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Paestan Vase Painting
Paestan vase painting was a style of vase painting associated with Paestum, a Campanian city in Italy founded by Greek colonists. Paestan vase painting is one of five regional styles of South Italian red-figure vase painting. Development The Paestan vase painting style was originated by Sicilian immigrants around 360 BC, and was the last of the South Italian styles to develop. The first workshop was controlled by Asteas and Python, who are the only South Italian vase painters known from inscriptions. They mainly painted bell kraters, neck amphorae, '' hydriai'', '' lebes gamikos'', '' lekanes'', '' lekythoi'' and jugs, more rarely ''pelikes'', chalice kraters, and volute kraters. Asteas and Python had a major influence on the vase painting of Paestum, clearly visible in the work of the Aphrodite Painter, a likely immigrant from Apulia. Around 330 BC, a second workshop developed, based on the work of the first. The quality of its painting and variety of its motifs deteriorated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caivano Painter
Caivano ( nap, Caivàn') is a city and ''comune'' (municipality) in the Metropolitan City of Naples in the Italian region Campania, located about 14 km northeast of Naples. The municipality contains the ''frazioni'' Casolla Valenzano and Pascarola. Pascarola is home to a large industrial area. There are remains of an ancient Roman theater in Casolla. Caivano was the first capital of Old Atella; it was replaced by Frattamaggiore. Caivano has been heavily damaged by the waste traffic of the Camorra. It's one of the main spots of the Land of the Fires. The town's outskirts are one of the most contaminated areas in Europe. People *Francesco Morano Francesco Morano (8 June 1872, Caivano, Province of Naples – 12 July 1968) was an Italian Cardinal of the Roman Catholic Church. He served as Secretary of the Apostolic Signatura in the Roman Curia from 1935 until 1959, and was elevated to ... References External links Official website Cities and towns in Campania [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aphrodite
Aphrodite ( ; grc-gre, Ἀφροδίτη, Aphrodítē; , , ) is an ancient Greek goddess associated with love, lust, beauty, pleasure, passion, and procreation. She was syncretized with the Roman goddess . Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans. The cult of Aphrodite was largely derived from that of the Phoenician goddess Astarte, a cognate of the East Semitic goddess Ishtar, whose cult was based on the Sumerian cult of Inanna. Aphrodite's main cult centers were Cythera, Cyprus, Corinth, and Athens. Her main festival was the Aphrodisia, which was celebrated annually in midsummer. In Laconia, Aphrodite was worshipped as a warrior goddess. She was also the patron goddess of prostitutes, an association which led early scholars to propose the concept of "sacred prostitution" in Greco-Roman culture, an idea which is now generally seen as erroneous. In Hesiod's ''Theogony'', Aphrodite is born off the coast of Cythera from the foam (, ) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electra
Electra (; grc, Ήλέκτρα) is one of the most popular mythological characters in tragedies.Evans (1970), p. 79 She is the main character in two Greek tragedies, '' Electra'' by Sophocles and '' Electra'' by Euripides. She is also the central figure in plays by Aeschylus, Alfieri, Voltaire, Hofmannsthal, and Eugene O'Neill. She is a vengeful soul in '' The Libation Bearers'', the second play of Aeschylus' ''Oresteia'' trilogy. She plans out an attack with her brother to kill their mother, Clytemnestra. In psychology, the Electra complex is named after her. Family Electra's parents were King Agamemnon and Queen Clytemnestra. Her sisters were Iphigeneia and Chrysothemis, and her brother was Orestes. In the ''Iliad'', Homer is understood to be referring to Electra in mentioning "Laodice" as a daughter of Agamemnon. Murder of Agamemnon Electra was absent from Mycenae when her father, King Agamemnon, returned from the Trojan War. When he came back, he brought with him his w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orestes
In Greek mythology, Orestes or Orestis (; grc-gre, Ὀρέστης ) was the son of Clytemnestra and Agamemnon, and the brother of Electra. He is the subject of several Ancient Greek plays and of various myths connected with his madness and purification, which retain obscure threads of much older ones. Etymology The Greek name Ὀρέστης, having become "Orestēs" in Latin and its descendants, is derived from Greek ὄρος (óros, “mountain”) and ἵστημι (hístēmi, “to stand”), and so can be thought to have the meaning "stands on a mountain". Greek literature Homer In the Homeric telling of the story, Orestes is a member of the doomed house of Atreus, which is descended from Tantalus and Niobe. He is absent from Mycenae when his father, Agamemnon, returns from the Trojan War with the Trojan princess Cassandra as his concubine, and thus not present for Agamemnon's murder by Aegisthus, the lover of his wife, Clytemnestra. Seven years later, Orestes retu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silenos
In Greek mythology, Silenus (; grc, Σειληνός, Seilēnós, ) was a companion and tutor to the wine god Dionysus. He is typically older than the satyrs of the Dionysian retinue (''thiasos''), and sometimes considerably older, in which case he may be referred to as a Papposilenus. The plural ''sileni'' refers to the mythological figure as a type that is sometimes thought to be differentiated from a satyr by having the attributes of a horse rather than a goat, though usage of the two words is not consistent enough to permit a sharp distinction. Silenus presides over other daemones and is related to musical creativity, prophetic ecstasy, drunken joy, drunken dances and gestures. Evolution The original Silenus resembled a folkloric man of the forest, with the ears of a horse and sometimes also the tail and legs of a horse. The later sileni were drunken followers of Dionysus, usually bald and fat with thick lips and squat noses, and having the legs of a human. Later still, th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maenad
In Greek mythology, maenads (; grc, μαινάδες ) were the female followers of Dionysus and the most significant members of the Thiasus, the god's retinue. Their name literally translates as "raving ones". Maenads were known as Bassarids, Bacchae , or Bacchantes in Roman mythology after the penchant of the equivalent Roman god, Bacchus, to wear a bassaris or fox skin. Often the maenads were portrayed as inspired by Dionysus into a state of ecstatic frenzy through a combination of dancing and intoxication. During these rites, the maenads would dress in fawn skins and carry a thyrsus, a long stick wrapped in ivy or vine leaves and tipped with a pine cone. They would weave ivy-wreaths around their heads or wear a bull helmet in honor of their god, and often handle or wear snakes. These women were mythologized as the "mad women" who were nurses of Dionysus in Nysa. Lycurgus "chased the Nurses of the frenzied Dionysus through the holy hills of Nysa, and the sacred implements ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satyr
In Greek mythology, a satyr ( grc-gre, :wikt:σάτυρος, σάτυρος, sátyros, ), also known as a silenus or ''silenos'' ( grc-gre, :wikt:Σειληνός, σειληνός ), is a male List of nature deities, nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exaggerated erection. Early artistic representations sometimes include horse-like legs, but, by the sixth century BC, they were more often represented with human legs. Comically hideous, they have mane-like hair, bestial faces, and snub noses and are always shown naked. Satyrs were characterized by their ribaldry and were known as lovers of wine, music, dancing, and women. They were companions of the god Dionysus and were believed to inhabit remote locales, such as woodlands, mountains, and pastures. They often attempted to seduce or rape nymphs and mortal women alike, usually with little success. They are sometimes shown masturbation, masturbating or engaging in bestiality. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symposium
In ancient Greece, the symposium ( grc-gre, συμπόσιον ''symposion'' or ''symposio'', from συμπίνειν ''sympinein'', "to drink together") was a part of a banquet that took place after the meal, when drinking for pleasure was accompanied by music, dancing, recitals, or conversation.Peter Garnsey, ''Food and Society in Classical Antiquity'' (Cambridge University Press, 1999), p. 13online Sara Elise Phang, ''Roman Military Service: Ideologies of Discipline in the Late Republic and Early Principate'' (Cambridge University Press, 2008), pp. 263–264. Literary works that describe or take place at a symposium include two Socratic dialogues, Plato's '' Symposium'' and Xenophon's '' Symposium'', as well as a number of Greek poems such as the elegies of Theognis of Megara. Symposia are depicted in Greek and Etruscan art that shows similar scenes. In modern usage, it has come to mean an academic conference or meeting such as a scientific conference. The equivalent of a Gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thiasos
In Greek mythology and religion, the ''thiasus'' ( el, θίασος, thíasos), was the ecstatic retinue of Dionysus, often pictured as inebriated revelers. Many of the myths of Dionysus are connected with his arrival in the form of a procession. The grandest such version was his triumphant return from "India", which influenced symbolic conceptions of the Roman triumph and was narrated in rapturous detail in Nonnus' ''Dionysiaca''. In this procession, Dionysus rides a chariot, often drawn by big cats such as tigers, leopards, or lions, or alternatively elephants or centaurs. The ''thiasos'' of the sea god Poseidon is depicted as a triumphal wedding procession with Amphitrite, attended by figures such as sea nymphs and hippocamps. In historical Greek society, ''thiasoi'' (plural; el, θίασοι) were religious organizations whose existence was protected by law. Dionysian ''thiasos'' The most significant members of the thiasus were the human female devotees, the maenads, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crenelation
A battlement in defensive architecture, such as that of city walls or castles, comprises a parapet (i.e., a defensive low wall between chest-height and head-height), in which gaps or indentations, which are often rectangular, occur at intervals to allow for the launch of arrows or other projectiles from within the defences. These gaps are termed " crenels" (also known as ''carnels'', or ''embrasures''), and a wall or building with them is called crenellated; alternative (older) terms are castellated and embattled. The act of adding crenels to a previously unbroken parapet is termed crenellation. The function of battlements in war is to protect the defenders by giving them something to hide behind, from which they can pop out to launch their own missiles. A defensive building might be designed and built with battlements, or a manor house might be fortified by adding battlements, where no parapet previously existed, or cutting crenellations into its existing parapet wall. A d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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