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Palaver (1926 Film)
''Palaver'', AKA ''Palaver: A Romance of Northern Nigeria'', is a 1926 silent film shot in British Nigeria, recognized as the first Nigerian feature film. The film was significant for its use of non-professional local Nigerians as actors. While not a box-office success, it was to prove significant in the larger history of Nigerian cinema. Plot The film portrays conflicts between a British District Officer and a local tin miner which lead to war. Criticism Later commentators have classified ''Palaver'' amongst other colonial films which claimed the "beneficent influence of the white man in Africa."Geoffrey Barkas (director, producer and scriptwriter) himself, in interviews about his work, referred to his casting from "cannibal pagan tribes" and spoke of their "blind savagery." Nigerian ''Pulse'' magazine in 2017 described the film as "proudly racist", and noted: "Even though it was produced in Nigeria, Palaver was made for the British audience. There is no error in that the narr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movie Poster For Palaver
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geoffrey Barkas
Geoffrey Barkas (born Geoffrey de Gruchy Barkas, 27 August 1896 – 3 September 1979) was an English film maker active between the world wars. Barkas led the British Middle East Command Camouflage Directorate in the Second World War. His largest "film set" was Operation Bertram, the army-scale deception for the Second Battle of El Alamein, battle of El Alamein in October 1942. Early life Barkas was born in 1896 to parents from Jersey families. His father was Albert Atkin Barkas (b. 1861) and his mother was Anna Julia de Gruchy (b. 1863); both were from St. Helier. In the First World War, he served in the 1915 Gallipoli campaign at Suvla Bay, and then in the later part of the Battle of the Somme in France, where he won a Military Cross. Film Between the wars, Barkas worked on silent films and then feature films, starting as a writer and producer, and then directing his own films such as ''The Manitou Trail'' and ''The Lumberjack'' (1925) and ''The Third Gun'' (1929), the latt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Instructional Films
British Instructional Films was a British film production company which operated between 1919 and 1932. The company's name is often abbreviated to BIF. The company released a number of feature films during the late silent and early sound eras, developing a reputation for making First World War films and documentary shorts.Low p.129-132 In 1928, the company constructed Welwyn Studios. The company was later merged into the larger British International Pictures, which took over the running of the facility in Welwyn Garden City. Selected films * ''Nelson'' (1926) * ''The Battles of Coronel and Falkland Islands'' (1927) * '' Shooting Stars'' (1927) * ''Widecombe Fair'' (1928) * ''Sin'' (1928) * ''The Runaway Princess ''The Runaway Princess'' is a 1929 British-German silent drama film directed by Anthony Asquith and Fritz Wendhausen and starring Mady Christians, Fred Rains, Paul Cavanagh, and Anne Grey. Production The film was a co-production between Bri ...'' (1929) * '' Los ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Nigeria
Colonial Nigeria was ruled by the British Empire from the mid-nineteenth century until 1960 when Nigeria achieved independence. British influence in the region began with the prohibition of slave trade to British subjects in 1807. Britain annexed Lagos in 1861 and established the Oil River Protectorate in 1884. British influence in the Niger area increased gradually over the 19th century, but Britain did not effectively occupy the area until 1885. Other European powers acknowledged Britain's dominance over the area in the 1885 Berlin Conference. From 1886 to 1899, much of the country was ruled by the Royal Niger Company, authorised by charter, and governed by George Taubman Goldie. In 1900, the Southern Nigeria Protectorate and Northern Nigeria Protectorate passed from company hands to the Crown. At the urging of Governor Frederick Lugard, the two territories were amalgamated as the Colony and Protectorate of Nigeria, while maintaining considerable regional autonomy among ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nigerian Cinema
The cinema of Nigeria, often referred to informally as Nollywood, consists of films produced in Nigeria; its history dates back to as early as the late 19th century and into the colonial era in the early 20th century. The history and development of the Nigerian motion picture industry is sometimes generally classified in four main eras: the Colonial era, Golden Age era, Video film era and the emerging New Nigerian cinema. Film as a medium first arrived in Nigeria in the late 19th century, in the form of peephole viewing of motion picture devices. These were soon replaced in the early 20th century with improved motion picture exhibition devices, with the first set of films screened at the Glover Memorial Hall in Lagos from 12 to 22 August 1903. The earliest feature film made in Nigeria is 1926's '' Palaver'' directed by Geoffrey Barkas, which was also the first to feature Nigerian actors in substantial roles. As of 1954, mobile cinema vans played to at least 3.5 million ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filmmaking In Colonial Nigeria
Filmmaking in Colonial Nigeria generally refers to an era in Nigerian cinema, usually spanning the 1900s through to the 1950s, when film production and exhibition or distribution were controlled by the British colonial Government. The history of cinema in Nigeria dates back to as early as the history of film itself; notably in the late 19th century, with the use of peephole viewing of motion picture devices. These were soon replaced in the early 20th century with improved motion picture exhibition devices, with the first set of films screened at the Glover Memorial Hall in Lagos from 12 to 22 August 1903. Filmmakers started producing films for local audiences within Nigeria since the 1920s, mostly employing the mobile cinema as a means of exhibition; the earliest feature film made in Nigeria is the 1926's '' Palaver'' produced by Geoffrey Barkas. The film was also the first film ever to feature Nigerian actors in a speaking role The Colonial Government largely utilized the cinemas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Film Institute
The British Film Institute (BFI) is a film and television charitable organisation which promotes and preserves film-making and television in the United Kingdom. The BFI uses funds provided by the National Lottery to encourage film production, distribution, and education. It is sponsored by the Department for Digital, Culture, Media and Sport, and partially funded under the British Film Institute Act 1949. Purpose It was established in 1933 to encourage the development of the arts of film, television and the moving image throughout the United Kingdom, to promote their use as a record of contemporary life and manners, to promote education about film, television and the moving image generally, and their impact on society, to promote access to and appreciation of the widest possible range of British and world cinema and to establish, care for and develop collections reflecting the moving image history and heritage of the United Kingdom. BFI activities Archive The BFI maint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1926 Films
The following is an overview of 1926 in film, including significant events, a list of films released, and notable births and deaths. Top-grossing films (U.S.) The top ten 1926 released films by box office gross in North America are as follows: Events *February – The oldest surviving animated feature film is released in the Weimar Republic, directed by Lotte Reiniger. It is called ''The Adventures of Prince Achmed'' (''Die Abenteuer des Prinzen Achmed''). *August 5 – Warner Brothers debuts the first Vitaphone film, ''Don Juan''. The Vitaphone system uses multiple rpm gramophone records developed by Bell Telephone Laboratories and Western Electric to play back music and sound effects synchronized with film. *August 23 – Rudolph Valentino, whose film ''The Son of the Sheik'' was currently playing, dies at the age of 31 in New York. Riots occur at the funeral parlor as thousands of people try to see his body. *October 7 – Warner Brothers release the second Vitaphone film, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nigerian Drama Films
Nigerians or the Nigerian people are citizens of Nigeria or people with ancestry from Nigeria. The name Nigeria was taken from the Niger River running through the country. This name was allegedly coined in the late 19th century by British journalist Flora Shaw, who later married Baron Frederick Lugard, a British colonial administrator. ''Nigeria'' is composed of various ethnic groups and cultures and the term Nigerian refers to a citizenship-based civic nationality. Nigerians derive from over 250 ethnic groups and languages.Toyin Falola. ''Culture and Customs of Nigeria''. Westport, Connecticut, USA: Greenwood Press, 2001. p. 4. Though there are multiple ethnic groups in Nigeria, economic factors result in significant mobility of Nigerians of multiple ethnic and religious backgrounds to reside in territories in Nigeria that are outside their ethnic or religious background, resulting in the mixing of the various ethnic and religious groups, especially in Nigeria's cities.Toyin Fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
