Ottilie Metzger
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Ottilie Metzger
Ottilie Metzger-Lattermann also formerly Ottilie Metzger-Froitzheim (15 July 1878 – February 1943) was a German contralto who was a famous performer of works by Wagner during the 1910s, and who after her retirement was murdered in Auschwitz. Career Matzger was born in Frankfurt. Her first husband was the author Clemens Froitzheim. In Hamburg she met the bass-baritone Theodor Lattermann who became her second husband. From 1901 until 1912, she sang at Bayreuth Festival, where her Erda in '' Der Ring des Nibelungen'' was esteemed. She was a student of Selma Nicklass-Kempner, Georg Vogel and Emanuel Reicher (acting). Her debut was 1898 in Halle, followed by engagements in Cologne, then from 1903 to 1915 first contralto with the Hamburg State Opera and played opposite Enrico Caruso. Then followed Dresden, Bayreuth Festival, Vienna State Opera, Saint Petersburg, Prague, Zurich Opera, Amsterdam, Munich, Budapest, Royal Opera House Covent Garden and tours with conductor Leo Blech in ...
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Lied
In Western classical music tradition, (, plural ; , plural , ) is a term for setting poetry to classical music to create a piece of polyphonic music. The term is used for any kind of song in contemporary German, but among English and French speakers, is often used interchangeably with " art song" to encompass works that the tradition has inspired in other languages as well. The poems that have been made into lieder often center on pastoral themes or themes of romantic love. The earliest lied date from the late fourteenth or early fifteenth centuries, and can even refer to from as early as the 12th and 13th centuries. It later came especially to refer to settings of Romantic poetry during the late eighteenth and nineteenth centuries, and into the early twentieth century. Examples include settings by Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert, Robert Schumann, Johannes Brahms, Hugo Wolf, Gustav Mahler or Richard Strauss. History For Ger ...
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Opera (British Magazine)
''Opera'' is a monthly Great Britain, British magazine devoted to covering all things related to opera. It contains reviews and articles about current opera productions internationally, as well as articles on opera recordings, opera singers, opera companies, opera directors, and opera books. The magazine also contains major features and analysis on individual operas and people associated with opera. The magazine employs a network of international correspondents around the world who write for the magazine. Contributors to the magazine, past and present, include William Ashbrook, Martin Bernheimer, Julian Budden, Rodolfo Celletti, Alan Blyth, Elizabeth Forbes (musicologist), Elizabeth Forbes, and J.B. Steane among many others. Format ''Opera'' is printed in ISO 216, A5 size, with colour photos, and consists of around 130 pages. Page numbering is consecutive for a complete year (e.g. September 2009 covers pages 1033–1168). All issues since February 1950 are available online to cu ...
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Henriette Gottlieb
Henriette Gottlieb (Berlin, 1884 – Łódź Ghetto, 2 January 1942) was a German soprano. Gottlieb was born in Berlin. She performed the Wagnerian role of Brünnhilde in the Théâtre des Champs-Élysées, Paris, in a 1928 performance of ''Der Ring der Nibelung'', when she was a young and promising singer. She performed in the premieres of the operas ''Die Hügelmühle'' by Friedrich Koch (Berlin, 1918) and ''Holofernes'' of Emil von Reznicek (Berlin, 1923). Following the Nazi ban on Jewish performers, she lived in Berlin until she was deported to the Łódź Ghetto (in the General Government region of occupied Poland) in 1941. She died on 2 January 1942. She was noted for her performances and recordings of Wagner's Brünnhilde: Recordings * ''Fidelio'' — Quartets from Acts I and IIOpera on record: 1 Alan Blyth - 1979 "A justly famous performance was that in which Erna Berger and Henriette Gottlieb were joined in quixotic but successful casting by the dramatic ten ...
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Richard Breitenfeld
Richard Breitenfeld (13 October 1869 – 16 December 1944) was a German baritone. He was a member of the Frankfurt Opera ensemble and was murdered in the Theresienstadt concentration camp. Breitenfeld was born in Reichenberg (now in the Czech Republic) and made his debut in 1897 as Count Luna in Verdi's ''Il trovatore'' in Cologne. In 1912, he sang the role of the count in Act II of Franz Schreker's ''Der ferne Klang'' in its world premiere at the Frankfurt Opera. The contralto Magda Spiegel, also of the Frankfurt Opera, was murdered in Auschwitz. According to Peter Hugh Reed writing in ''American Record Guide'' (1949), Breitenfeld recorded for Odeon and HMV Sunrise Records and Entertainment, trading as HMV (for His Master's Voice), is a British music and entertainment retailer, currently operating exclusively in the United Kingdom. The first HMV-branded store was opened by the Gramophone Company ... between 1910 and 1914. Richard Breitenfeld has a memorial stone in F ...
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Winifred Wagner
Winifred Marjorie Wagner ( Williams; 23 June 1897 – 5 March 1980) was the English-born wife of Siegfried Wagner, the son of Richard Wagner, and ran the Bayreuth Festival after her husband's death in 1930 until the end of World War II in 1945. She was a friend and supporter of Adolf Hitler, himself a Wagner enthusiast, and she and Hitler maintained a regular correspondence. Biography Early life and marriage to Siegfried Wagner Wagner was born Winifred Marjorie Williams in Hastings, England, to John Williams, a journalist and critic, and his wife, née Emily Florence Karop. She lost both her parents before the age of two and initially was raised in a number of homes. Eight years later, she was adopted by a distant German relative of her mother, Henrietta Karop, and her husband Karl Klindworth, a musician and a friend of Richard Wagner. The Bayreuth Festival was seen as a family business, with the leadership to be passed from Richard Wagner to his son Siegfried Wagner, but ...
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Oscar Hammerstein I
Oscar Hammerstein I (8 May 18461 August 1919) was a German-born businessman, theater impresario, and composer in New York City. His passion for opera led him to open several opera houses, and he rekindled opera's popularity in America. He was the grandfather of American playwright/lyricist Oscar Hammerstein II and the father of theater manager William Hammerstein and American producer Arthur Hammerstein. Early life Oscar Hammerstein I was born in Stettin (capital of the province of Pomerania), Kingdom of Prussia (now Szczecin, Poland), to German Jewish parents Abraham and Berthe Hammerstein. He took up the flute, piano, and violin at an early age. His mother died when he was fifteen years old. During his youth, Hammerstein's father wanted him to continue with his education and to specialize in subjects such as algebra, but Hammerstein wanted to pursue music. After Oscar went skating in a park one day, his father found out and whipped him as punishment, goading Hammerstein to ...
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Stephan Stompor
Stephan Stompor (14 February 1931 – 23 October 1995) was a German musicologist and dramaturg. Life Born in Königshütte (Oberschlesien), Stompor studied opera direction at the with Heinz Rückert. From 1954, he worked as a director of the and at the Staatstheater Schwerin, as a dramaturge at the Opernhaus Leipzig and as a director of the Landestheater Halle. In 1967, wurde er Dramaturg an der Komische Oper Berlin, wo er mit den Intendanten Walter Felsenstein and Joachim Herz sowie mit Götz Friedrich zusammenarbeitete. 1975 wurde er mit der Dissertation ''Deutschsprachige Aufführungen von Opern Händels im 18. Jahrhundert'' in Halle promoviert. Stompor gab Programmhefte und Libretti heraus. Er verfasste Beiträge zur Geschichte des Musiktheaters, insbesondere über die Zeit des Nationalsozialismus. Aufgrund seiner schweren Erkrankung konnten Teile seiner Arbeit erst postum veröffentlicht werden. Stompor died in Berlin at the age of 64. Publications * ''Jüdisch ...
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Erhard Wechselmann
Erhard Eduard Wechselmann (1895–1943) was a German baritone who was murdered in Auschwitz concentration camp. According to Peter Hugh Reed writing in '' American Record Guide'', 1949, he also sang with the Metropolitan Opera in 1890. Under the Nazi regime, Wechselmann performed for Jewish audiences, on at least one occasion with the contralto Ottilie Metzger-Lattermann who was also to perish in Auschwitz. Dinah Shelton Encyclopedia of genocide and crimes against humanity 2 2005 "However, among them are: the baritone and cantor Erhard E. Wechselmann, murdered in Auschwitz; the contralto Magda Spiegel, murdered in Auschwitz; Richard Breitenfeld Richard Breitenfeld (13 October 1869 – 16 December 1944) was a German baritone. He was a member of the Frankfurt Opera ensemble and was murdered in the Theresienstadt concentration camp. Breitenfeld was born in Reichenberg (now in the Cze ..., a member of the Frankfurt opera ensemble, murdered in Theresienstadt" References ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Otto Klemperer
Otto Nossan Klemperer (14 May 18856 July 1973) was a 20th-century conductor and composer, originally based in Germany, and then the US, Hungary and finally Britain. His early career was in opera houses, but he was later better known as a concert-hall conductor. A protégé of the composer Gustav Mahler, Klemperer was appointed to a succession of increasingly senior conductorships in opera houses in and around Germany. From 1929 to 1931 he was director of the Kroll Opera in Berlin, where he presented new works and avant-garde productions of classics. The rise of the Nazis caused him to leave Germany in 1933, and shortly afterwards he was appointed chief conductor of the Los Angeles Philharmonic, and guest-conducted other American orchestras, including the San Francisco Symphony, the New York Philharmonic and later the Pittsburgh Symphony, which he reorganised as a permanent ensemble. In the late 1930s Klemperer became ill with a brain tumour. An operation to remove it was succe ...
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