Over-Nite Sensation
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Over-Nite Sensation
''Over-Nite Sensation'' is the ninth studio album by Frank Zappa and The Mothers of Invention, released in September 1973. It was followed by Zappa's solo album '' Apostrophe (')'' (1974), which was recorded during the same sessions. Recording Frank Zappa wanted to use backup singers on the songs "I'm the Slime", "Dirty Love", "Zomby Woof", "Dinah-Moe Humm" and "Montana". His road manager suggested The Ikettes, and Ike & Tina Turner were contacted. Ike Turner insisted that Zappa pay the singers, including Tina Turner, no more than $25 per song. However, an invoice shows that they were actually paid $25 per hour, and in total $187.50 each for 7 1/2 hours of service. During the recording sessions at Bolic Sound, Tina brought Ike into the studio to hear the highly difficult middle section of "Montana" which had taken the Ikettes a few days to learn and master. Ike listened to the tape and responded "What is this shit?" before leaving the studio. Ike later insisted that Zappa not ...
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The Ikettes
The Ikettes, originally The Artettes, were a trio (sometimes quartet) of female backing vocalists for the Ike & Tina Turner Revue. Despite their origins, the Ikettes became successful artists in their own right. In the 1960s they had hits such as "I'm Blue (The Gong-Gong Song)" and "Peaches 'N' Cream." In 2017, ''Billboard'' ranked "I'm Blue (The Gong-Gong Song)" No. 63 on its list of 100 Greatest Girl Group Songs of All Time. The group started as “The Artettes”, the backing group of Art Lassiter. The first official incarnation of The Ikettes was composed of Delores Johnson, Eloise Hester and Josie Jo Armstead. The most popular line-up consisted of Robbie Montgomery, Venetta Fields, and Jessie Smith. It was this trio that later morphed into The Mirettes. As the 1960s progressed, the Ikettes became known for their sexy onstage appearance; minidresses, long hair and high-energy dance routines that mirrored their mentor Tina Turner. "They represent me, and in my act they gotta ...
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I'm The Slime
"I'm the Slime" is a 1973 single by Frank Zappa and The Mothers from the studio album ''Over-Nite Sensation''. The single version is a different mix and edit from the version on the album. Live recordings of the song can be found on ''Zappa in New York'' and ''You Can't Do That on Stage Anymore, Vol. 1'', the latter version having been performed and recorded on the same night as the majority of tracks appearing on 1974's '' Roxy and Elsewhere''. "I'm the Slime" and its b-side version of "Montana" were put on Zappa's best of ''Strictly Commercial''. It was performed in concert from 1973 to 1977 and 1984. Lyrics and meaning The song contains two parts; the first part is a riddle of insults in the form of "what am I?" "I am gross and perverted. I'm obsessed 'n deranged. I have existed for years, but very little has changed. I'm the tool of the government and industry too, for I am destined to rule and regulate you. I may be vile and pernicious, but you can't look away. I make yo ...
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Montana (Frank Zappa Song)
"Montana" is a song composed by Frank Zappa for his 1973 LP ''Over-Nite Sensation''. The last track on the album is one of Zappa's most famous and renowned compositions. It features backing vocals by Tina Turner and the Ikettes throughout the entire track, notably on the middle and ending sections. The single version of this track was released as the B-side of "I'm the Slime" in 1973. Both songs are different mixes and edits than the album versions. The single version of "Montana" later appeared on the compilation ''Strictly Commercial''. Song structure The structure of "Montana" is intro–verses–chorus–solo–middle section–verses–outro. The lyrics, sung by Zappa in a humorous manner, talk about a person who decides to go to Montana to grow "a crop of dental floss," mounting a pony named "Mighty Little". He dreams of becoming a dental floss tycoon, by commercializing it. The verses are filled with pseudo-ranch pronunciation and are intended to be very lighthearted. ...
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Salvador Dalí
Salvador Domingo Felipe Jacinto Dalí i Domènech, Marquess of Dalí of Púbol (; ; ; 11 May 190423 January 1989) was a Spanish Surrealism, surrealist artist renowned for his technical skill, precise draftsmanship, and the striking and bizarre images in his work. Born in Figueres, Catalonia, Spain, Dalí received his formal education in fine arts in Madrid. Influenced by Impressionism and the Renaissance art, Renaissance masters from a young age he became increasingly attracted to Cubism and avant-garde movements. He moved closer to Surrealism in the late 1920s and joined the Surrealist group in 1929, soon becoming one of its leading exponents. His best-known work, ''The Persistence of Memory'', was completed in August 1931, and is one of the most famous Surrealist paintings. Dalí lived in France throughout the Spanish Civil War (1936 to 1939) before leaving for the United States in 1940 where he achieved commercial success. He returned to Spain in 1948 where he announced his ...
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Fats Waller
Thomas Wright "Fats" Waller (May 21, 1904 – December 15, 1943) was an American jazz pianist, organist, composer, violinist, singer, and comedic entertainer. His innovations in the Harlem stride style laid much of the basis for modern jazz piano. His best-known compositions, " Ain't Misbehavin'" and " Honeysuckle Rose", were inducted into the Grammy Hall of Fame in 1984 and 1999. Waller copyrighted over 400 songs, many of them co-written with his closest collaborator, Andy Razaf. Razaf described his partner as "the soul of melody... a man who made the piano sing... both big in body and in mind... known for his generosity... a bubbling bundle of joy". It is likely that he composed many more popular songs than he has been credited with: when in financial difficulties he had a habit of selling songs to other writers and performers who claimed them as their own. Waller started playing the piano at the age of six, and became a professional organist at 15. By the age of 18, he was ...
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Louis Jordan
Louis Thomas Jordan (July 8, 1908 – February 4, 1975) was an American saxophonist, multi-instrumentalist, songwriter and bandleader who was popular from the late 1930s to the early 1950s. Known as " the King of the Jukebox", he earned his highest profile towards the end of the swing era. He was inducted into the Rock and Roll Hall of Fame as an "early influence" in 1987. Specializing in the alto sax, Jordan played all forms of the saxophone, as well as piano and clarinet. He also was a talented singer with great comedic flair, and fronted his own band for more than twenty years. He duetted with some of the biggest solo singing stars of his time, including Bing Crosby, Ella Fitzgerald and Louis Armstrong. Jordan was also an actor and a film personality—he appeared in dozens of "soundies" (promotional film clips) He also made numerous cameos in mainstream features and short films, and starred in two musical feature films: Swing Parade of 1946, probably targeting white viewers ...
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Heavy Metal Music
Heavy metal (or simply metal) is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and United States. With roots in blues rock, psychedelic rock and acid rock, heavy metal bands developed a thick, monumental sound characterized by distortion (music), distorted guitars, extended guitar solos, emphatic Beat (music), beats and loudness. In 1968, three of the genre's most famous pioneers – Led Zeppelin, Black Sabbath and Deep Purple – were founded. Though they came to attract wide audiences, they were often derided by critics. Several American bands modified heavy metal into more accessible forms during the 1970s: the raw, sleazy sound and shock rock of Alice Cooper and Kiss (band), Kiss; the blues-rooted rock of Aerosmith; and the flashy guitar leads and party rock of Van Halen. During the mid-1970s, Judas Priest helped spur the genre's evolution by discarding much of its blues influence,Walser (1993), p. 6 while Motörhea ...
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Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other styles ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ...
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Solo Album
An album is a collection of audio recordings issued on compact disc (CD), vinyl, audio tape, or another medium such as digital distribution. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl long-playing (LP) records played at  rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the popularity of the cassette reached its peak during the late 1980s, sharply declined during the 1990s and had largely disappeared duri ...
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Bolic Sound
Bolic Sound Studios was a recording studio complex in Inglewood, California. It was built by musician Ike Turner in 1970, and remained in operation until it burned down in 1981. History As a young bandleader, Ike Turner had grown skeptical of the music industry beginning when he wasn't credited for "Rocket 88," which is considered by many to be the first rock and roll record. While still in his teens he became a talent scout and session musician for the Bihari brothers at Modern Records. Turner, unaware of songwriter's royalties, also wrote new material which the Bihari brothers paid him to copyright under their own name. Following the success of Ike & Tina Turner, Turner had the finances to create his own recording studio which he called Bolic Sound. The name Bolic derived from the maiden name of his then wife Tina Turner (née Bullock). The studio was previously a furniture store which Turner bought as a shell and had it fully renovated. He also purchased the surrounding propert ...
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