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Ottalie Mark
Ottalie Mark (Born Thilla Mark, October 3, 1896 - November 13, 1979) was an American musicologist, copyright consultant, composer, and music editor. Early life and education Ottalie Mark was born on October 3, 1896, the daughter of David and Rose (née Glass) Mark, who immigrated to the United States from Russia in the 1880s. The family lived at 76 Chrystie Street on the Lower East Side of Manhattan, and her father worked in the garment industry. She was one of nine children, four brothers and five sisters. She was brought up in an Orthodox Jewish household. Mark was educated at Washington Irving Art School (a branch of the Wadleigh High School for Girls), and NY Prep School. She got her undergraduate degree from NYU in Pre-Law. She studied music with conductor Sunia Samuels and violinist Michael Sciapiro. Military service In 1918, after graduating from college, Mark enrolled as a Yeoman Second Class in the Navy during World War I. Career Mark's first job after military s ...
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Ottalie Mark
Ottalie Mark (Born Thilla Mark, October 3, 1896 - November 13, 1979) was an American musicologist, copyright consultant, composer, and music editor. Early life and education Ottalie Mark was born on October 3, 1896, the daughter of David and Rose (née Glass) Mark, who immigrated to the United States from Russia in the 1880s. The family lived at 76 Chrystie Street on the Lower East Side of Manhattan, and her father worked in the garment industry. She was one of nine children, four brothers and five sisters. She was brought up in an Orthodox Jewish household. Mark was educated at Washington Irving Art School (a branch of the Wadleigh High School for Girls), and NY Prep School. She got her undergraduate degree from NYU in Pre-Law. She studied music with conductor Sunia Samuels and violinist Michael Sciapiro. Military service In 1918, after graduating from college, Mark enrolled as a Yeoman Second Class in the Navy during World War I. Career Mark's first job after military s ...
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The New York Evening Graphic
The ''New York Evening Graphic'' (not to be confused with the earlier ''Daily Graphic)'' was a tabloid newspaper published from 1924 to 1932 by Bernarr Macfadden. Exploitative and mendacious in its short life, the ''Graphic'' exemplified tabloid journalism and launched the careers of Walter Winchell, Louis Sobol, and sportswriter-turned-columnist and television host Ed Sullivan. History The ''New York Evening Graphics founding editor was investigative reporter Emile Gauvreau, who grew up in Connecticut and in Montreal, Quebec, the eldest son of an itinerant French Canadian war hero. Gauvreau, a high school drop-out, began his journalism career as a cub reporter on the New Haven ''Journal-Courrier'' — alongside part-time Yalies such as Sinclair Lewis — during World War I, and by 1919, had moved on to become the youngest managing editor in the history of the ''Hartford Courant'' after only three years on the job. He was fired when an investigative project embarrassed "Boss" Ror ...
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Till Eulenspiegel's Merry Pranks
''Till Eulenspiegel's Merry Pranks'' (german: Till Eulenspiegels lustige Streiche, ), Opus number, Op. 28, is a tone poem written in 1894–95 by Richard Strauss. It chronicles the misadventures and pranks of the German peasant folk hero Till Eulenspiegel, who is represented by two themes. The first, played by the French horn, horn, is a lilting melody that reaches a peak, falls downward, and ends in three long, loud notes, each progressively lower. The second, for D clarinet, is crafty and wheedling, suggesting a trickster doing what he does best. (Till Eulenspiegel is a well-known Schnickelfritz.) Analysis The work opens with a "Once upon a time" theme, : \relative c as a solo horn bursts in with two repetitions of the first Till theme. : \relative c' The theme is taken by the rest of the orchestra in a rondo form (which Strauss spelled in its French form, rondeau), and this beginning section concludes with the tutti orchestra repeating two notes. The clarinet theme is h ...
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Copyright Infringement
Copyright infringement (at times referred to as piracy) is the use of works protected by copyright without permission for a usage where such permission is required, thereby infringing certain exclusive rights granted to the copyright holder, such as the right to reproduce, distribute, display or perform the protected work, or to make derivative works. The copyright holder is typically the work's creator, or a publisher or other business to whom copyright has been assigned. Copyright holders routinely invoke legal and technological measures to prevent and penalize copyright infringement. Copyright infringement disputes are usually resolved through direct negotiation, a notice and take down process, or litigation in civil court. Egregious or large-scale commercial infringement, especially when it involves counterfeiting, is sometimes prosecuted via the criminal justice system. Shifting public expectations, advances in digital technology and the increasing reach of the Internet ...
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American Society Of Composers, Authors And Publishers
The American Society of Composers, Authors, and Publishers (ASCAP) () is an American not-for-profit performance-rights organization (PRO) that collectively licenses the public performance rights of its members' musical works to venues, broadcasters, and digital streaming services (music stores). ASCAP collects licensing fees from users of music created by ASCAP members, then distributes them back to its members as royalties. In effect, the arrangement is the product of a compromise: when a song is played, the user does not have to pay the copyright holder directly, nor does the music creator have to bill a radio station for use of a song. In 2021, ASCAP collected over US$1.335 billion in revenue and distributed $1.254 billion in royalties to its members. ASCAP membership included over 850,000 songwriters, composers and music publishers, with over 16 million registered works. History ASCAP was founded by Victor Herbert, together with composers George Botsford, Silvio Hein, I ...
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The New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid digital subscribers. It also is a producer of popular podcasts such as '' The Daily''. Founded in 1851 by Henry Jarvis Raymond and George Jones, it was initially published by Raymond, Jones & Company. The ''Times'' has won 132 Pulitzer Prizes, the most of any newspaper, and has long been regarded as a national " newspaper of record". For print it is ranked 18th in the world by circulation and 3rd in the U.S. The paper is owned by the New York Times Company, which is publicly traded. It has been governed by the Sulzberger family since 1896, through a dual-class share structure after its shares became publicly traded. A. G. Sulzberger, the paper's publisher and the company's chairman, is the fifth generation of the family to head the pa ...
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Don Juan (1926 Film)
''Don Juan'' is a 1926 American romantic adventure film directed by Alan Crosland. It is the first feature-length film to utilize the Vitaphone sound-on-disc sound system with a synchronized musical score and sound effects, though it has no spoken dialogue. The film is inspired by Lord Byron's 1821 epic poem of the same name. The screenplay was written by Bess Meredyth with intertitles by Maude Fulton and Walter Anthony. ''Don Juan'' stars John Barrymore as the hand-kissing womanizer. Plot In the prologue, Don José, warned of his wife's infidelity, seals his wife's lover alive in his hiding place and drives her from the castle; abandoned to his lust, he is stabbed by his last mistress, and with his dying words he implores his son, Don Juan, to take all from women but yield nothing. Ten years later, young Don Juan, a graduate of the University of Pisa, is famous as a lover and pursued by many women, including the powerful Lucrezia Borgia, who invites him to her ball. Hi ...
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William Axt
William Axt (April 19, 1888 – February 13, 1959) was an American composer of nearly two hundred film scores. Life and career Born in New York City, Axt graduated from DeWitt Clinton High School in The Bronx and studied at the National Conservatory of Music of America. He earned a Doctor of Musical Arts degree from the University of Chicago in 1922. He studied in Berlin under Xaver Scharwenka. Axt made his American debut as a conductor on December 28, 1910. He served as an assistant conductor for the Hammerstein Grand Opera Company and was a musical director for the Capitol Theatre in Manhattan before joining the music department at Metro-Goldwyn-Mayer in 1929. Axt retired from the film industry to raise cattle and breed horses in Laytonville, California. He died in Ukiah, California, and had at least one son (Edward). Selected filmography * '' Theodora'' (1921; with Erno Rapee) * ''The Prisoner of Zenda'' (1922) * ''Greed'' (1924) * ''The Big Parade'' (1925; with David ...
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Major Bowes
Edward Bowes (June 14, 1874 – June 13, 1946), professionally known as Major Edward Bowes, was an American radio personality of the 1930s and 1940s whose ''Major Bowes Amateur Hour'' was the best-known amateur talent show on radio during its 18-year run (1935–1952) on NBC Radio and CBS Radio. Early life and radio career Bowes’ father died when he was six years old, and young Edward worked as he could to augment the family income. After leaving grammar school he worked as an office boy, and then went into the real estate business, until the cataclysmic 1906 San Francisco earthquake wiped out his fortune. He then moved to New York City in search of other opportunities, soon realizing that the theatrical world was lucrative, and he worked busily in New York as a musical conductor, composer, and arranger. He also produced Broadway shows such as ''Kindling'' in 1911–12 and ''The Bridal Path'' in 1913. He was married to ''Kindling'' star Margaret Illington from 1910 until ...
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Sam Warner
Samuel Louis Warner (born Szmuel Wonsal, August 10, 1885 – October 5, 1927) was an American film producer who was the co-founder and chief executive officer of Warner Bros. He established the studio along with his brothers Harry, Albert, and Jack L. Warner. Sam Warner is credited with procuring the technology that enabled Warner Bros. to produce the film industry's first feature-length talking picture, ''The Jazz Singer''.Thomas (1990), pp. 52–62. He died in 1927, on the day before the film's enormously successful premiere. Early years Samuel "Wonsal" or "Wonskolaser", was born in Poland (then part of Congress Poland), in the town of Krasnosielc.Doug Sinclair, "The Family of Benjamin and Pearl Leah (Eichelbaum) Warner: Early Primary Records," (2008), published at Doug Sinclair's Archiveshttp://dougsinclairsarchives.com/benjaminwarnerfamily.htm He was one of eleven children born to Benjamin, a shoe maker born in Krasnosielc, and Pearl Leah (née Eichelbaum), both Polish Je ...
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Vitaphone
Vitaphone was a sound film system used for feature films and nearly 1,000 short subjects made by Warner Bros. and its sister studio First National from 1926 to 1931. Vitaphone was the last major analog sound-on-disc system and the only one that was widely used and commercially successful. The soundtrack was not printed on the film itself, but issued separately on phonograph records. The discs, recorded at  rpm (a speed first used for this system) and typically in diameter, would be played on a turntable physically coupled to the projector motor while the film was being projected. It had a frequency response of 4300 Hz. Many early talkies, such as ''The Jazz Singer'' (1927), used the Vitaphone system. The name "Vitaphone" derived from the Latin and Greek words, respectively, for "living" and "sound". The "Vitaphone" trademark was later associated with cartoons and other short subjects that had optical soundtracks and did not use discs. Early history In the early 19 ...
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Sound-on-disc
Sound-on-disc is a class of sound film processes using a phonograph or other disc to record or play back sound in sync with a motion picture. Early sound-on-disc systems used a mechanical interlock with the movie projector, while more recent systems use timecode. Examples of sound-on-disc processes France * The Chronophone (Léon Gaumont) "Filmparlants" and phonoscènes 1902–1910 (experimental), 1910–1917 (industrial)Thomas Louis Jacques Schmitt, « The genealogy of clip culture » in Henry Keazor, Thorsten Wübbena (dir.) ''Rewind, Play, Fast Forward'', transcript, United States * Vitaphone introduced by Warner Bros. in 1926 * Phono-Kinema, short-lived system, invented by Orlando Kellum in 1921 (used by D. W. Griffith for ''Dream Street'') * Digital Theater Systems United Kingdom * British Phototone, short-lived UK system using 12-inch discs, introduced in 1928-29 ('' Clue of the New Pin'') Other * Systems with the film projector linked to a phonograph or cylinder phono ...
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