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Otto Modersohn
Friedrich Wilhelm Otto Modersohn (22 February 1865, Soest – 10 March 1943, Rotenburg) was a German landscape painter. He was a co-founder of the Art Colony at Worpswede. Life In 1884, he began his studies at the Art Academy of Düsseldorf. Four years later, he moved to the Academy of Fine Arts, Karlsruhe, where he studied under Hermann Baisch. In July 1889, he made his first visit to Worpswede with Fritz Mackensen. In August, Hans am Ende followed. They were later joined by Fritz Overbeck (1893) and Heinrich Vogeler (1894); all students from Düsseldorf. In 1895, they presented their first group exhibition at the Kunsthalle Bremen. They were largely panned by the critics, but went on to a major breakthrough at the Munich Glaspalast. In 1897, the Art Colony was officially established and Modersohn married Helene Schröder (1868-1900), the daughter of a Bremen merchant. Two years later, he resigned from the association, citing his continuing fight for the personal, individ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otto Modersohn Schlafend
Otto is a masculine German given name and a surname. It originates as an Old High German short form (variants ''Audo'', '' Odo'', ''Udo'') of Germanic names beginning in ''aud-'', an element meaning "wealth, prosperity". The name is recorded from the 7th century ( Odo, son of Uro, courtier of Sigebert III). It was the name of three 10th-century German kings, the first of whom was Otto I the Great, the first Holy Roman Emperor, founder of the Ottonian dynasty. The Gothic form of the prefix was ''auda-'' (as in e.g. '' Audaþius''), the Anglo-Saxon form was ''ead-'' (as in e.g. '' Eadmund''), and the Old Norse form was '' auð-''. The given name Otis arose from an English surname, which was in turn derived from ''Ode'', a variant form of ''Odo, Otto''. Due to Otto von Bismarck, the given name ''Otto'' was strongly associated with the German Empire in the later 19th century. It was comparatively frequently given in the United States (presumably in German American families) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Breling
Heinrich Christoph Gottlieb Breling (14 October 1849, Burgdorf - 6 September 1914, Fischerhude, near Ottersberg) was a German painter of historical and genre scenes. He was the first artist in what would later become known as the "Artists' Colony" at Fischerhude. Life and work He was the son of a border customs officer and guard and spent his childhood in the village of Fischerhude where he practiced drawing while herding the farmers' geese. From 1864 to 1869, he studied art at the Hannover Polytechnical Institute on a royal scholarship from King George V of Hannover (1819-1878). After serving in the 1870/71 Franco-Prussian War, he went to Munich, where he became a student of Wilhelm von Diez. atrin Bellinger Master Drawi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century German Painters
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanns Zischler
Hanns Zischler (born 18 June 1947) is a German actor known for his portrayal of Hans in Steven Spielberg's film ''Munich''. According to the Internet Movie Database, Zischler has appeared in 171 movies since 1968. He is known in Sweden for his role as Josef Hillman in the second season of the Martin Beck movies, though his voice is dubbed. He is sometimes credited as Hans Zischler, Johann Zischler, or Zischler. Selected filmography * '' Summer in the City'' (1970, directed by Wim Wenders) * ''Kings of the Road'' (1976, directed by Wim Wenders) * ''Les Rendez-vous d'Anna'' (1978, directed by Chantal Akerman) * ''Putting Things Straight'' (1979, directed by Georg Brintrup) * ' (1980, directed by Rudolf Thome) * '' Angels of Iron'' (1981, directed by Thomas Brasch) * '' Malevil'' (1981, directed by Christian de Chalonge) * ' (1981, directed by Carl Schenkel) * ' (1982, directed by Thomas Brasch) * '' Doctor Faustus'' (1982, directed by Franz Seitz) * ''A Woman in Flames'' (1983, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tecklenburg
Tecklenburg () is a town in the district of Steinfurt, in North Rhine-Westphalia, Germany. Its name comes from the ruined castle around which it was built. The town is situated on the Hermannsweg hiking trail. The coat of arms shows an anchor and three seeblatts. Geography It is located in the foothills of the Teutoburg Forest, southwest of Osnabrück. Division of the town Tecklenburg consists of 4 districts (with farming communities): Neighbouring municipalities * Ibbenbüren * Westerkappeln * Lotte * Hagen * Lengerich * Ladbergen * Saerbeck History In the 12th century the county of Tecklenburg emerged in the region that is now called the "Tecklenburger Land" in the western foothills of the Teutoburg Forest. From 1263, when the county of Tecklenburg was merged with the neighbouring county of Bentheim, Tecklenburg was ruled by the counts of Bentheim-Tecklenburg. In 1701, Tecklenburg was conquered by the Kingdom of Prussia and subsequently incorporated. Sights Today, th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thing-in-itself
In Kantian philosophy, the thing-in-itself (german: Ding an sich) is the status of objects as they are, independent of representation and observation. The concept of the thing-in-itself was introduced by the German philosopher Immanuel Kant, and over the following centuries was met with controversy among later philosophers. It is closely related to Kant's concept of noumena or the object of inquiry, as opposed to phenomenon, its manifestations. Kantian philosophy In his doctrine of transcendental idealism, Kant argued the sum of all objects, the empirical world, is a complex of appearances whose existence and connection occur only in our representations. Kant introduces the thing-in-itself as follows: Criticism F. H. Jacobi The first to criticize the concept of a thing-in-itself was F. H. Jacobi, with the expression: G. E. Schulze The anonymously published work '' Aenesidemus'' was one of the most successful attacks against the project of Kant. According to Kant’s teach ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stollwerck
Stollwerck GmbH is a German chocolate manufacturer. It was founded in 1839 and expanded internationally in Europe and America, becoming the second largest producer of chocolate in the United States by 1900. Since 2011 it has belonged to Belgian firm Baronie Group. History From beginnings until the Second World War In 1839 the baker Franz Stollwerck started business in Cologne, Germany. He diversified into chocolate and other candy, having particular success with cough drops. Local pharmacists requested that he be prevented from selling such medicinal items in 1845, but this was rejected. His business flourished in Germany and also he opened two coffee houses in Cologne. One of these was briefly converted into a music hall before becoming a chocolate and candy factory in the 1860s. In 1871 his sons registered a separate company ''Gebrüder Stollwerck'' (Stollwerck Brothers) which merged back into the original company in 1876, after the death of Franz Stollwerck. Stoll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbizon School
The Barbizon school of painters were part of an art movement towards Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau, where many of the artists gathered. Most of their works were landscape painting, but several of them also painted landscapes with farmworkers, and genre scenes of village life. Some of the most prominent features of this school are its tonal qualities, color, loose brushwork, and softness of form. The leaders of the Barbizon school were: Théodore Rousseau, Charles-François Daubigny, Jules Dupré, Constant Troyon, Charles Jacque, and Narcisse Virgilio Díaz. Jean-François Millet lived in Barbizon from 1849, but his interest in figures with a landscape backdrop sets him rather apart from the others. Jean-Baptiste-Camille Corot was the earliest on the scen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plein Air
''En plein air'' (; French for 'outdoors'), or ''plein air'' painting, is the act of painting outdoors. This method contrasts with studio painting or academic rules that might create a predetermined look. The theory of 'En plein air' painting is credited to Pierre-Henri de Valenciennes (1750–1819), first expounded in a treatise entitled ''Reflections and Advice to a Student on Painting, Particularly on Landscape'' (1800), where he developed the concept of landscape portraiture by which the artist paints directly onto canvas ''in situ'' within the landscape. It enabled the artist to better capture the changing details of weather and light. The invention of portable canvases and easels allowed the practice to develop, particularly in France, and in the early 1830s the Barbizon school of painting in natural light was highly influential. Amongst the most prominent features of this school were its tonal qualities, colour, loose brushwork, and softness of form. These were varian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otto Modersohn Dorfstraße Im Frühling 1922
Otto is a masculine German given name and a surname. It originates as an Old High German short form (variants ''Audo'', '' Odo'', ''Udo'') of Germanic names beginning in ''aud-'', an element meaning "wealth, prosperity". The name is recorded from the 7th century ( Odo, son of Uro, courtier of Sigebert III). It was the name of three 10th-century German kings, the first of whom was Otto I the Great, the first Holy Roman Emperor, founder of the Ottonian dynasty. The Gothic form of the prefix was ''auda-'' (as in e.g. '' Audaþius''), the Anglo-Saxon form was ''ead-'' (as in e.g. '' Eadmund''), and the Old Norse form was '' auð-''. The given name Otis arose from an English surname, which was in turn derived from ''Ode'', a variant form of ''Odo, Otto''. Due to Otto von Bismarck, the given name ''Otto'' was strongly associated with the German Empire in the later 19th century. It was comparatively frequently given in the United States (presumably in German American families) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ministry Of Public Enlightenment And Propaganda
The Reich Ministry for Public Enlightenment and Propaganda (; RMVP), also known simply as the Ministry of Propaganda (), controlled the content of the press, literature, visual arts, film, theater, music and radio in Nazi Germany. The ministry was created as the central institution of Nazi propaganda shortly after the party's national seizure of power in January 1933. In the Hitler cabinet, it was headed by Propaganda Minister Joseph Goebbels, who exercised control over all German mass media and creative artists through his ministry and the Reich Chamber of Culture (), which was established in the fall of 1933. Establishment and functions Shortly after the March 1933 Reichstag elections, Adolf Hitler presented his cabinet with a draft resolution to establish the ministry. Despite the skepticism of some non-National Socialist ministers, Hitler pushed the resolution through. On 13 March 1933, Reich President Paul von Hindenburg issued a decree ordering the establishment of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goethe-Medaille Für Kunst Und Wissenschaft
The Goethe-Medaille für Kunst und Wissenschaft (Goethe Medal for Art and Science) is a German award. It was authorized by Reichspräsident Paul von Hindenburg to commemorate the centenary of Johann Wolfgang von Goethe's death on March 22, 1932. It consists of a silver, non-wearable medal (62mm, after about 1938 69.5mm in diameter). This medal should not be confused with the Goldene Goethe-Medaille (Goethe Medal in Gold) of the Weimar Goethe Society (61 awards from 1910 to 2017), the "Goethepreis der Stadt Frankfurt" (Goethe Prize of the City of Frankfurt) which since 1927 has been awarded first annually, then triennially (45 awards from 1927 to 2017 – no medal), the "Goethe-Plakette der Stadt Frankfurt" (Goethe Plaque of the City of Frankfurt) 158 awards from 1947–2017, or the "Goethe-Medaille" (Goethe Medal) of the Goethe-Institut, which from 1955 to 2017 has been awarded to 345 personalities from 57 countries. With more than 600 recipients, the "Goethe-Medaille für Kunst und ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
