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Oscar Fetrás
Oscar Fetrás (16 February 1854 – 10 January 1931) was a German composer of popular dance music, military marches, piano pieces and arrangements. Fetrás had over 200 compositions to his name. His best known work is his waltz "Mondnacht auf der Alster" Op. 60 which is still immensely popular to the present day. Biography Fetrás was born as Otto Kaufmann Faster in 1854 in Hamburg. His father Matthias Faster was an Hamburgian editor of a stock-exchange magazine. The Faster family originally came from Bützfleth, a locality of today's Stade near Hamburg. Fetrás's grandfather, a sea captain, died in the sinking of his ship ''Ceres''. His mother Amalie Margarethe, born Decker, had ancestral origins from the island of Sylt. Early in his career Fetrás worked for , founder of the Flying P-Liner. Once he became widely regarded as being on the same level as the revered Viennese waltz kings, he departed to conduct his own orchestra. At the age of 26 Fetrás's compositions attr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waltz
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmen
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the Carmen (novella), novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical Western canon, canon; the "Habanera (aria), Habanera" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of ''opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
O Deutschland Hoch In Ehren
"" is a patriotic German song written by Ludwig Bauer (1832–1910) in 1859 and set to music by Henry Hugh Pierson. The song was, besides the " Deutschlandlied", "Die Wacht am Rhein" and "Des Deutschen Vaterland ''Was ist des Deutschen Vaterland'' is a German nationalist song by Ernst Moritz Arndt (1813) which was popular in the 19th century. History In the text, Arndt asks the German question and answers it by demanding a Greater German nation-sta ...", the most popular patriotic anthem in the 19th century. History In 1858, Henry Hugh Pierson, an English composer resident in Germany, had written a tune for the patriotic song " Ye Mariners of England" by Thomas Campbell. One year later, he met Ludwig Bauer, who later married Pierson's stepdaughter Dorothea Lyser. Pierson asked Bauer to write a German text to the existing tune. Wolfgang Steinitz: ''Deutsche Volkslieder demokratischen Charakters aus sechs Jahrhunderten.'' vol. 2, Akademie-Verlag, Berlin 1962, p. 362 (Nr. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Jarno
Georg Jarno (3 June 1868, in Buda – 25 May 1920, in Breslau) was a Hungarian composer, mainly of operettas. Biography After he finished his studies in Budapest, he worked as Theaterkapellmeister in Bremen, Gera, Halle, Saxony-Anhalt, Metz, Liegnitz, Chemnitz and Magdeburg, and also as opera director in Bad Kissingen, before settling in Vienna as a freelance composer. Before 1903, Jarno's name was György Cohner. He is buried in the New Jewish Cemetery in Wrocław, Poland. Career Jarno's greatest successes were '' Die Försterchristl'' (1907) and ''Das Musikantenmädel'' (1910). His operettas ''Das Farmermädchen'' and ''Jungfer Sonnenschein'' were well received, whereas ''Die Marine-Gustl'', ''Mein Annerl'', ''Der Goldfisch'' and ''Die Csikosbaroness'' could muster only passing interest. Much of the success of his works was due to the distinguished presentation of their title roles by his brother's (Joseph Jarno) wife, the highly popular actress and soubrette Hansi Niese. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugene Onegin (opera)
''Eugene Onegin'' ( rus, Евгений Онегин, italic=yes, Yevgény Onégin, jɪvˈɡʲenʲɪj ɐˈnʲeɡʲɪn, Ru-Evgeny_Onegin.ogg), Opus number, Op. 24, is an opera ("lyrical scenes") in 3 acts (7 scenes), composed by Pyotr Ilyich Tchaikovsky. The libretto, organised by the composer himself, very closely follows certain passages in Alexander Pushkin's 1825-1832 Eugene Onegin, novel in verse, retaining much of his poetry. Tchaikovsky's friend Konstantin Shilovsky contributed M. Triquet's verses in Act 2, Scene 1, while Tchaikovsky himself arranged the text for Lensky's arioso in Act 1, Scene 1, and almost all of Prince Gremin's aria in Act 3, Scene 1. ''Eugene Onegin'' is a well-known example of lyric opera, to which Tchaikovsky added music of a dramatic nature. The story concerns a selfish hero who lives to regret his blasé rejection of a young woman's love and his careless incitement of a fatal duel with his best friend. The opera was first performed in Moscow in 1879. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Gilbert
Jean Gilbert (11 February 1879 – 20 December 1942), born Max Winterfeld, was a German operetta composer and conductor. Life and career Gilbert was born in Hamburg into a family of musicians; his ancestors were cantors of the Jewish community, his cousin Paul Dessau became a famous composer and conductor. He attended composition lessons held by Philipp Scharwenka in Berlin and studied at the conservatories in Sondershausen and Weimar. After first public appearances as a pianist, the 18-year-old obtained an appointment as ''Kapellmeister'' in Bremerhaven. Soon after he moved to the Carl Schultze Theater in Hamburg and, at the age of 20, succeeded Leo Fall as musical director of the Centralhalle theatre. He adopted the name of Jean Gilbert for the production of his first operetta ''Das Jungfernstift'' in 1901. He continued to work as a ''Kapellmeister'' at the Berlin Apollo-Theater on Friedrichstraße, where he enacted operettas by Paul Lincke. In 1908, Gilbert moved to Düs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Keusche Susanne
''Die keusche Susanne'' (''Chaste Susanne'') is an operetta in three acts by Jean Gilbert. The German libretto was by Georg Okonkowski, based on the 1906 play ''Le fils à papa'' by Antony Mars and Maurice Desvallières. Jean Gilbert's son, Robert Gilbert prepared a revised version in 1953. The title alludes to the biblical story of Susanna and the Elders. Performance history It was first performed at the Wilhelm-Theater in Magdeburg on 26 February 1910. It was the composer's greatest success, enabling him to move to Berlin to become conductor of the Thalia-Theater. Adapted into English, by Frederick Fenn and Arthur Wimperis, it was produced in London in 1912 as ''The Girl in the Taxi''. Adapted back into French by Mars and Desvallières, it was produced in Paris and then Lyon in 1913 as ''La chaste Suzanne''. It was also successful in South America in Italian (''La casta Susana'') and in Spanish (''La chasta Suzanna''). Gilbert conducted the work there two decades later when h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Offenbach
Jacques Offenbach (, also , , ; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera ''The Tales of Hoffmann''. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. ''The Tales of Hoffmann'' remains part of the standard opera repertory. Born in Cologne, the son of a synagogue cantor, Offenbach showed early musical talent. At the age of 14, he was accepted as a student at the Paris Conservatoire but found academic study unfulfilling and left after a year. From 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor. His ambition, however, was to compose comic pieces for the musical the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Tales Of Hoffmann
''The Tales of Hoffmann'' (French: ) is an by Jacques Offenbach. The French libretto was written by Jules Barbier, based on three short stories by E. T. A. Hoffmann, who is the protagonist of the story. It was Offenbach's final work; he died in October 1880, four months before the premiere. Composition history and sources Offenbach saw a play, , written by Barbier and Michel Carré and produced at the Odéon Theatre in Paris in 1851. After returning from America in 1876, Offenbach learned that Barbier had adapted the play, which had now set to music at the Opéra. Salomon handed the project to Offenbach. Work proceeded slowly, interrupted by the composition of profitable lighter works. Offenbach had a premonition, like Antonia, the heroine of Act 2, that he would die prior to its completion. Offenbach continued working on the opera throughout 1880, attending some rehearsals. On 5 October 1880, he died with the manuscript in his hand, just four months before the opening. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Tosti
Sir Francesco Paolo Tosti KCVO (9 April 1846, Ortona, Abruzzo2 December 1916, Rome) was an Italian composer and music teacher. Life Francesco Paolo Tosti received most of his music education in his native Ortona, Italy, as well as the conservatory in Naples. Tosti began his music education at the Royal College of San Pietro a Majella at the age of eleven. He studied violin and composition with Saverio Mercadante, who became so impressed with Tosti that he appointed him student teacher, which afforded the young man a meagre salary of sixty francs a month. Poor health forced Tosti to leave his studies and return home to Ortona. He was confined to his bed for several months. During this time he composed several songs, two of which he submitted to the Florentine Art Society, and two others he submitted for publication to Ricordi. All four were rejected.Ewen, David. ''Great Composers''. HW Wilson Publishing Company, New York City 1966. p. 385. Once recovered from his illness, T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mazurka
The mazurka (Polish: ''mazur'' Polish ball dance, one of the five Polish national dances and ''mazurek'' Polish folk dance') is a Polish musical form based on stylised folk dances in triple meter, usually at a lively tempo, with character defined mostly by the prominent mazur's "strong accents unsystematically placed on the second or third beat". The mazurka, alongside the polka dance, became popular at the ballrooms and salons of Europe in the 19th century, particularly through the notable works by Frédéric Chopin. The mazurka (in Polish ''mazur'', the same word as the mazur) and mazurek (rural dance based on the mazur) are often confused in Western literature as the same musical form. History The folk origins of the ''mazurka'' are three Polish folk dances which are: * '' mazur'', most characteristic due to its inconsistent rhythmic accents, * slow and melancholic ''kujawiak'', * fast ''oberek''. The ''mazurka'' is always found to have either a triplet, trill, dot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmond Audran
Achille Edmond Audran (12 April 184017 August 1901) was a French composer best known for several internationally successful comic operas and operettas. After beginning his career in Marseille as an organist, Audran composed religious music and began to write works for the stage in the 1860s and 1870s. Among these, '' Le grand mogol'' (1877) was the most popular and was later revived in Paris, London and New York. In 1879 he moved to Paris, where some of his pieces achieved considerable success both in France and abroad, including ''Les noces d'Olivette'' (1879), ''La mascotte'' (1880), ''Gillette de Narbonne'' (1882), ''La cigale et la fourmi'' (1886), '' Miss Helyett'' (1890) and ''La poupée'' (1896). Most of his works are now neglected, but ''La mascotte'' has been revived occasionally and has been recorded for the gramophone. Early life and career Audran was born in Lyon, the son of Marius-Pierre Audran (1816–87), who had a career as a tenor at the Opéra-Comique. Lamb, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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