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Palace Of Culture (Iași)
The Palace of Culture ( ro, Palatul Culturii) is an edifice located in Iași, Romania. The building served as Administrative and Justice Palace until 1955, when its destination was changed, being assigned to the four museums nowadays united under the name of Moldavia National Museum Complex. Also, the building houses the Cultural Heritage Conservation-Restoration Centre, and hosts various exhibitions and other events. The Palace of Culture is listed in the National Register of Historic Monuments. History Located in the perimeter of the mediaeval Princely Court of Moldavia (from 1434), the construction was conceived as a rebuilding and expansion project of the former Princely Palace of Moldavia, dated to the time of Prince Alexandru Moruzi (1803–1806, architect Johan Freywald), and renovated by Prince Mihail Sturdza (1841–1843, architect Nicolae Singurov), from which it preserved the foundations and first two floors. It was from this latter building that the Palace inherited ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iași
Iași ( , , ; also known by other alternative names), also referred to mostly historically as Jassy ( , ), is the second largest city in Romania and the seat of Iași County. Located in the historical region of Moldavia, it has traditionally been one of the leading centres of Romanian social, cultural, academic and artistic life. The city was the capital of the Principality of Moldavia from 1564 to 1859, then of the United Principalities from 1859 to 1862, and the capital of Romania from 1916 to 1918. Known as the Cultural Capital of Romania, Iași is a symbol of Romanian history. Historian Nicolae Iorga stated that "there should be no Romanian who does not know of it". Still referred to as "The Moldavian Capital", Iași is the main economic and business centre of Romania's Moldavian region. In December 2018, Iași was officially declared the Historical Capital of Romania. At the 2011 census, the city-proper had a population of 290,422 (making it the fourth most populous in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palace Of Culture (Iaşi) 0107
Palace of Culture (russian: Дворец культуры, dvorets kultury, , ''wénhuà gōng'', german: Kulturpalast) or House of Culture (Polish: ''dom kultury'') is a common name (generic term) for major club-houses (community centres) in the former Soviet Union and the rest of the Eastern bloc. In the Soviet Union, the system of House of Cultures was based on already existing Imperial Russian system of People's House that was established back in 1880s. It has several variations such as Palace of Arts, Palace of Sports, Palace of Pioneers, Palace of Metallurgists, House of the Red Army and others. Description As an establishment for all kinds of recreational activities and hobbies: sports, collecting, arts, etc., the Palace of Culture was designed to have room for multiple uses. A typical Palace contained one or several cinema halls, concert hall(s), dance studios ( folk dance, ballet, ballroom dance), various do-it-yourself hobby groups, amateur-radio groups, amateur-theatr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Van Dyck
Sir Anthony van Dyck (, many variant spellings; 22 March 1599 – 9 December 1641) was a Brabantian Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy. The seventh child of Frans van Dyck, a wealthy Antwerp silk merchant, Anthony painted from an early age. He was successful as an independent painter in his late teens, and became a master in the Antwerp guild in 1618. By this time he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders for a brief time, before travelling to Italy, where he stayed until 1627, mostly in Genoa. In the late 1620s he completed his greatly admired ''Iconography'' series of portrait etchings, mostly of other artists. He spent five years in Flanders after his return from Italy, and from 1630 was court painter for the arch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolomé Esteban Murillo
Bartolomé Esteban Murillo ( , ; late December 1617, baptized January 1, 1618April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively realistic portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. He also painted two self-portraits, one in the Frick Collection portraying him in his 30s, and one in London's National Gallery portraying him about 20 years later. In 2017–18, the two museums held an exhibition of them. Childhood Murillo was probably born in December 1617 to Gaspar Esteban, an accomplished barber surgeon, and María Pérez Murillo. He may have been born in Seville or in Pilas, a smaller Andalusian town. It is clear that he was baptized in Santa Maria Magdalena, a parish in Seville in 1618. After his parents died in 1627 and 1628, he became ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Solimena
Francesco Solimena (4 October 1657 – 3 April 1747) was a prolific Italian painter of the Baroque era, one of an established family of painters and draughtsmen. Biography Francesco Solimena was born in Canale di Serino in the province of Avellino. He received early training from his father, Angelo Solimena, with whom he executed a ''Paradise'' for the cathedral of Nocera (a place where he spent a big part of his life) and a ''Vision of St. Cyril of Alexandria'' for the church of San Domenico at Solofra. He settled in Naples in 1674, where he worked in the studio of Francesco di Maria.Pavone, Mario Alberto (2003, January 1). "Solimena family". Grove Art Online. He was patronized early on, and encouraged to become an artist by Cardinal Vincenzo Orsini (later Pope Benedict XIII). By the 1680s, he had independent fresco commissions, and his active studio came to dominate Neapolitan painting from the 1690s through the first four decades of the 18th century. He modeled his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salvator Rosa
Salvator Rosa (1615 –1673) is best known today as an Italian Baroque painter, whose romanticized landscapes and history paintings, often set in dark and untamed nature, exerted considerable influence from the 17th century into the early 19th century. In his lifetime he was among the most famous painters,Jaffé, Hans L. C., editor. 1967. ''20,000 Years of World Painting.'' Harry N. Abrams, Inc., Publishers. New York. 418 pp. age 228/ref> known for his flamboyant personality, and regarded as an accomplished poet, satirist, actor, musician, and printmaker, as well. He was active in Naples, Rome, and Florence, where on occasion he was compelled to move between cities, as his caustic satire earned him enemies in the artistic and intellectual circles of the day. As a history painter, he often selected obscure and esoteric subjects from the Bible, mythology, and the lives of philosophers, that were seldom addressed by other artists. He rarely painted the common religious subjects, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Dolci
Carlo (or Carlino) Dolci (25 May 1616 – 17 January 1686) was an Italian painter of the Baroque period, active mainly in Florence, known for highly finished religious pictures, often repeated in many versions. Biography He was born in Florence, on his mother's side the grandson of a painter. He was precocious and apprenticed at a young age to Jacopo Vignali, and when only eleven years of age he attempted a whole figure of St John, and a head of the infant Christ, which received some approbation. However Dolci was not prolific. "He would take weeks over a single foot", according to his biographer Baldinucci. His painstaking technique made him unsuited for large-scale fresco painting. He painted chiefly sacred subjects, and his works are generally small in scale, although he made a few life-size pictures. He often repeated the same composition in several versions, and his daughter, Agnese Dolci, also made excellent copies of his works. When only eleven years of age, he attempted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Liberi
Pietro (Libertino) Liberi (1605 – 18 October 1687) was an Italian painter of the Baroque era, active mainly in Venice and the Veneto. Biography Liberi was born in Padua, his earliest training was with Alessandro Varotari (''il Padovanino''). He had an adventure-filled life. He traveled extensively in Italy. During a voyage to Istanbul, he was captured into bondage for 8 months by pirates from Tunis. Released through Malta, he visited Sicily, Naples, and Pisa. For a few years in his life, he became a mercenary with the forces of cavaliere Antonio Manfredini, who was fighting for the Duchy of Tuscany against the ''Saracens''. He fought to capture the Castle of Sichia, in present İskenderun in Turkey. After the campaign, he returned to Livorno, and in 1637, traveled to Lisbon, visited Liguria, the Southern coast of France and Madrid. Back in Tuscany, he focused again on painting, travelling to Rome. There he was a roommate of the engraver Stefano della Bella. In Rome, he painte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Veronese
Paolo Caliari (152819 April 1588), known as Paolo Veronese ( , also , ), was an Italian Renaissance painter based in Venice, known for extremely large history paintings of religion and mythology, such as ''The Wedding at Cana'' (1563) and ''The Feast in the House of Levi'' (1573). Included with Titian, a generation older, and Tintoretto, a decade senior, Veronese is one of the "great trio that dominated Venetian painting of the ''cinquecento''" and the Late Renaissance in the 16th century.Rosand, 107 Known as a supreme colorist, and after an early period with Mannerism, Paolo Veronese developed a naturalist style of painting, influenced by Titian. His most famous works are elaborate narrative cycles, executed in a dramatic and colorful style, full of majestic architectural settings and glittering pageantry. His large paintings of biblical feasts, crowded with figures, painted for the refectories of monasteries in Venice and Verona are especially famous, and he was also the leadi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caravaggio
Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio, known as simply Caravaggio (, , ; 29 September 1571 – 18 July 1610), was an Italian painter active in Rome for most of his artistic life. During the final four years of his life he moved between Naples, Malta, and Sicily until his death. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferring to forgo drawings and work directly onto the canvas. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hora Unirii
"Hora Unirii" () is a poem by Vasile Alecsandri, published in 1856. The music of the song was composed by . The song is sung and danced especially on January 24, the anniversary of the day in which the Romanian United Principalities were formally united in 1859. It was, in fact, considered the "unofficial anthem" of the unification of the Romanian principalities and its supporters in 1859. The poem ''Kënga e bashkimit'' ("The Song of Unit") of Aleksandër Stavre Drenova, published in 1912, is a clear adaptation of Alecsandri's "Hora Unirii".Robert Elsie, Albanian literature: a short history, 2005, p.104 Use in TVR It was used by TVR for its station sign-off during the "energy saving program" between 1985 to 1989, when its schedule was severely limited to two hours per day. Text and translation See also *Hora (dance) References External links Cum s-a nascut "Hora Unirii"? 1 June 2007, Adrian Majuru, ''Ziarul Financiar ''Ziarul Financiar'' is a daily financial newspa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carillon
A carillon ( , ) is a pitched percussion instrument that is played with a keyboard and consists of at least 23 cast-bronze bells. The bells are hung in fixed suspension and tuned in chromatic order so that they can be sounded harmoniously together. They are struck with clappers connected to a keyboard of wooden batons played with the hands and pedals played with the feet. Often housed in bell towers, carillons are usually owned by churches, universities, or municipalities. They can include an automatic system through which the time is announced and simple tunes are played throughout the day. Carillons come in many designs, weights, sizes, and sounds. They are among the world's heaviest instruments, and the heaviest carillon weighs over . Most weigh between . To be considered a carillon, a minimum of 23 bells are needed; otherwise, it is called a chime. Standard-sized instruments have about 50, and the world's largest has 77 bells. The appearance of a carillon depends ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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