Overture (Bruckner)
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Overture (Bruckner)
Anton Bruckner composed the Overture in G minor, Werkverzeichnis Anton Bruckner, WAB 98 in 1862–63, during his tuition by Otto Kitzler. History In the fall of 1862, when studying with Otto Kitzler in Linz, Bruckner composed his first orchestral compositions: the Four Orchestral Pieces (Bruckner), Four Orchestral Pieces (the March in D minor and the Three Pieces for orchestra). His next orchestral composition was an Overture in G minor, WAB 98. A sketch of the Overture, which was started in November 1862, is found in the ''Kitzler Study Book, Kizler-Studienbuch'' pp. 287–301.U. Harten, p. 328 A first version of the Overture was completed on 24 December 1862. On 6 January 1863 Bruckner started with the composition of a new Coda (music), coda, which he finished on 22 January 1863.C. van Zwol, p. 679 The original manuscript of the Overture contains both the 1863 version and, on pp. 44–50, its 1862 coda. The manuscript, of which sheet No. 7 (Bar (music), bars 188-21 ...
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Anton Bruckner
Josef Anton Bruckner (; 4 September 182411 October 1896) was an Austrian composer, organist, and music theorist best known for his symphonies, masses, Te Deum and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several version ...
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