Ottilie Patterson
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Ottilie Patterson
Anna Ottilie Patterson (31 January 1932 – 20 June 2011) was a Northern Irish blues singer best known for her performances and recordings with the Chris Barber Jazz Band in the late 1950s and early 1960s. Biography Anna Ottilie Patterson was born in Comber, County Down, Northern Ireland on 31 January 1932. She was the youngest child of four. Her father, Joseph Patterson, was from Northern Ireland, and her mother, Jūlija Jēgers, was from Latvia. They had met in southern Russia. Ottilie's name is an Anglicised form of the Latvian name "'". Both sides of the family were musical, and Ottilie trained as a classical pianist from the age of eleven, but never received any formal training as a singer. In 1949, Patterson went to study art at Belfast College of Technology where a fellow student introduced her to the music of Bessie Smith, Jelly Roll Morton and Meade Lux Lewis. In 1951 she began singing with Jimmy Compton's Jazz Band, and in August 1952 she formed the Muskrat Ramblers ...
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Comber
Comber ( , , locally ) is a town in County Down, Northern Ireland. It lies south of Newtownards, at the northern end of Strangford Lough. It is situated in the townland of Town Parks, the civil parish of Comber and the historic barony of Castlereagh Lower. Comber is part of the Ards and North Down Borough. It is also known for Comber Whiskey which was last distilled in 1953. A notable native was Thomas Andrews, the designer of the RMS Titanic and was among the many who went down with her. Comber had a population of 9,071 people in the 2011 Census. History The confluence of two rivers, which gave the town its name, is that of the Glen River and the Enler River which meet here. During the influx of Scots in the early 1600s (see Plantation of Ulster), a settlement grew up at Comber, although it was focused about further south than at present, in the townland of Cattogs, and there is evidence that the settlement was a port used by traders and fishermen. By the 1700s, howev ...
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Warren Mitchell
Warren Mitchell (born Warren Misell; 14 January 1926 – 14 November 2015) was a British actor. He was a BAFTA TV Award winner and twice a Laurence Olivier Award winner. In the 1950s, Mitchell appeared on the radio programmes ''Educating Archie'' and ''Hancock's Half Hour''. He also performed minor roles in several films. In the 1960s, he rose to prominence in the role of bigoted cockney Alf Garnett in the BBC television sitcom ''Till Death Us Do Part'' (1965–75), created by Johnny Speight, which won him a Best TV Actor BAFTA in 1967. He reprised the role in the television sequels '' Till Death...'' ( ATV, 1981) and ''In Sickness and in Health'' (BBC, 1985–92), and in the films ''Till Death Us Do Part'' (1969) and ''The Alf Garnett Saga'' (1972). His other film appearances include ''Three Crooked Men'' (1958), ''Carry On Cleo'' (1964), '' The Spy Who Came In from the Cold'' (1965), ''The Assassination Bureau'' (1969) and ''Norman Loves Rose'' (1982). He held both B ...
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I Shall Not Be Moved
"I Shall Not Be Moved", also known as "We Shall Not Be Moved", is an African-American slave spiritual, hymn, and protest song dating to the early 19th century American south. It was likely originally sung at revivalist camp-meetings as a slave jubilee. The song describes being "like a tree planted by the waters" who "shall not be moved" because of faith in God. Secularly, as "We Shall Not Be Moved" it gained popularity as a protest and union song of the Civil Rights Movement. The text is based on biblical scripture: In 1908 Alfred H. and B. D. Ackley copyrighted a hymn by the name "I Shall Not Be Moved". Civil rights movement As "We Shall Not Be Moved" the song gained popularity as a protest and union song of the Civil rights movement. The song became popular in the Swedish anti-nuclear and peace movements in the late 1970s, in a Swedish translation by Roland von Malmborg, "" ('Never shall we give up'). Recorded versions Among others, the following artists recorded "I ...
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Hello, Dolly! (song)
"Hello, Dolly!" is the title song of the popular 1964 musical of the same name. Louis Armstrong's version was inducted into the Grammy Hall of Fame in 2001. The music and lyrics were written by Jerry Herman, who also wrote the scores for many other popular musicals including ''Mame'' and '' La Cage aux Folles''. History "Hello, Dolly!" was first sung by Carol Channing, who starred as Dolly Gallagher Levi in the original 1964 Broadway cast. In December 1963, at the behest of his manager, Louis Armstrong made a demonstration recording of "Hello, Dolly!" for the song's publisher to use to promote the show. ''Hello, Dolly!'' opened on January 16, 1964, at the St. James Theatre in New York City, and it quickly became a major success. The same month, Kapp Records released Armstrong's publishing demo as a commercial single. His version reached 1 on the U.S. ''Billboard'' Hot 100, ending the Beatles' streak of 3 chart-topping hits in a row over 14 consecutive weeks. "Hello Dolly! ...
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Baby Please Don't Go
An infant or baby is the very young offspring of human beings. ''Infant'' (from the Latin word ''infans'', meaning 'unable to speak' or 'speechless') is a formal or specialised synonym for the common term ''baby''. The terms may also be used to refer to juveniles of other organisms. A newborn is, in colloquial use, an infant who is only hours, days, or up to one month old. In medical contexts, a newborn or neonate (from Latin, ''neonatus'', newborn) is an infant in the first 28 days after birth; the term applies to premature, full term, and postmature infants. Before birth, the offspring is called a fetus. The term ''infant'' is typically applied to very young children under one year of age; however, definitions may vary and may include children up to two years of age. When a human child learns to walk, they are called a toddler instead. Other uses In British English, an ''infant school'' is for children aged between four and seven. As a legal term, ''infancy'' is more lik ...
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Jealous Heart
"Jealous Heart" is a classic C&W song written by American country music singer-songwriter Jenny Lou Carson. In the mid 1940s it spent nearly six months on the Country & Western charts. It was subsequently recorded by several pop singers. Early versions The first recording of "Jealous Heart" was made in 1944 by its composer Jenny Lou Carson. That 20 September Tex Ritter recorded the song: his version spent 23 weeks on the C&W chart peaking at No. 2. The song had its first impact in the pop-music field via a recording by Al Morgan, a Chicago-based vocalist/pianist whose version of "Jealous Heart" released September 1949 was on the hit parade for six months spending ten weeks in the Top 5. This Al Morgan is not to be confused with the bassist of the same name. Also in 1949 Ivory Joe Hunter had an R&B hit with "Jealous Heart"; Hunter's version reached No. 2 R&B that December. "Jealous Heart" - which Ernest Tubb had recorded in 1945 - was also recorded in 1949 by C&W singe ...
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When The Saints Go Marching In
"When the Saints Go Marching In", often referred to as simply "The Saints", is a traditional black spiritual. It originated as a Christian hymn and is often played by jazz bands. This song was famously recorded on May 13, 1938, by Louis Armstrong and his orchestra. The song is sometimes confused with a similarly titled composition "When the Saints Are Marching In" from 1896 by Katharine Purvis (lyrics) and James Milton Black (music). Origins and usage The origins of this song are unclear. It apparently evolved in the early 1900s from a number of similarly titled gospel songs, including "When the Saints Are Marching In" (1896) and "When the Saints March In for Crowning" (1908). The first known recorded version was in 1923 by the Paramount Jubilee Singers on Paramount 12073. Although the title given on the label is "When All the Saints Come Marching In", the group sings the modern lyrics beginning with "When the saints go marching in". No author is shown on the label. Several ot ...
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Down By The Riverside
"Down by the Riverside" (also known as "Ain't Gonna Study War No More" and "Gonna lay down my burden") is an African-American spiritual. Its roots date back to before the American Civil War, though it was first published in 1918 in ''Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland'', Chicago, the Rodeheaver Company. The song has alternatively been known as "Ain' go'n' to study war no mo'", "Ain't Gwine to Study War No More", "Down by de Ribberside", "Going to Pull My War-Clothes" and "Study war no more". The song was first recorded by the Fisk University jubilee quartet in 1920 (published by Columbia in 1922), and there are at least 14 black gospel recordings before World War II. Because of its pacifistic imagery, "Down by the Riverside" has also been used as an anti-war protest song, especially during the Vietnam War. The song is also included in collections of socialist and labor songs. Lyrics The song has many lyrical variation ...
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Blueberry Hill (song)
"Blueberry Hill" is a popular American song published in 1940, best remembered for its 1950s rock and roll version by Fats Domino. The music was written by Vincent Rose, the lyrics by Larry Stock and Al Lewis. It was recorded six times in 1940. Victor Records released the recording by the Sammy Kaye Orchestra with vocals by Tommy Ryan on May 31, 1940. Gene Krupa's version was issued on OKeh Records on June 3 and singer Mary Small recorded a vocal version on the same label with Nat Brandwynne's orchestra, released June 20, 1940. Other 1940 recordings were by: the Glenn Miller Orchestra (The most famous version in the 1940s. Recorded in Chicago on May 13, 1940. Catalog number 10768A and by EMI on the His Master's Voice label as catalog numbers BD 5632 and MH 92) on Bluebird Records (10768), Kay Kyser, Russ Morgan, Gene Autry (also in the 1941 film ''The Singing Hill''), Connee Boswell, and Jimmy Dorsey. The largest 1940 hit was by the Glenn Miller Orchestra, which reac ...
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The Mountains Of Mourne
The lyrics to the song ''The Mountains of Mourne'' (originally spelt ''The Mountains o' Mourne'') were written by Irish musician Percy French (1854–1920). The music was adapted by Houston Collisson (1865–1920) from the traditional Irish folk tune "Carrigdonn" or "Carrigdhoun". The latter had been similarly used by Thomas Moore (1779–1852) for his song ''Bendemeer's Stream''. The song is representative of French's many works concerning the Irish diaspora. The Mourne Mountains of the title are located in County Down in Northern Ireland. The song is a whimsical look at the styles, attitudes and fashions of late nineteenth-century London as seen from the point of view of an emigrant labourer from a village near the Mourne Mountains. It is written as a message to the narrator's true love at home. The "sweep down to the sea" refrain was inspired by the view of the mountains from Skerries in north County Dublin. It contrasts the artificial attractions of the city with the more ...
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There'll Be A Hot Time In The Old Town Tonight
"A Hot Time in the Old Town", also titled as "There’ll Be a Hot Time in the Old Town Tonight", is an American popular song, copyrighted and perhaps composed in 1896 by Theodore August Metz with lyrics by Joe Hayden. Metz was the band leader of the McIntyre and Heath Minstrels. Origins One history of the song reports: "While on tour with the McIntyre and Heath Minstrels, their train arrived at a place called 'Old Town'. From their train window, etzcould see a group of children starting a fire, near the tracks. One of the other minstrels remarked that 'there'll be a hot time in the old town tonight'. Metz noted the remark on a scrap of paper, intending to write a march with that motif. He did indeed write the march the very next day. It was then used by the McIntyre and Heath Minstrels in their Street parades." An alternative suggestion is that Metz first heard the tune played in about 1893 at Babe Connor's brothel, known as the Castle, in St Louis, Missouri, where it was one of ...
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Beale Street Blues
"Beale Street Blues" is a song by American composer and lyricist W.C. Handy. It was named after Beale Street, a center of African-American music in Memphis, Tennessee, and was published in 1917. Background The title refers to Beale Street in Memphis, Tennessee, an entertainment district for the city's African-American population in the early part of the 20th century. Accounts of Handy's inspiration vary: one is that he observed a pianist playing in a cafe on that street; another credits a barber commenting on closing early because no one had been murdered on the street that day. Composition and lyrics "Beale Street Blues" "juxtaposes the 12-bar blues form with an 8-bar counter-theme". The song was published in 1917. Difficulty in securing a good publishing deal meant that Handy published it himself. Early versions The publication of the song coincided with the beginning of jazz recordings. An early version by Earl Fuller's Famous Jazz Band earned Handy's firm $2,857 in royalties ...
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