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Palace Of The Dukes Of Cadaval (Évora)
The Palace of the Dukes of Cadaval is located in Évora historic centre, in Portugal, next-door to the Lóios Convent and Church (today a remarkable ''Pousada'') and facing the Roman Temple of Évora. It belongs to the Duke of Cadaval family, and today it has a harmonious architectural elements combination: Moorish (Mudéjar), Gothic and Manueline period. The palace with its 17th-century façade is constituted in part by an old castle burnt in 1384. Today it is dominated by a tower called ''Tower of the Five Shields''. This palace was used by the governor of the city of Évora and served, from time to time, as royal residence. The first-floor rooms house a collection manuscripts, family portraits and religious art from the 16th century, which can be visited by the public. See also

*Duke of Cadaval *Évora *:pt:Palácio dos Duques de Cadaval (Évora), Palácio dos Duques do Cadaval (Évora), in Portuguese {{coord, 38.5733, N, 7.90733, W, source:kolossus-ptwiki, display=title ...
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Évora
Évora ( , ) is a city and a municipality in Portugal. It has 53,591 inhabitants (2021), in an area of 1307.08 km2. It is the historic capital of the Alentejo and serves as the seat of the Évora District. Due to its well-preserved old town centre, still partially enclosed by medieval walls, and many monuments dating from various historical periods, including a Roman Temple, Évora is a UNESCO World Heritage Site. Due to its inland position, Évora is one of Portugal's hottest cities in the summer, frequently subject to heat waves. Évora is ranked number two in the Portuguese most livable cities survey of living conditions published yearly by ''Expresso''. It was ranked first in a study concerning competitiveness of the 18 Portuguese district capitals, according to a 2006 study made by Minho University economics researchers. Along with Liepāja, Latvia, Évora was chosen to be European Capital of Culture in 2027. History Early history Évora has a history dating ...
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Roman Temple Of Évora
The Roman Temple of Évora ( pt, Templo romano de Évora), also referred to as the ''Templo de Diana'' (albeit wrongly, after Diana, the ancient Roman goddess of the moon, the hunt, and chastity) is an ancient temple in the Portuguese city of Évora (civil parish of Sé e São Pedro). The temple is part of the historical centre of the city, which was included in the classification by UNESCO as a World Heritage Site. It represents one of the most significant landmarks relating to the Roman and Lusitanian civilizations of Évora and in Portuguese territory. History The temple is believed to have been constructed around the first century CE, in honour of Augustus, who was venerated as a god during and after his rule. The temple was built in the main public square (forum) of Évora, then called ''Liberalitas Iulia''. During the 2nd and 3rd centuries, from the traditionally accepted chronology, the temple was part of a radical redefinition of the urban city, when religious vener ...
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Duke Of Cadaval
The Dukes of Cadaval have their origins in ''Dom'' Álvaro of Braganza, Lord of Tentúgal, Póvoa, Buarcos and Cadaval, 4th male son of ''Dom'' Ferdinand I, 2nd Duke of Braganza. ''Dom'' Álvaro married ''Dona'' Filipa de Melo, the rich daughter and heir of Rodrigo Afonso de Melo, 1st. Count of Olivença. The title was created on 26 April 1645 by King John IV of Portugal to his distant cousin, ''Dom'' Nuno Álvares Pereira de Melo (1638–1727), who was already 3rd Marquis of Ferreira and 5th Count of Tentúgal. List of the Dukes of Cadaval #D. Nuno Álvares Pereira de Melo (1638–1727) #D. Luís Ambrósio Álvares Pereira de Melo (1679–1700) #D. Jaime Álvares Pereira de Melo (1684–1749) #D. Nuno Caetano Álvares Pereira de Melo (1741–1771) #D. Miguel Caetano Álvares Pereira de Melo (1765–1808) #D. Nuno Caetano Álvares Pereira de Melo (1799–1837) #D. Maria da Piedade Álvares Pereira de Melo (1827–1859) #D. Jaime Segismundo Álvares Pereira de Melo (1844 ...
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Mudéjar
Mudéjar ( , also , , ca, mudèjar , ; from ar, مدجن, mudajjan, subjugated; tamed; domesticated) refers to the group of Muslims who remained in Iberia in the late medieval period despite the Christian reconquest. It is also a term for Mudejar art, which was much influenced by Islamic art, but produced typically by Christian craftsmen for Christian patrons. Mudéjar was originally the term used for Moors or Muslims of Al-Andalus who remained in Iberia after the Christian ''Reconquista'' but were not initially forcibly converted to Christianity or exiled. The word Mudéjar references several historical interpretations and cultural borrowings. It was a medieval Castilian borrowing of the Arabic word ''Mudajjan'' , meaning "subjugated; tamed", referring to Muslims who submitted to the rule of Christian kings. The term likely originated as a taunt, as the word was usually applied to domesticated animals such as poultry. The term Mudéjar also can be translated from Arabic a ...
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Manueline
The Manueline ( pt, estilo manuelino, ), occasionally known as Portuguese late Gothic, is the sumptuous, composite Portuguese architectural style originating in the 16th century, during the Portuguese Renaissance and Age of Discoveries. Manueline architecture incorporates maritime elements and representations of the discoveries brought from the voyages of Vasco da Gama and Pedro Álvares Cabral. This innovative style synthesizes aspects of Late Gothic Flamboyant architecture with original motifs and influences of the Plateresque, Mudéjar, Italian, and Flemish architecture. It marks the transition from Late Gothic to Renaissance. The construction of churches and monasteries in Manueline was largely financed by proceeds of the lucrative spice trade with Africa and India. The style was given its name, many years later, by Francisco Adolfo de Varnhagen, Viscount of Porto Seguro, in his 1842 book ''Noticia historica e descriptiva do Mosteiro de Belem, com um glossario de varios ...
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Buildings And Structures In Évora
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ...
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Palaces In Portugal
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, whereas a pa ...
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Buildings And Structures In Évora District
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ...
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