also a painter. In Todi, he painted for the churches of San Francesco (1535, 1642), San Fortunato, Todi, San Fortunato, San Silvestro, Nunziatina, Todi, Nunziatina, and Santa Margherita (1642). By Mariano Guardabassi, (1872) page 366. References 1586 births 1646 deaths 17th-century Italian painters Italian male pa ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palaces In Umbria
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, whereas a pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Gothic Architecture")
