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Oscar Peterson Plays The Jerome Kern Songbook
''Oscar Peterson Plays the Jerome Kern Songbook'' is a 1959 album by Oscar Peterson, of compositions by Jerome Kern. Track listing # " I Won't Dance" ( Dorothy Fields, Oscar Hammerstein II, Otto Harbach, Jimmy McHugh) – 2:32 # "Bill" (Hammerstein) – 2:58 # " The Song Is You" (Hammerstein) – 3:04 # " A Fine Romance" (Fields) – 3:09 # " Can't Help Lovin' Dat Man" (Hammerstein) – 2:45 # "Ol' Man River" (Hammerstein) – 2:38 # " Long Ago (and Far Away)" (Ira Gershwin) – 2:35 # " Lovely to Look At" (Fields, McHugh) – 2:48 # " Pick Yourself Up" (Fields) – 2:12 # " Smoke Gets in Your Eyes" (Harbach) – 2:49 # " The Way You Look Tonight" (Fields) – 3:41 # " Yesterdays" (Harbach) – 3:17 All music written by Jerome Kern, lyricists indicated. Personnel Performance * Ray Brown - double bass * Oscar Peterson - piano * Ed Thigpen - drums A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussion in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Can't Help Lovin' Dat Man
"Can't Help Lovin' Dat Man" with music by Jerome Kern, and lyrics by Oscar Hammerstein II, is one of the most famous songs from their classic 1927 musical play ''Show Boat'', adapted from Edna Ferber's 1926 novel. Context The song, written in a blues tempo, is sung in the show by several characters, but is most closely associated with the character Julie, the biracial leading lady of the showboat ''Cotton Blossom''. It is Julie who is first heard singing the song – to Magnolia, the daughter of Cap'n Andy Hawks and his wife Parthenia (Parthy), owners of the showboat. In the musical's plot, the number is supposed to be a song familiar to African-Americans for years, and this provides one of the most dramatic moments in the show. When Queenie, the black cook, comments that it is strange that light-skinned Julie knows the song because only black people sing it, Julie becomes visibly uncomfortable. Later, we learn that this is because Julie is " passing" as white – she and her wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ed Thigpen
Edmund Leonard Thigpen (December 28, 1930 – January 13, 2010) was an American jazz drummer, best known for his work with the Oscar Peterson trio from 1959 to 1965. Thigpen also performed with the Billy Taylor trio from 1956 to 1959. Biography Born in Chicago, Illinois, United States, Thigpen was raised in Los Angeles, California, and attended Thomas Jefferson High School, where Art Farmer, Dexter Gordon and Chico Hamilton also attended. After majoring in sociology at Los Angeles City College, Thigpen returned to East St. Louis for one year to pursue music while living with his father who had been playing with Andy Kirk's Clouds of Joy. His father, Ben Thigpen, was a drummer who played with Andy Kirk for sixteen years during the 1930s and 1940s. Thigpen first worked professionally in New York City with the Cootie Williams orchestra from 1951 to 1952 at the Savoy Ballroom. During this time he played with musicians such as Dinah Washington, Gil Mellé, Oscar Pettiford, Eddie V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Brown (musician)
Raymond Matthews Brown (October 13, 1926 – July 2, 2002) was an American jazz double bassist, known for his extensive work with Oscar Peterson and Ella Fitzgerald. He was also a founding member of the group that would later develop into the Modern Jazz Quartet. Biography Early life Ray Brown was born October 13, 1926, in Pittsburgh, Pennsylvania, and took piano lessons from the age of eight. After noticing how many pianists attended his high school, he thought of taking up the trombone, but was unable to afford one. With a vacancy in the high school jazz orchestra, he took up the upright bass. Career A major early influence on Brown's bass playing was Jimmy Blanton, the bassist in the Duke Ellington band. As a young man Brown became increasingly well known in the Pittsburgh jazz scene, with his first experiences playing in bands with the Jimmy Hinsley Sextet and the Snookum Russell band. After graduating high school, having heard stories about the burgeoning jazz scene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yesterdays (1933 Song)
"Yesterdays" is a 1933 song about nostalgia composed by Jerome Kern with lyrics by Otto Harbach. They wrote the song for ''Roberta'', a musical based on the novel ''Gowns by Roberta'' by Alice Duer Miller. "Yesterdays" was overshadowed by the musical's more popular song, "Smoke Gets in Your Eyes", which was a number one hit for the Paul Whiteman orchestra. Other recordings *Billie Holiday - 1939 and 1952 recordings *Larry Coryell – ''Shining Hour'' (1989) * Lee Konitz and Miles Davis -- ''1949'' * Dorothy Donegan * Clifford Brown -- ''Clifford Brown with Strings'' (1955) * Ella Fitzgerald -- '' Ella Fitzgerald Sings the Jerome Kern Song Book'' (1963) * Erroll Garner – ''Magician'' (1973) * Gordon Goodwin's Big Phat Band – '' Act Your Age'' (2008) * Stevie Holland (''More Than Words Can Say'', 2006) [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Way You Look Tonight
"The Way You Look To-night" is a song from the film ''Swing Time'' that was performed by Fred Astaire and composed by Jerome Kern with lyrics written by Dorothy Fields. It won the Academy Award for Best Original Song in 1936. Fields remarked, "The first time Jerry played that melody for me I went out and started to cry. The release absolutely killed me. I couldn't stop, it was so beautiful." In the movie, Astaire sang "The Way You Look To-night" to Ginger Rogers while she was washing her hair in an adjacent room. Astaire's recording was a top seller in 1936. Other versions that year were by Guy Lombardo and Teddy Wilson with Billie Holiday. Composition and publication The song was sung by Fred Astaire in the 1936 film ''Swing Time'' in the key of D major, but it is typically performed in E-flat major with a modulation to G-flat major. It was first copyrighted on March 17, 1936 as "Way (The) you look to-night; song from I won't dance", and was unpublished ("I Won't Dance" was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smoke Gets In Your Eyes
"Smoke Gets in Your Eyes" is a show tune written by American composer Jerome Kern and lyricist Otto Harbach for the 1933 musical '' Roberta''. The song was sung in the Broadway show by Tamara Drasin. Its first recorded performance was by Gertrude Niesen, who recorded the song with orchestral direction from Ray Sinatra, Frank Sinatra's second cousin, on October 13, 1933. Niesen's recording of the song was released by Victor, with the B-side, "Jealousy", featuring Isham Jones and his Orchestra. Paul Whiteman had the first hit recording of the song on the record charts in 1934. The song was reprised by Irene Dunne, who performed it in the 1935 film adaptation of the musical co-starring Fred Astaire, Ginger Rogers, and Randolph Scott. The song was also included in the 1952 remake of ''Roberta'', '' Lovely to Look At'', in which it was performed by Kathryn Grayson, and was a number 1 chart hit in 1959 for The Platters. Later recordings 1930s–1950s Paul Whiteman and h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pick Yourself Up
"Pick Yourself Up" is a popular song composed in 1936 by Jerome Kern, with lyrics by Dorothy Fields. It has a verse and chorus, as well as a third section, though the third section is often omitted in recordings. Like most popular songs of the era it features a 32 bar chorus, though with an extended coda. Background The song was written for the film ''Swing Time'' (1936), where it was introduced by Fred Astaire and Ginger Rogers. Rogers plays a dance instructor whom Astaire follows into her studio; he pretends to have "two left feet" in order to get her to dance with him. Astaire sings the verse to her and she responds with the chorus. After an interlude, they dance to the tune. (Author John Mueller has written their dance "is one of the very greatest of Astaire's playful duets: boundlessly joyous, endlessly re-seeable.") In 1936, Astaire recorded the song on his own for the Brunswick label. The song has been covered many times, including by: *Nat King Cole 1944 *George ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lovely To Look At
''Lovely to Look At'' is a 1952 American musical romantic comedy film directed by Mervyn LeRoy, based on the 1933 Broadway musical ''Roberta''. Plot Broadway producers Al Marsh, Tony Naylor, and Jerry Ralby are desperately searching for investors to back their new show. After being continuously denied for pitches, Al receives a letter from Paris, notifying him that his Aunt Roberta has died and left him half of her dress salon located in Paris. The three men and their "lady-friend" Bubbles, the person who funds their lengthy trip, then eagerly travel to Paris in hopes of profiting from the sale of Al's share in the shop. To their dismay, the men are met with a bankrupt shop that is in no shape to have shares sold. Here is when the film introduces the two other main characters in detail, the two other women who own the other half of the dress shop, Stephanie and Clarisse. From this point forward, the film develops in two main routes of plot: getting the shop into better shape to g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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