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Ottan Thullal
Ottan Thullal (or ''Ottamthullal'', Malayalam: ഓട്ടൻ തുള്ളൽ) is a recite-and-dance art-form of Kerala, India. It was introduced in the eighteenth century by Kunchan Nambiar, one of the Malayalam triumvirate poets, Prachina Kavithrayam (three famous Malayalam-language poets). The folksy performance, often laced with humour intended at criticism of society, is accompanied by a mridangam (a barrel-shaped double-headed drum) and/or the handy idakka besides a pair of ilathalam cymbals. History Like most Indian Performing arts, performing art forms, Ottamthullal has its principles influenced by the Natya Shastra (). The word ''Thullal'' means "to jump" or "leap about" in the Malayalam language. Legend has it that Nambiar, the poet, fell asleep while playing the mizhavu drum for a Chakyar Koothu performance, inviting ridicule from the chakyar. In response, Nambiar developed Ottamthullal, which raised prevalent sociopolitical questions and made a satire of human ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottamthullal Kerala
Ottan Thullal (or ''Ottamthullal'', Malayalam: ഓട്ടൻ തുള്ളൽ) is a recite-and-dance art-form of Kerala, India. It was introduced in the eighteenth century by Kunchan Nambiar, one of the Prachina Kavithrayam (three famous Malayalam-language poets). The folksy performance, often laced with humour intended at criticism of society, is accompanied by a mridangam (a barrel-shaped double-headed drum) and/or the handy idakka besides a pair of ilathalam cymbals. History Like most Indian performing art forms, Ottamthullal has its principles influenced by the Natya Shastra (). The word ''Thullal'' means "to jump" or "leap about" in the Malayalam language. Legend has it that Nambiar, the poet, fell asleep while playing the mizhavu drum for a Chakyar Koothu performance, inviting ridicule from the chakyar. In response, Nambiar developed Ottamthullal, which raised prevalent sociopolitical questions and made a satire of human pedigrees and prejudices. The chakyar comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambalapuzha
Ambalappuzha is a small town in the Alappuzha district of Kerala state, India. It is located south of Alappuzha which is the district headquarters. Ambalappuzha is divided into the two panchayats of Ambalapuzha North and Ambalapuzha South. Demographics As of 2011 Census, Ambalappuzha had a population of 33,939 with 16,620 males and 17,319 females. Ambalappuzha rural village has an area of with 7,856 families residing in it. 10.5% of the population was under 6 years of age. Ambalappuzha had an average literacy of 93.2% higher than the national average of 74% and lower than state average of 94%; male literacy was 95.5% and female literacy was 90.9%.. Geography Ambalappuzha is a coastal town, near National Highway 66, about south of Alappuzha Alappuzha or Alleppey () is the administrative headquarters of Alappuzha district in States and territories of India, state of Kerala, India. The Kerala Backwaters, Backwaters of Alappuzha are one of the most popular tourist attra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mohiniyattam
Mohiniyattam, ( ml, മോഹിനിയാട്ടം), is an Indian classical dance form that developed and remained popular in the state of Kerala. Kathakali is another classical dance form of Kerala. Mohiniyattam dance gets its name from the word Mohini – a historical enchantress avatar of the Hindu God Vishnu, who helps the good prevail over evil by developing her feminine powers. Mohiniyattam's roots, like all classical Indian dances, are in the ''Natya Shastra'' – the ancient Hindu Sanskrit text on performance arts. However, it follows the Lasya style described in ''Natya Shastra'', that is a dance which is delicate, eros-filled and feminine. It is traditionally a solo dance performed by women after extensive training, though nowadays men can also perform the dance. The repertoire of Mohiniyattam includes music in the Carnatic style, singing and acting a play through the dance, where the recitation may be either by a separate vocalist or the dancer themselves. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kathakali
Kathakali ( ml, കഥകളി) is a major form of classical Indian dance. It is a "story play" genre of art, but one distinguished by the elaborately colourful make-up and costumes of the traditional male actor-dancers. It is native to the Malayalam-speaking southwestern region of Kerala and is almost entirely practiced and appreciated by Malayali people. Kathakali's roots are unclear. The fully developed style of Kathakali originated around the 17th century, but its roots are in the temple and folk arts (such as Krishnanattam and religious drama of the kingdom of the Zamorin of Calicut) southwestern Indian peninsula), which are traceable to at least the 1st millennium CE. A Kathakali performance, like all classical dance arts of India, synthesizes music, vocal performers, choreography and hand and facial gestures together to express ideas. However, Kathakali differs in that it also incorporates movements from ancient Indian martial arts and athletic traditions of South Ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chakyar Koothu
Chakyar Koothu (pronounced ) is a performance art from Kerala, India. It is primarily a type of highly refined monologue where the performer narrates episodes from Hindu epics (such as the ''Ramayana'' and the ''Mahabharata'') and stories from the Puranas. Sometimes, however, it is also a traditional equivalent of the modern stand-up comedy act, incorporating commentary on current socio-political events (and personal comments directed at the members of the audience). The performance "Koothu" means dance ... which is a misnomer, as facial expressions are emphasized and there is minimal choreography. It is performed in the Koothambalam; a place inside Hindu temples specifically designed for performing Kutiyattam and Chakyar Koothu. Ideally, the performance takes place in conjunction with festivals, presented by members of the Chakyar community along with the Ambalavasi Nambiars. It is a solo performance, by a narrator in a distinctive headgear and black moustache with his to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mani Madhava Chakyar
Guru Mani Madhava Chakyar (IAST: ''Māṇi Mādhava Cākyār'') (15 February 1899 – 14 January 1990) was a celebrated master performance artist and Sanskrit scholar from Kerala, India, considered to be the greatest Chakyar Koothu and Koodiyattam (ancient Sanskrit drama theatre tradition) artist and authority of modern times. He was considered as the authority of '' Abhinaya'' (the classical Indian acting style) and ''Nātyaśāstra''. Known as "the Emperor of Rasa-Abhinaya", he had an exceptional ability to perform ''Rasa-Abhinaya''. His ''Netrābhinaya'' was world-famous and he had the ability to act only with eyes. He was well versed in all the traditional Koodiyattams and all the ''prabandhas'' used in Chakyar Koothu. He was able to explain the concepts, methods and practices of Koodiyattam and Chakyar Koothu in a clear and authentic way. He had an in depth study of ''Nātyaśāstra'' of Bharata Muni, as well as ways of acting which were popular in Kerala. His knowledg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Killikkurussimangalam
Killikkurussimangalam (also known as Lakkidi) is a village around 8 km from nearby town Ottappalam in Palakkad district of Kerala, south India. The river Nila ( Bharatapuzha) flows through the southern border of Lakkidi. Etymology The village got its name from the famous Lord Shiva temple- Sri Killikkurussi Mahadeva Kshetram situated in the village. The temple is very old and legends say it has been founded by the sage ''Sree Suka Brahma Hrishi''. Kunchan Nambiar's birthplace The village is the birthplace of famous Malayalam satire poet and founder of the Ottamthullal art form, Kunchan Nambiar (Rama panivada). The house where Kunchan Nambiar was born, Kalakkathu Bhavanam, is now a cultural centre, undertaken by Department of Culture of Kerala State Government. There is also a library situated there in memory of Kunchan Nambiar called ''Kunchan Smaraka Vayanasala'' - Kunchan Memorial Library. Koodiyattam and Chakyar koothu artist and noted Natyashasthra scholar Nātyāchārya ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sheethankan Thullal
Sheethankan Thullal is a dance and poetic performance form in Kerala, India. This one of the three major ''thullal'' forms prevailing in Kerala. Others are Ottan Thullal and Parayan Thullal. This dance is performed in a very slow tempo. It gives importance to gestures than vocal actions. Performance Usually Sheethankan Thullal is performed in midnight. But it can also performed in day time without using any lamps on stage. Minimum three persons should be needed for the performance. One for staging the performance and others for playing musical instruments. Costume The performer will be dressed with special costume for thullal. They use yellow coloured powder in face and use dress made up of Coconut leaves. Usually ''Kakali'' is the metre used in this dance form. Origin Sheethankan thullal was discovered by famous Malayalam poet Kunchan Nambiar in Ambalappuzha. See also * Ottan Thullal * Parayan Thullal Parayan Thullal is a dance and poetic performance form prev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parayan Thullal
Parayan Thullal is a dance and poetic performance form prevailed in the state of Kerala, India. This one of the three major thullal forms prevailing in Kerala. Others are Ottan Thullal and Sheethankan Thullal. Usually, it is conducted in the morning time. The Sanskrit metre Mallika is commonly used in this art form. Performing The tempo of this art form is very slow. The performer explains the meanings of the songs by using gestures. The dance element is very little in this art form and most of the time the performer will stand erect. Usually the stories of Parayan thullal deals with spiritual matters. Costume The costume of Parayan thullal resembles Shesha. The person performing the art wears the dress and crown in the shape of snake. A red cloth is worn on the waist. The face will be adorned with yellow paint. List of some Parayan Thullals *Sabhapravesham *Thripuradahanam *Kumbhakarnavadham *Dakshayagam *Keechakavadham *Pulindeemoksham *Sundopasundopakhyanam *Nalayanic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arts Of Kerala
The Indian state Kerala is well known for its diverse forms of performing arts. The various communities in Kerala contribute to its rich and colourful culture.The most important traditional art forms of Kerala are Kathakali, Kalaripayattu, Koodiyattam, Theyyam, Mohiniyattam, Thullal, Padayani, Pulikali, Thiruvathirakali, Chakyarkoothu,kalaripayattu etc. Performing arts of Kerala Kerala Hindu Arts * Ayyappan Vilakku * Shastham Paatu * Kathakali * Chakyar Koothu * Nangiar Koothu * Mohiniyattam * ThirayattamThirayattam, Moorkkanad Peethambaran, Kerala bhasha Institute, TVM, * Padayani * Thiyyattu * Koodiyattam * Kerala Natanam * Panchavadyam * Thullal * Tholpavakoothu * Ottamthullal * Garudan Thookkam * Kolam Thullal * Kakkarissi Nadakam * Poorakkali * Mudiyett * Kummattikali * Kuthiyottam * Thiriyuzhichil * Kalaripayattu * Mangalamkali * Marathukali * Malayikuthu * Mukkanchathan * Charadupinnikkali * Kothammuriyattam * Sopanam * Thacholikali * Sarpam Thullal * Pulluv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folklore
Folklore is shared by a particular group of people; it encompasses the traditions common to that culture, subculture or group. This includes oral traditions such as tales, legends, proverbs and jokes. They include material culture, ranging from traditional building styles common to the group. Folklore also includes customary lore, taking actions for folk beliefs, the forms and rituals of celebrations such as Christmas and weddings, folk dances and initiation rites. Each one of these, either singly or in combination, is considered a folklore artifact or traditional cultural expression. Just as essential as the form, folklore also encompasses the transmission of these artifacts from one region to another or from one generation to the next. Folklore is not something one can typically gain in a formal school curriculum or study in the fine arts. Instead, these traditions are passed along informally from one individual to another either through verbal instruction or demonstr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brahmin
Brahmin (; sa, ब्राह्मण, brāhmaṇa) is a varna as well as a caste within Hindu society. The Brahmins are designated as the priestly class as they serve as priests (purohit, pandit, or pujari) and religious teachers (guru or acharya). The other three varnas are the Kshatriya, Vaishya and Shudra. The traditional occupation of Brahmins is that of priesthood at the Hindu temples or at socio-religious ceremonies, and rite of passage rituals such as solemnising a wedding with hymns and prayers.James Lochtefeld (2002), Brahmin, The Illustrated Encyclopedia of Hinduism, Vol. 1: A–M, Rosen Publishing, , page 125 Traditionally, the Brahmins are accorded the highest ritual status of the four social classes. Their livelihood is prescribed to be one of strict austerity and voluntary poverty ("A Brahmin should acquire what just suffices for the time, what he earns he should spend all that the same day"). In practice, Indian texts suggest that some Brahmins historicall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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