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Palazzo Del Giardino
The Palazzo del Giardino (''Garden Palace'') or Palazzo Ducale del Giardino (''Ducal Garden Palace'') is a historic palace in the Parco Ducale in Parma. It is not to be confused with the official Parma residence of Marie Louise, Duchess of Parma between Palazzo della Pilotta and Palazzo della Provincia in what is now known as piazzale della Pace - she also lived at the Ducal Palace of Colorno and in the Casino dei Boschi in Sala Baganza. The main Ducal Palace in Parma, the Palazzo della Pilotta and the Reinach Theater were all destroyed in bombing on 13 May 1944. Presently, the Palazzo del Giardino houses Parma's Provincial Carabinieri Command and the Carbinieri's Reparto investigazioni scientifiche (RIS). It is due to house a local office for the European Food Safety Authority. History Construction of a palace at the site was commissioned in 1561 by Duke Ottavio Farnese, who needed to establish a fixed base for the court of his Duchy of Parma and Piacenza. He chose a site ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parco Ducale Di Parma
{{Disambiguation, geo, surname ...
Parco can refer to: * Parco, Tibet, a town in China * Parco (retailer), a chain of department stores primarily in Japan * Parco Historic District (also known as Sinclair Historic District), Sinclair, Wyoming, United States * Parco P.I., a reality television program * Pak-Arab Refinery (PARCO), an energy company in Pakistan * Jim Parco (born 1968), former United States Air Force lieutenant colonel * John Parco (born 1971), Italian-Canadian ice hockey player and coach See also * Parco is also Italian for "park". For the numerous articles on parks in Italy see: ** ** * Parc (other) * Park (other) A park is an area of land with a recreational or other specific purpose. Park or Parks may also refer to: Places United Kingdom * Park (Reading ward), an electoral ward of the Borough of Reading, Berkshire, England * Park (Sefton ward), an el ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villa Farnese
The Villa Farnese, also known as Villa Caprarola, is a pentagonal mansion in the town of Caprarola in the province of Viterbo, Northern Lazio, Italy, approximately north-west of Rome. This villa should not be confused with the Palazzo Farnese and the Villa Farnesina, both in Rome. A property of the Republic of Italy, Villa Farnese is run by the Polo Museale del Lazio. The Villa Farnese is situated directly above the town of Caprarola and dominates its surroundings. It is a massive Renaissance and Mannerist construction, opening to the Monte Cimini, a range of densely wooded volcanic hills. It is built on a five-sided plan in reddish gold stone; buttresses support the upper floors. As a centerpiece of the vast Farnese holdings, Caprarola was always an expression of Farnese power, rather than a villa in the more usual agricultural or pleasure senses. History In 1504, Cardinal Alessandro Farnese, the future Pope Paul III, acquired the estate at Caprarola. He had designs made ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pico Della Mirandola
Giovanni Pico della Mirandola (24 February 1463 – 17 November 1494) was an Italian Renaissance nobleman and philosopher. He is famed for the events of 1486, when, at the age of 23, he proposed to defend 900 theses on religion, philosophy, natural philosophy, and magic against all comers, for which he wrote the ''Oration on the Dignity of Man'', which has been called the "Manifesto of the Renaissance", and a key text of Renaissance humanism and of what has been called the "Hermetic Reformation". He was the founder of the tradition of Christian Kabbalah, a key tenet of early modern Western esotericism. The ''900 Theses'' was the first printed book to be universally banned by the Church.Hanegraaff p. 54 Pico is sometimes seen as a proto-Protestant, because his 900 theses anticipated many Protestant views. Biography Family Giovanni was born at Mirandola, near Modena, the youngest son of Gianfrancesco I Pico, Lord of Mirandola and Count of Concordia, by his wife Giulia, daugh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vitellozzo Vitelli
Vitellozzo Vitelli (c. 1458December 31, 1502) was an Italian condottiero. He was lord of Montone, Città di Castello, Monterchi and Anghiari. Biography Together with his father, Niccolò, who became lord of Città di Castello, and his brothers, who all at one time or other were condottieri (mercenary captains), this family instituted a new type of infantry armed with sword and pike to resist the German men-at-arms, and also a corps of mounted infantry armed with arquebuses. Vitellozzo served the Medici of Florence in their war against Pisa, and later with the French in Apulia in 1496 and with the Orsini faction against Pope Alexander VI. In 1500 Vitellozzo and the Orsini made peace with the pope, and the latter's son Cesare Borgia, being determined to crush the petty tyrants of Romagna and consolidate papal power in that province, took the condottieri into his service. Vitellozzo distinguished himself in many engagements, but in 1501 he advanced against Florence, moved as much by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Boscoli
Giovanni Boscoli (c.1524 – c.1592) was an Italian Renaissance sculptor and architect, also known as Nanni da Montepulciano after his birthplace of Montepulciano. His father Tomaso was also an architect. He studied under Giorgio Vasari and moved to Parma in 1564 to work for duke Ottavio Farnese, for whom he designed the monumental fountain in front of the Palazzo del Giardino, from which he gained his nickname Giovanni della Fontana. He also designed the 'corridor' at the Palazzo della Pilotta in Parma. Outside the city he designed the villa Carona in Fornovo, the villa Paveri Fontana in Collecchio and the Borgo San Donnino fortifications. The stucco work on the walls of the room dedicated to Pope Leo X in Leo X Apartments in the Palazzo Vecchio The Palazzo Vecchio ( "Old Palace") is the City hall, town hall of Florence, Italy. It overlooks the Piazza della Signoria, which holds a copy of Michelangelo's ''David (Michelangelo), David'' statue, and the gallery of statues in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Girolamo Rainaldi
Girolamo Rainaldi (4 May 1570 – 15 July 1655) was an Italian architect who worked mainly in a conservative Mannerist style, often with collaborating architects. He was a successful competitor of Bernini. His son, Carlo Rainaldi, became an even more notable, more fully Baroque architect. Biography The son of a painter from Norcia, Rainaldi was born in Rome. He trained with the architect-engineer Domenico Fontana and collaborated as a junior partner with Giacomo Della Porta, whom he succeeded as the papacy's chief architect, as "officium architecti nobilis fabricae Capitolii Populi Romani". He completed too Palazzo Albertoni Spinola projected from Giacomo Della Porta. He was constantly at work on lesser projects such as altars and church furnishings, and with on-going projects of other designers, especially at St Peter's and in completing Michelangelo's project at the Campidoglio with the Palazzo Nuovo discreetly designed to mirror Michelangelo's masterful Palazzo dei Conserv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simone Moschino
Simone Moschino (12 November 1553 - 20 June 1610) was an Italian Renaissance sculptor and architect, born in Orvieto as Simone Simoncelli. The son of the court sculptor Francesco Mosca and nephew of Simone Mosca, he was trained in the Tuscan Mannerist school, particularly under Ammannati and Buontalenti. He began working as a sculptor with work for the villa Orsini in Bomarzo, before working on the statues for the Sacro Bosco di Bomarzo - at "Il Sacro Bosco di Bomarzo". In September 2007, a conference was held at Palazzo Orsini in Bomarzo, where Simone Moschino was proven to be the main artist behind the 'Bomarzo monsters' sculptures. On his father Francesco's death, Ottavio Farnese summoned Simone to Parma on the recommendation of Vicino Orsini. In October 1578 he arrived in Parma but the following year he temporarily returned to Bomarzo, probably to complete a number of incomplete works. After returning to Parma he and Giovanni Boscoli co-produced the huge now-lost fount ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luca Reti
The last universal common ancestor (LUCA) is the most recent population from which all organisms now living on Earth share common descent—the most recent common ancestor of all current life on Earth. This includes all cellular organisms; the origins of viruses are unclear but they share the same genetic code. LUCA probably harboured a variety of viruses. The LUCA is not the first life on Earth, but rather the latest form ancestral to all existing life. While there is no specific fossil evidence of the LUCA, the detailed biochemical similarity of all current life confirms its existence. Its characteristics can be inferred from shared features of modern genomes. These genes describe a complex life form with many co-adapted features, including transcription and translation mechanisms to convert information from DNA to RNA to proteins. The LUCA probably lived in the high-temperature water of deep sea vents near ocean-floor magma flows around 4 billion years ago. Historica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Trotti
Giovanni Battista Trotti (1555 – 11 June 1612) was an Italian painter of the late-Renaissance period, active mainly in Piacenza, Parma, and his native city of Cremona. In Cremona, he was initially a pupil of Bernardino Campi, whose niece he married. He painted in the ''Palazzo dei Giardino'' in Parma. He painted a ''Crucifixion'' in the Cremona Cathedral; while in San Pietro, he painted a ''Santa Maria Egiziaca'' ( St. Mary of Egypt). He painted the ''Beheading of John the Baptist'' for San Domenico at Cremona, and in San Francesco and Sant'Agostino at Piacenza. He was employed by the court of Parma, along with Agostino Carracci; and Agostino found Trotti disagreeable on which account he acquired the name of ''II Malosso'' (bad bone). Other pictures by him are: a ''Immaculate Conception'' for San Francesco Grande, in Piacenza, and a ''Descent from the Cross'', now found in the Brera Academy. He painted frescoes in the cupola of Sant'Abbondi, after designs by Campi, and in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cesare Baglioni
Cesare Baglioni (c. 1525–1590, born in Bologna) was an Italian painter of the Renaissance period. He trained under his father, then became renowned as a painter of quadratura. He painted in Parma and Rome , established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption .... He befriended both Agostino and Annibale Carracci. References * 1520s births 1590 deaths 16th-century Italian painters Italian male painters Renaissance painters Quadratura painters {{Italy-painter-16thC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Cignani
Carlo Cignani (15 May 1628 – 8 September 1719) was an Italian painter. His innovative style referred to as his 'new manner' introduced a reflective, intimate mood of painting and presaged the later pictures of Guido Reni and Guercino, as well as those of Simone Cantarini. This gentle manner marked a break with the more energetic style of earlier Bolognese classicism of the Bolognese School of painting. Life He was born to a family of noble ancestry, but limited resources, in Bologna. His father's first name was Pompeo, and his mother, Maddalena Quaini. In Bologna, he studied first under Battista Cairo and later under Francesco Albani, to whom he remained closely allied, and was his most famous disciple. His first noted commission was a ''St Paul exorcising demon'' for the church of the Gesu in Bologna. For a hall dedicated to the Farnese in the Palazzo Publico, he painted with Taruffi, depicting the ''Francis, king of France, curing Scrofula on his entry to Bologna'' and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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