|
Over The Shoulder Shot
The over-the-shoulder shot (OTS) is a camera angle used in film and television, where the camera is placed above the back of the shoulder and head of a subject. This shot is most commonly used to present conversational back and forth between two subjects. With the camera placed behind one character, the shot then frames the sequence from the perspective of that character. The over-the-shoulder shot is then utilised in a shot-reverse-shot sequence where both subject's OTS perspectives are edited consecutively to create a back and forth interplay, capturing dialogue and reactions. This inclusion of the back of the shoulder allows audiences to understand the spatial relationships between two subjects, while still being able to capture a closer shot of each subject’s facial expression. In film and television, the filmmaker or cinematographer’s choice of an OTS shot’s camera height, the use of focus and lenses affect the way audiences interpret subjects and their relat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Driller Killer Over-the-Shoulder Shot
Driller may refer to: *Driller (oil), a job in the oil industry * ''Driller'' (video game), a 1987 game for various 8- and 16-bit home microcomputers *The Driller, a giant alien creature in the ''Transformers'' films - see List of Transformers film series cast and characters The following is a list of cast members and characters from the ''Transformers'' film series. Autobots The Autobots are the main protagonists of the Transformers franchise who come from the planet Cybertron. Optimus Prime Optimus Prime (voic ... See also * Drill * Drilling {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moonrise By The Sea
''Moonrise by the Sea'' or ''Moonrise over the Sea'' (German: ''Mondaufgang am Meer'') is an 1822 oil-on-canvas painting by German painter Caspar David Friedrich. The work depicts a romantic seascape. Three young people, two women side by side and a man further back, are sitting on a large boulder by the sea, silhouetted against the sky as they watch the moon rising to the east above a band of clouds. In the distance are two sailing vessels, ghosting on a light breeze towards the spectators on the shore. The painting is probably a view of the Baltic Sea, near Friedrich's birthplace in Swedish Pomerania. It may be based on the beach at Stubbenkammer near Rügen. The work was commissioned by banker and art collector Joachim Heinrich Wilhelm Wagener, together with a second work, '' The Lonely Tree'' (''Der einsame Baum''), to create a pair of "times of the day", depicting morning and evening landscape scenes, in a tradition of Claude Lorrain. It was completed before Novemb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Depth Of Field
The depth of field (DOF) is the distance between the nearest and the furthest objects that are in acceptably sharp focus in an image captured with a camera. Factors affecting depth of field For cameras that can only focus on one object distance at a time, depth of field is the distance between the nearest and the farthest objects that are in acceptably sharp focus. "Acceptably sharp focus" is defined using a property called the " circle of confusion". The depth of field can be determined by focal length, distance to subject, the acceptable circle of confusion size, and aperture. Limitations of depth of field can sometimes be overcome with various techniques and equipment. The approximate depth of field can be given by: : \text \approx \frac for a given circle of confusion (c), focal length (f), f-number (N), and distance to subject (u). As distance or the size of the acceptable circle of confusion increases, the depth of field increases; however, increasing the size ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Focus (optics)
In geometrical optics, a focus, also called an image point, is a point where light rays originating from a point on the object converge. Although the focus is conceptually a point, physically the focus has a spatial extent, called the blur circle. This non-ideal focusing may be caused by aberrations of the imaging optics. In the absence of significant aberrations, the smallest possible blur circle is the Airy disc, which is caused by diffraction from the optical system's aperture. Aberrations tend to worsen as the aperture diameter increases, while the Airy circle is smallest for large apertures. An image, or image point or region, is in focus if light from object points is converged almost as much as possible in the image, and out of focus if light is not well converged. The border between these is sometimes defined using a " circle of confusion" criterion. A principal focus or focal point is a special focus: * For a lens, or a spherical or parabolic mirror, it is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exposure (photography)
In photography, exposure is the amount of light per unit area (the image plane's illuminance times the exposure time) reaching a frame of photographic film or the surface of an electronic image sensor, as determined by shutter speed, lens F-number, and scene luminance. Exposure is measured in lux seconds, and can be computed from exposure value (EV) and scene luminance in a specified region. An "exposure" is a single shutter cycle. For example, a long exposure refers to a single, long shutter cycle to gather enough dim light, whereas a multiple exposure involves a series of shutter cycles, effectively layering a series of photographs in one image. The accumulated ''photometric exposure'' (''H''v) is the same so long as the total exposure time is the same. Definitions Radiant exposure Radiant exposure of a ''surface'', denoted ''H''e ("e" for "energetic", to avoid confusion with photometric quantities) and measured in , is given by :H_\mathrm = E_\mathrmt, where *''E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Film
The history of film chronicles the development of a visual art form created using film technologies that began in the late 19th century. The advent of film as an artistic medium is not clearly defined. However, the commercial, public screening of ten of the Lumière brothers' short films in Paris on 28 December 1895 can be regarded as the breakthrough of projected cinematographic motion pictures. There had been earlier cinematographic results and screenings by others like the Skladanowsky brothers, who used their self-made Bioscop to display the first moving picture show to a paying audience on 1 November 1895 in Berlin, but they lacked neither the quality, financial backing, stamina, or the luck to find the momentum that propelled the cinématographe Lumière into worldwide success. Those earliest films were in black and white, under a minute long, without recorded sound and consisted of a single shot from a steady camera. The first decade of motion pictures saw film mov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reverse Angle Shot
Shot/reverse shot (or shot/countershot) is a film technique where one character is shown looking at another character (often off-screen), and then the other character is shown looking back at the first character (a or ). Since the characters are shown facing in opposite directions, the viewer assumes that they are looking at each other. Context Shot/reverse shot is a feature of the "classical" Hollywood style of continuity editing, which deemphasizes transitions between shots such that the spectator perceives one continuous action that develops linearly, chronologically, and logically. It is an example of an eyeline match An eyeline match is a film editing technique associated with the continuity editing system. It is based on the premise that an audience will want to see what the character on-screen is seeing. An eyeline match begins with a character looking at so .... References Sources Cinematography Film editing Cinematic techniques Television terminology ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Attack On A China Mission
''Attack on a China Mission'' is a 1900 British Short subject, short silent film, silent drama film, directed by James Williamson (film pioneer), James Williamson, showing some sailors coming to the rescue of the wife of a missionary killed by Boxers (group), Boxers. The four-shot film, according to Michael Brooke of BFI Screenonline, was innovative in content and technique. It incorporated a reverse-angle cut and at least two dozen performers, whereas most dramatic films of the era consisted of single-figure casts and very few shots. Film historian John Barnes claims ''Attack on a China Mission'' had "the most fully developed narrative" of any English film up to that time." Production The director, inspired by Georges Méliès' influential eleven-scene dramatised documentary ''The Dreyfus Affair (film series), L'Affaire Dreyfus'' (1899), made the film to meet a perceived public demand for footage of the Boxer Rebellion, which began in the early months of 1900, at a derelict h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Williamson (film Pioneer)
James A. Williamson (8 November 1855 – 18 August 1933) was a Scottish photographer and a key member of the loose association of early film pioneers dubbed the Brighton School by French film historian Georges Sadoul. He is best known for '' The Big Swallow'' (1901), a trick film with innovative use of extreme close-up, as well as '' Fire!'' and '' Stop Thief!'' (both 1901), dramas with continuity established across multiple shots. Biography Early life and career Williamson was born in Pathhead near Kirkcaldy, Fife, and raised in Edinburgh, where he trained to be a master chemist. He moved to London in 1868, where he was an apprentice to a pharmacist and to Eastry, Kent in 1877, where he bought his own pharmacy and got married. He was also a keen amateur photographer who sold photographic apparatus and chemical supplies in his shop and became an agent for Kodak. In 1886, he moved his chemist's and photographic business to 144 Church Road, Hove, where he took up residence w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Staging (theatre, Film, Television)
Staging is the process of selecting, designing, adapting to, or modifying the performance space for a play or film. This includes the use or absence of stagecraft elements as well as the structure of the stage and its components. Staging is also used to mean the result of this process, in other words the spectacle that a play presents in performance, its visual detail. This can include such things as positions of actors on stage (often referred to as blocking), their gestures and movements (also called stage business), the scenic background, the props and costumes, lighting, and sound effects. Besides costume, any physical object that appears in a play has the potential to become an important dramatic symbol. The first thing that the audience of a play sees is the stage set, the physical objects that suggest the world of the play. The stage set is usually indicated by the playwright, but the degree of detail and specificity of this rendering vary from one playwright to another an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blocking (stage)
In theatre, blocking is the precise staging of actors to facilitate the performance of a play, ballet, film or opera. Historically, the expectations of staging/blocking have changed substantially over time in Western theater. Prior to the movements toward "realism" that occurred in the 19th century, most staging used a "tableau" approach, in which a stage picture was established whenever characters entered or left the stage, ensuring that leading performers were always shown to their best advantage. In more recent times, while nothing has changed about showing leading performers to their best advantage, there have been changing cultural expectations that have made blocking/staging more complicated. There are also artistic reasons why blocking can be crucial. Through careful use of positioning on the stage, a director or performer can establish or change the significance of a scene. Different artistic principles can inform blocking, including minimalism and naturalism. Etymology B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
