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Otto Gutfreund
Otto Gutfreund (3 August 1889 – 2 June 1927) also written Oto Gutfreund, was a Czechoslovak sculptor. After studying art in Prague and Paris, he became known in the 1910s for his sculptures in a cubist style. After his service in the First World War he worked in a more realistic style. His later work includes many small polychrome ceramic figures as well as architectural decorations. Early life Otto Gutfreund was born in the town of Dvůr Králové nad Labem, Bohemia, into a Jewish family as the fourth of five children of Karel and Emilie Gutfreund. During 1903 to 1906 he studied pottery at the Škola výtvarných umění (School of Creative Arts) in the town of Bechyně. From 1906 to 1909 he studied in the figurative and ornamental modelling department of the Umělecko-průmyslová škola (College of Decorative Arts) in Prague. Gutfreund discovered the works of the French sculptor Antoine Bourdelle during his 1909 exhibition in Prague organized by the artistic group SVU ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otto Gutfreud Legionnaire
Otto is a masculine German given name and a Otto (surname), surname. It originates as an Old High German short form (variants ''Audo'', ''Odo'', ''Udo'') of Germanic names beginning in ''aud-'', an element meaning "wealth, prosperity". The name is recorded from the 7th century (Otto (mayor of the palace), Odo, son of Uro, courtier of Sigebert III). It was the name of three 10th-century German kings, the first of whom was Otto I the Great, the first Holy Roman Emperor, founder of the Ottonian dynasty. The Gothic form of the prefix was ''auda-'' (as in e.g. ''Odotheus, Audaþius''), the Anglo-Saxon form was ''ead-'' (as in e.g. ''Eadmund''), and the Old Norse form was ''Auðr (other), auð-''. The given name Otis (given name), Otis arose from an English surname, which was in turn derived from ''Ode'', a variant form of ''Odo, Otto''. Due to Otto von Bismarck, the given name ''Otto'' was strongly associated with the German Empire in the later 19th century. It was compara ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Académie De La Grande Chaumière
The Académie de la Grande Chaumière is an art school in the Montparnasse district of Paris, France. History The school was founded in 1904 by the Catalan painter Claudio Castelucho on the rue de la Grande Chaumière in Paris, near the Académie Colarossi. From 1909, the Académie was jointly directed by painters Martha Stettler, Alice Dannenberg, and Lucien Simon. The school, which was devoted to painting and sculpture, did not teach the strict academic rules of painting of the École des Beaux-Arts, thus producing art free of academic constraints. One attraction was the low fees, even lower than those of the Académie Julian The Académie Julian () was a private art school for painting and sculpture founded in Paris, France, in 1867 by French painter and teacher Rodolphe Julian (1839–1907) that was active from 1868 through 1968. It remained famous for the number a ... (which had to be paid in advance). It was said about the school that all that was provided was a mode ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
First Battle Of Champagne
The First Battle of Champagne (french: 1ère Bataille de Champagne) was fought from 1915 in World War I in the Champagne region of France and was the second offensive by the Allies against the German Empire since mobile warfare had ended after the First Battle of Ypres in Flanders The battle was fought by the French Fourth Army and the German 3rd Army. The offensive was part of a French strategy to attack the Noyon Salient, a large bulge in the new Western Front, which ran from Switzerland to the North Sea. The First Battle of Artois began on the northern flank of the salient on 17 December and the offensive against the southern flank in Champagne began three days later. Background Strategic developments By early November, the German offensive in Flanders had ended and the French began to consider large offensive operations. Attacks by the French would assist the Russian army by forcing the Germans to keep more troops in the west. After studying the possibilities for an offen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
First Battle Of Artois
The First Battle of Artois (17 December 1914 – 13 January 1915) was a battle fought during World War I by the French and German armies on the Western Front. The battle was the first offensive move on the Western Front by either side after the end of the First Battle of Ypres in November 1914. The French assault failed to break the stalemate. Background During what became known as the Race to the Sea the Battle of Arras had been fought, after which local operations, particularly on the Lorette Spur, continued during the First Battle of Flanders to the north. Subsequent operations In May 1915, the Tenth Army conducted an offensive known as the Second Battle of Artois. The Third Battle of Artois The Third Battle of Artois (25 September – 4 November 1915, also the Loos–Artois Offensive), was fought by the French Tenth Army against the German 6th Army on the Western Front of the First World War. The battle included the Battle of Lo ..., sometimes called the Artois–L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battle Of The Somme
The Battle of the Somme ( French: Bataille de la Somme), also known as the Somme offensive, was a battle of the First World War fought by the armies of the British Empire and French Third Republic against the German Empire. It took place between 1 July and 18 November 1916 on both sides of the upper reaches of the Somme, a river in France. The battle was intended to hasten a victory for the Allies. More than three million men fought in the battle of whom one million were wounded or killed, making it one of the deadliest battles in human history. The French and British had committed themselves to an offensive on the Somme during the Chantilly Conference in December 1915. The Allies agreed upon a strategy of combined offensives against the Central Powers in 1916 by the French, Russian, British and Italian armies, with the Somme offensive as the Franco-British contribution. Initial plans called for the French army to undertake the main part of the Somme offensive, supported on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Foreign Legion
The French Foreign Legion (french: Légion étrangère) is a corps of the French Army which comprises several specialties: infantry, Armoured Cavalry Arm, cavalry, Military engineering, engineers, Airborne forces, airborne troops. It was created in 1831 to allow List of militaries that recruit foreigners, foreign nationals into the French Army. It formed part of the Army of Africa (France), Armée d’Afrique, the French Army's units associated with France's colonial project in Africa, until the end of the Algerian War, Algerian war in 1962. Legionnaires are highly trained soldiers and the Legion is unique in that it is open to foreign recruits willing to serve in the French Armed Forces. The Legion is today known as a unit whose training focuses on traditional military skills and on its strong Morale, esprit de corps, as its men and women come from different countries with different cultures. Consequently, training is often described as not only physically challenging, but also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillaume Apollinaire
Guillaume Apollinaire) of the Wąż coat of arms. (; 26 August 1880 – 9 November 1918) was a French poet, playwright, short story writer, novelist, and art critic of Polish descent. Apollinaire is considered one of the foremost poets of the early 20th century, as well as one of the most impassioned defenders of Cubism and a forefather of Surrealism. He is credited with coining the term "Cubism" in 1911 to describe the emerging art movement, the term Orphism in 1912, and the term "Surrealism" in 1917 to describe the works of Erik Satie. He wrote poems without punctuation attempting to be resolutely modern in both form and subject. Apollinaire wrote one of the earliest Surrealist literary works, the play '' The Breasts of Tiresias'' (1917), which became the basis for Francis Poulenc's 1947 opera ''Les mamelles de Tirésias''. Influenced by Symbolist poetry in his youth, he was admired during his lifetime by the young poets who later formed the nucleus of the Surrealist group ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juan Gris
José Victoriano González-Pérez (23 March 1887 – 11 May 1927), better known as Juan Gris (; ), was a Spanish painter born in Madrid who lived and worked in France for most of his active period. Closely connected to the innovative artistic genre Cubism, his works are among the movement's most distinctive. Life Gris was born in Madrid and later studied engineering at the Madrid School of Arts and Sciences. There, from 1902 to 1904, he contributed drawings to local periodicals. From 1904 to 1905, he studied painting with the academic artist José Moreno Carbonero. It was in 1905 that José Victoriano González adopted the more distinctive name Juan Gris. In 1909, Lucie Belin (1891–1942)—Gris' wife—gave birth to Georges Gonzalez-Gris (1909–2003), the artist's only child. The three lived at the Bateau-Lavoir, 13 Rue Ravignan, Paris, from 1909 to 1911. In 1912 Gris met Charlotte Augusta Fernande Herpin (1894–1983), also known as Josette. Late 1913 or early 1914 they live ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pablo Picasso
Pablo Ruiz Picasso (25 October 1881 – 8 April 1973) was a Spanish painter, sculptor, printmaker, ceramicist and Scenic design, theatre designer who spent most of his adult life in France. One of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of Assemblage (art), constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the Proto-Cubism, proto-Cubist ''Les Demoiselles d'Avignon'' (1907), and the anti-war painting ''Guernica (Picasso), Guernica'' (1937), Guernica (Picasso)#Composition, a dramatic portrayal of the bombing of Guernica by German and Italian air forces during the Spanish Civil War. Picasso demonstrated extraordinary artistic talent in his early years, painting in a naturalistic manner through his childhood and adolescence. During the first decade of the 20th century, his style changed as he experimente ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berlin
Berlin ( , ) is the capital and largest city of Germany by both area and population. Its 3.7 million inhabitants make it the European Union's most populous city, according to population within city limits. One of Germany's sixteen constituent states, Berlin is surrounded by the State of Brandenburg and contiguous with Potsdam, Brandenburg's capital. Berlin's urban area, which has a population of around 4.5 million, is the second most populous urban area in Germany after the Ruhr. The Berlin-Brandenburg capital region has around 6.2 million inhabitants and is Germany's third-largest metropolitan region after the Rhine-Ruhr and Rhine-Main regions. Berlin straddles the banks of the Spree, which flows into the Havel (a tributary of the Elbe) in the western borough of Spandau. Among the city's main topographical features are the many lakes in the western and southeastern boroughs formed by the Spree, Havel and Dahme, the largest of which is Lake Müggelsee. Due to its l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Sturm
''Der Sturm'' () was a German List of avant-garde magazines, avant-garde art and literary magazine founded by Herwarth Walden, covering Expressionism, Cubism, Dada and Surrealism, among other artistic movements. It was published between 1910 and 1932. History and profile ''Der Sturm'' was established in Berlin in 1910 by Herwarth Walden. It ran weekly from 1910 to 1914, monthly from 1914 to 1924, and quarterly until it ceased publication in 1932. From 1916 to 1928, it was edited by the artist and Bauhaus teacher Lothar SchreyerBauhaus100. Lothar Schreyer Retrieved 6 December 2018 The magazine was modeled on the Italian literary magazine ''La Voce (magazine), La Voce'' which was published in Florence from 1908 to 1916. Among the literary contributors were Peter Altenberg, Max ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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