Out Of The Blue (Sonny Red Album)
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Out Of The Blue (Sonny Red Album)
''Out of the Blue'' is an album by American saxophonist Sonny Red recorded in late 1959 and early 1960 and released on the Blue Note label.Blue Note discography
accessed October 19, 2010
In 1996, it was released on CD, as a limited edition, with five bonus tracks from the same sessions.


Reception

The review by awarded the album 4½ stars and stated "Sonny Red, a fine altoist inspired by

Sonny Red
Sylvester Kyner Jr. (December 17, 1932 – March 20, 1981), known as Sonny Red, was an American jazz alto saxophonist and composer associated with the hard bop idiom among other styles. Sonny Red played with Art Blakey, Curtis Fuller, Paul Quinichette, Donald Byrd, Grant Green, Blue Mitchell, Wynton Kelly, Billy Higgins, and Cedar Walton. Biography In the late 1940s, when he was still in his teens, Sonny Red began to play professionally in Detroit with Barry Harris. He continued to play with Barry Harris until 1952. He went on to play with Art Blakey in 1954, and in 1957 recorded with Curtis Fuller on three albums. Sonny Red first came on the greater jazz scene in the late 1950s with Art Pepper in the album ''Two Altos''. He made two albums as a leader in 1961; both were released by Jazzland Recordings, a subsidiary of Riverside Records. He continued to record in the 1960s, including four albums with Donald Byrd in 1967. By the 1970s, however, Sonny Red was falling into obs ...
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Arthur Schwartz
Arthur Schwartz (November 25, 1900 – September 3, 1984) was an American composer and film producer, widely noted for his songwriting collaborations with Howard Dietz. Biography Early life Schwartz was born in Brooklyn, New York City, on November 25, 1900. He taught himself to play the harmonica and piano as a child, and began playing for silent films at age 14. He earned a B.A. in English at New York University and an M.A. in Architecture at Columbia. Forced by his father, an attorney, to study law, Schwartz graduated from NYU Law School with a Doctorate in Jurisprudence and was admitted to the bar in 1924. Career While studying law, he supported himself by teaching English in the New York school system. He also worked on songwriting concurrently with his studies and published his first song ("Baltimore, Md., You're the Only Doctor for Me", with lyrics by Eli Dawson) by 1923. Acquaintances such as Lorenz Hart and George Gershwin encouraged him to stick with composing. He att ...
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Paul Chambers
Paul Laurence Dunbar Chambers Jr. (April 22, 1935 – January 4, 1969) was an American jazz double bassist. A fixture of rhythm sections during the 1950s and 1960s, he has become one of the most widely-known jazz bassists of the hard bop era. He was also known for his bowed solos. Chambers recorded about a dozen albums as a leader or co-leader, and over 100 more as a sideman, especially as the anchor of trumpeter Miles Davis's " first great quintet" (1955–63) and with pianist Wynton Kelly (1963–68). Biography Born in Pittsburgh, Pennsylvania on April 22, 1935, to Paul Lawrence Chambers and Margaret Echos. He was brought up in Detroit, Michigan following the death of his mother. He began playing music with several of his schoolmates on the baritone horn. Later he took up the tuba. "I got along pretty well, but it's quite a job to carry it around in those long parades, and I didn't like the instrument that much". Bass playing Chambers switched to the double bass around 194 ...
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Sam Jones (musician)
Samuel Jones (November 12, 1924 – December 15, 1981) was an American jazz double bassist, cellist, and composer. Background Sam Jones was born in Jacksonville, Florida, United States, to a musical family. His father played piano and drums and his aunt played organ in church. In 1955, he moved to New York City and began his recording career with Tiny Bradshaw, before working with Bill Evans, Bobby Timmons, Les Jazz Modes, Kenny Dorham, Illinois Jacquet, Freddie Hubbard, Dizzy Gillespie (1958–59), and Thelonious Monk. He is probably best known for his work with Cannonball Adderley, performing in his quintet from 1955 to 1956 and then again from 1959 to 1964, and recording extensively for Riverside Records as both a leader and sideman. He later spent several years working with Oscar Peterson (1966-1970) and Cedar Walton (1972-1977). In the 1970s, Jones recorded several albums as a bandleader for the Xanadu and SteepleChase labels. Jones wrote the jazz standards "Del Sas ...
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Wynton Kelly
Wynton Charles Kelly (December 2, 1931 – April 12, 1971) was an American jazz pianist and composer. He is known for his lively, blues-based playing and as one of the finest accompanists in jazz. He began playing professionally at the age of 12 and was pianist on a No. 1 R&B hit at the age of 16. His recording debut as a leader occurred three years later, around the time he started to become better known as an accompanist to singer Dinah Washington, and as a member of trumpeter Dizzy Gillespie's band. This progress was interrupted by two years in the United States Army, after which Kelly worked again with Washington and Gillespie, and played with other leaders. Over the next few years, these included instrumentalists Cannonball Adderley, John Coltrane, Hank Mobley, Wes Montgomery, and Sonny Rollins, and vocalists Betty Carter, Billie Holiday, and Abbey Lincoln. Kelly attracted the most attention as part of Miles Davis' band from 1959, including an appearance on the trumpete ...
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Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ...
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Walter Donaldson
Walter Donaldson (February 15, 1893 – July 15, 1947) was an American prolific popular songwriter and publishing company founder, composing many hit songs of the 1910s to 1940s, that have become standards and form part of the Great American Songbook. History Walter Donaldson was born in Brooklyn, New York State, United States, the son of a piano teacher. While still in school he wrote original music for school productions, and had his first professional songs published in 1915. In 1918, he had his first major hit with "The Daughter of Rosie O'Grady". During World War I, Donaldson entertained troops at Camp Upton, New York. His time there inspired him to write " How Ya Gonna Keep 'em Down on the Farm (After They've Seen Paree)?" After serving in the United States Army in World War I, Donaldson was hired as a songwriter by Irving Berlin Music Company. He stayed with Berlin until 1928, producing many hit songs, then in 1928 established his own publishing company. His company was ...
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You're Driving Me Crazy
"You’re Driving Me Crazy" is an American popular song composed (music and lyrics) by Walter Donaldson in 1930 and recorded the same year by Lee Morse, Rudy Vallée & His Connecticut Yankees and Guy Lombardo & His Royal Canadians (with vocal by Carmen Lombardo). Successful recordings The song became a hit and was added to the 1930 musical comedy ''Smiles'', starring Marilyn Miller and Fred and Adele Astaire. It was recorded in 1930 by McKinney's Cotton Pickers and by Nick Lucas & His Crooning Troubadors. Nick Lucas's version, released on Brunswick, was a No. 7 hit: Brunswick 4987 (E-35404). Other popular artists issuing recording of this hit that same year included Rudy Vallée, Gene Austin and Guy Lombardo. The chords of "You're Driving Me Crazy" form the basis for Bennie Moten's great "Moten Swing." In 1931, cartoon character Betty Boop sang a sexy version of the song in the pre-code cartoon ''Silly Scandals''. As Boop sang the song, her dress slipped down repeatedly, ...
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Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, ''Kiss Me, Kate ...
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You're Sensational
"You're Sensational" is a song written by Cole Porter for the 1956 film ''High Society'', where it was introduced by Frank Sinatra. Notable recordings *Frank Sinatra - ''High Society'' (1956) *Bing Crosby recorded the song in 1956 for use on his radio show and it was subsequently included in the box set ''The Bing Crosby CBS Radio Recordings (1954-56)'' issued by Mosaic Records (catalog MD7-245) in 2009. * Jack Jones - ''Dear Heart'' (1965). *Matt Monro Matt Monro (born Terence Edward Parsons, 1 December 1930 – 7 February 1985) was an English singer. Known as "The Man with the Golden Voice", he performed internationally during his 30-year career. AllMusic has described Monro as "one of the m ... - a single release in 1975 and included in the compilation CD ''The Complete Singles Collection'' (2010). References Songs written by Cole Porter Songs from High Society (1956 film) Frank Sinatra songs 1956 songs {{Pop-standard-stub ...
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Emil Newman
Emil Newman (January 20, 1911 – August 30, 1984) was an American music director and conductor who worked on more than 200 films and TV series. He was nominated for an Oscar for his musical direction on the classic '' Sun Valley Serenade'' (1941), contributing to the Newmans being the most nominated Academy Award extended family, with a collective 95 nominations in various music categories. Biography A native of Connecticut, Newman entered films in 1940 as the musical director on 13 films. He was credited on 25 films in 1941 and 28 in 1942, one of which, ''Whispering Ghosts'', contained his first (uncredited) contribution as a composer. He had 15 titles in 1943, including "Musical Direction" for the all-black musical '' Stormy Weather'' and the 20th Century Fox wartime film '' Chetniks! The Fighting Guerrillas'', 19 in 1944, 17 in 1945 and 16 in 1946, including Hugo Friedhofer's Academy Award score for ''The Best Years of Our Lives'', which he also conducted. Between 1950 and 19 ...
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Eddie DeLange
Eddie DeLange (''né'' Edgar DeLange Moss; 15 January 1904 – 15 July 1949) was an American bandleader and lyricist. Famous artists who recorded some of DeLange's songs include Frank Sinatra, Ella Fitzgerald, Louis Armstrong, Nat King Cole, Duke Ellington, and Benny Goodman. Biography DeLange was born in Long Island City, Queens, New York. He graduated from the University of Pennsylvania in 1926. He became a stunt man in twenty-four comedies produced by Universal Studios, often for Reginald Denny. DeLange went back to New York City in 1932, earning a contract with Irving Mills. He had several hits in his first year, including " Moonglow." He and composer Will Hudson ''(né'' Arthur Murray Hainer; 1908–1981) formed the Hudson-DeLange Orchestra in 1935. The Orchestra recorded many of their collaborative songs and did many road shows as well. Hudson and DeLange's partnership dissolved in 1938, but DeLange created a new band that played on several tours. He formed a new part ...
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