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Palazzo Angelo Giovanni Spinola
The Palazzo Angelo Giovanni Spinola is a palace located in Via Garibaldi, in the historical center of Genoa, in Northwestern Italy. It was one of the 163 Palazzi dei Rolli of Genoa, the selected private residences where the notable guests of the Republic of Genoa were hosted during State visits. On 13 luglio del 2006 it was included in the list of 42 palaces which now form the UNESCO World Heritage Site Genoa: Le Strade Nuove and the system of the Palazzi dei Rolli. Now owned by a bank, it is possible to visit the areas open to the public. The ''Rolli'' of Genoa The ''Rolli di Genova'' - or, more precisely, the ''Rolli degli alloggiamenti pubblici di Genova'' (Italian for "Lists of the public lodgings of Genoa") were the official lists at the time of the Republic of Genoa of the private palaces and mansions, belonging to the most distinguished Genoese families, which - if chosen through a public lottery - were obliged to host on behalf of the Government the most notable visitors ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palace
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Roman Empire, Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lazzaro Tavarone
Lazzaro Tavarone (1556–1641) was an Italian painter of the late-Renaissance and Mannerism, Mannerist period, active mainly in his native Genoa and in Spain. He was the pupil of the painter Luca Cambiasi. Tavarone accompanied Cambiaso to Spain in 1583, and helped decorate the El Escorial, Escorial for the Spanish King, including the chaotic battle painting of Battle of La Higueruela. He returned to Genoa in 1594, where he became well known both as portrait and history painter. He painted a ''Martyrdom of San Lorenzo'' in the Genoa Cathedral. He also painted frescoes in the Palazzos Saluzzi and Adorni. He painted frescoes on the ''Life of Sant’Ambrogio'' for the Oratorio di Sant'Ambrogio. He also painted scenes from the life of Columbus. References * * {{DEFAULTSORT:Tavarone, Lazzaro 1556 births 1641 deaths 16th-century Italian painters Italian male painters 17th-century Italian painters Painters from Genoa Italian Mannerist painters Fresco painters ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannerist Architecture In Italy
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Houses Completed In 1578
A house is a single-unit residential building. It may range in complexity from a rudimentary hut to a complex structure of wood, masonry, concrete or other material, outfitted with plumbing, electrical, and heating, ventilation, and air conditioning systems.Schoenauer, Norbert (2000). ''6,000 Years of Housing'' (rev. ed.) (New York: W.W. Norton & Company). Houses use a range of different roofing systems to keep precipitation such as rain from getting into the dwelling space. Houses may have doors or locks to secure the dwelling space and protect its inhabitants and contents from burglars or other trespassers. Most conventional modern houses in Western cultures will contain one or more bedrooms and bathrooms, a kitchen or cooking area, and a living room. A house may have a separate dining room, or the eating area may be integrated into another room. Some large houses in North America have a recreation room. In traditional agriculture-oriented societies, domestic animals such as c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spinola Family
The House of Spinola, or Spinola family, was a leading Italian political family centered in the Republic of Genoa. Their influence was at its greatest extent in the thirteenth and fourteenth centuries. Important members Guido Spinola was one of the first important members of the family. He served as Consul of Genoa in 1102. The family, which founded its wealth on trading, finance and the acquisition of land, originates from Guido and Oberto, grandsons of Belo Bozumi. The next Spinola to come to prominence after Guido was Oberto. In 1266 Oberto lead the Genoese fleets in a victory against the Venetians. In 1271 he joined forces with Oberto Doria to drive the foreign Podestà of Genoa from power and reform the government. They managed to have the Podestà removed and replaced by two captains of the people, elected for 22 years, with Oberto Spinola and Oberto Doria being the first two elected to this office. How long Oberto Spinola remained as Captain of the people is not c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palaces In Genoa
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, whereas a pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardo Castello
Bernardo Castello (or Castelli) (1557–1629) was an Italian painter of the late-Mannerist style, active mainly in Genoa and Liguria. He is mainly known as a portrait painter, portrait and historical painter.He needs to be distinguished from Giovanni Battista Castello, (called ''Il bergamasco''), who was an elder friend of and collaborator with Luca Cambiaso. Biography Bernardo Castello was born in , now a quarter of Genoa. He was apprenticed under Andrea Semino and Luca Cambiaso, then travelled throughout Italy, meeting other painters and creating his own particular style. During his career he painted many works and was appreciated by famous poets with whom he had friendships. Amongst these were Gabriello Chiabrera and Torquato Tasso, and Castello was the illustrator for ''Jerusalem Delivered'' by Tasso, published in 1590 (and also for a further edition, published in 1617). Some of these illustrations were engraved by Agostino Carracci. Beside working in Genoa, Castello was emp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Semino
Antonio Semini (c. 1485 – after 1547) was an Italian painter of the late-Renaissance, active in his native Genoa. He was born and trained in Genoa and died in Milan. He was the pupil of Ludovico Brea, and painted in collaboration with Teramo Piaggio. Antonio painted a ''Nativity'' for S. Domenico, Savona. Among his pupils were his sons Andrea and Ottavio Semini Ottavio Semini (c. 1530–1604) was an Italian painter of the late-Renaissance. He was born and trained in Genoa and died in Milan. He was the son and pupil of Antonio Semini, and was influenced by Perino del Vaga. Aided his brother Andrea in .... Notes References * 1485 births 1540s deaths 15th-century Italian painters Italian male painters 16th-century Italian painters Painters from Genoa Italian Mannerist painters {{Italy-painter-15thC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grotesque
Since at least the 18th century (in French and German as well as English), grotesque has come to be used as a general adjective for the strange, mysterious, magnificent, fantastic, hideous, ugly, incongruous, unpleasant, or disgusting, and thus is often used to describe weird shapes and distorted forms such as Halloween masks. In art, performance, and literature, however, ''grotesque'' may also refer to something that simultaneously invokes in an audience a feeling of uncomfortable bizarreness as well as sympathetic pity. The English word first appears in the 1560s as a noun borrowed from French, and comes originally from the Italian ''grottesca'' (literally "of a cave" from the Italian ''grotta'', 'cave'; see grotto), an extravagant style of ancient Roman decorative art rediscovered at Rome at the end of the fifteenth century and subsequently imitated. The word was first used of paintings found on the walls of basements of ruins in Rome that were called at that time ''le Gro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Condottieri
''Condottieri'' (; singular ''condottiero'' or ''condottiere'') were Italian captains in command of mercenary companies during the Middle Ages and of multinational armies during the early modern period. They notably served popes and other European monarchs during the Italian Wars of the Renaissance and the European Wars of Religion. Notable ''condottieri'' include Prospero Colonna, Giovanni dalle Bande Nere, Cesare Borgia, the Marquis of Pescara, Andrea Doria, and the Duke of Parma. The term ''condottiero'' in medieval Italian originally meant "contractor" since the ''condotta'' was the contract by which the condottieri put themselves in the service of a city or of a lord. The term, however, became a synonym of "military leader" during the Renaissance and Reformation era. Some authors have described the legendary Alberto da Giussano as the "first condottiero" and Napoleon Bonaparte (in virtue of his Italian origins) as the "last condottiero". According to this view, the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Of Spinola
The House of Spinola, or Spinola family, was a leading Italian political family centered in the Republic of Genoa. Their influence was at its greatest extent in the thirteenth and fourteenth centuries. Important members Guido Spinola was one of the first important members of the family. He served as Consul of Genoa in 1102. The family, which founded its wealth on trading, finance and the acquisition of land, originates from Guido and Oberto, grandsons of Belo Bozumi. The next Spinola to come to prominence after Guido was Oberto. In 1266 Oberto lead the Genoese fleets in a victory against the Venetians. In 1271 he joined forces with Oberto Doria to drive the foreign Podestà of Genoa from power and reform the government. They managed to have the Podestà removed and replaced by two captains of the people, elected for 22 years, with Oberto Spinola and Oberto Doria being the first two elected to this office. How long Oberto Spinola remained as Captain of the people is not c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crédit Commercial De France
The ''Crédit Commercial de France'' (CCF, "Commercial Credit ompanyof France") is a commercial bank in France, founded in 1894 as the ''Banque Suisse et Française'' and renamed to CCF in 1917. By the end of the 1920s, it had grown to be the sixth largest bank in France. Its brand was eclipsed between 2005 and 2022 under HSBC ownership, but is set to be revived by the bank's new owner Cerberus Capital Management. History Banque Suisse et Française Financiers Ernest Méjà and Benjamin Rossier founded the (BSF, "Swiss and French Bank") at 27, rue Laffite in Paris, on . They had previously worked together for the Swiss , whose Paris branch formed the initial core of the new venture. Méjà remained as joint managing director of the bank with Rossier until his death in 1910. Rossier then continued to run the bank until his retirement in 1936. From its early days, the BSF took an active interest in commerce and industry. A successful working relationship was developed with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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