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Original Nashville Students
The Original Nashville Students, also referred to as the Original Tennessee Jubilee and Plantation Singers, the Nashville Students, and H. B. Thearle's Nashville Students, were an ensemble of eight or nine African-American Jubilee Singers, jubilee singers. The moniker “jubilee singer” was coined by George White for his a cappella group The Fisk Jubilee Singers. This was primarily a reference to the Jewish year of jubilee described in Behar, Leviticus 25. Additionally, jubilation elicits connections with Emancipation Proclamation, emancipation and liberation, drawing on emotions of nationalist pride from both African American and white audiences. Adopting this title allowed the singers to brand themselves as those who were formerly enslaved, but who had triumphantly risen out of their oppression. History The Original Nashville Students, who were neither students nor from Nashville, Tennessee, Nashville, seem to have formed in Chicago in 1882. As “the Original Tennessee Jubile ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Songster For The Original Nashville Students
A "songster" is a wandering musician, usually but not always African-American, of the type which first appeared in the late 19th century in the southern United States. Songsters in American culture The songster tradition both pre-dated and co-existed with blues music. It began soon after the end of Slavery in the United States, slavery and the Reconstruction era of the United States, Reconstruction era in the United States, when African-American musicians became able to travel and play music for a living. Black and white musicians shared the same repertoire and thought of themselves as "songsters" rather than "blues" musicians. Songsters generally performed a wide variety of Folk song, folk songs, ballads, dance tunes, reels and minstrel songs. Initially, they were often accompanied by non-singing "musicianers", who often played banjo and fiddle. Later, as the guitar became more widely popular, the songsters often accompanied themselves. Songsters often accompanied medicine shows ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calico
Calico (; in British usage since 1505) is a heavy plain-woven textile made from unbleached, and often not fully processed, cotton. It may also contain unseparated husk parts. The fabric is far coarser than muslin, but less coarse and thick than canvas or denim. However, it is still very cheap owing to its unfinished and undyed appearance. The fabric was originally from the city of Calicut in southwestern India. It was made by the traditional weavers called cāliyans. The raw fabric was dyed and printed in bright hues, and calico prints became popular in Europe. History Origins Calico originated in Calicut, from which the name of the textile came, in South India, now Kerala, during the 11th century, where the cloth was known as "chaliyan". It was mentioned in Indian literature by the 12th century when the polymath and writer Hemachandra described calico fabric prints with a lotus design.''Encyclopædia Britannica'' (2008)"calico" Calico was woven using Gujarati cotton from Su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
March (music)
A march, as a musical genre, is a piece of music with a strong regular rhythm which in origin was expressly written for marching to and most frequently performed by a military band. In mood, marches range from the moving death march in Richard Wagner, Wagner's ''Götterdämmerung'' to the brisk military marches of John Philip Sousa and the martial hymns of the late 19th century. Examples of the varied use of the march can be found in Ludwig van Beethoven, Beethoven's Symphony No. 3 (Beethoven), ''Eroica'' Symphony, in the Three Marches Militaires (Schubert), Marches Militaires of Franz Schubert, in the Marche funèbre in Frédéric Chopin, Chopin's Piano Sonata No. 2 (Chopin), Sonata in B flat minor, the "''Jäger March''" in the by Jean Sibelius, and in the Dead March in George Frideric Handel, Handel's ''Saul (Handel), Saul''. Characteristics Marches can be written in any time signature, but the most common time signatures are , (''alla breve'' , although this may refer to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polka
Polka is a dance and genre of dance music originating in nineteenth-century Bohemia, now part of the Czech Republic. Though associated with Czech culture, polka is popular throughout Europe and the Americas. History Etymology The term ''polka'' referring to the dance is derived from the Czech word ''Polka'' meaning "Polish woman" (feminine form corresponding to ''Polák'', a Pole)."polka, n.". Oxford University Press. (accessed 11 July 2012). Czech cultural historian Čeněk Zíbrt also attributes the term to the Czech word ''půlka'' (half), referring to both the half-tempo and the half-jump step of the dance.Čeněk Zíbrt, "Jak se kdy v Čechách tancovalo: dějiny tance v Čechách, na Moravě, ve Slezsku a na Slovensku z věků nejstarších až do nové doby se zvláštním zřetelem k dějinám tance vůbec", Prague, 189(Google eBook)/ref> The word was widely introduced into the major European languages in the early 1840s. Origin and popularity The polka' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waltz
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mazurka
The mazurka (Polish: ''mazur'' Polish ball dance, one of the five Polish national dances and ''mazurek'' Polish folk dance') is a Polish musical form based on stylised folk dances in triple meter, usually at a lively tempo, with character defined mostly by the prominent mazur's "strong accents unsystematically placed on the second or third beat". The mazurka, alongside the polka dance, became popular at the ballrooms and salons of Europe in the 19th century, particularly through the notable works by Frédéric Chopin. The mazurka (in Polish ''mazur'', the same word as the mazur) and mazurek (rural dance based on the mazur) are often confused in Western literature as the same musical form. History The folk origins of the ''mazurka'' are three Polish folk dances which are: * '' mazur'', most characteristic due to its inconsistent rhythmic accents, * slow and melancholic ''kujawiak'', * fast ''oberek''. The ''mazurka'' is always found to have either a triplet, trill, dot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyers Sisters
The Hyers Sisters, Anna Madah (ca. 1855 – 1929) and Emma Louise (ca. 1857 – 1901), were singers and pioneers of black musical theater. With Joseph Bradford and Pauline Hopkins, the Hyers Sisters produced the "first full-fledged musical plays... in which African Americans themselves comment on the plight of the slaves and the relief of Emancipation without the disguises of minstrel comedy." Their first play was ''Out of Bondage'' (also known as ''Out of the Wilderness''). Life Their father, Samuel B. Hyers, came west to Sacramento, California with their mother, Annie E. Hyers (née Cryer), after the Gold Rush. He made sure his daughters received both piano lessons and vocal training with German professor Hugo Sank and later opera singer Josephine D'Ormy and they performed for private parties before making their professional stage debut on April 22, 1867 at Sacramento’s Metropolitan Theater. Anna was a soprano and Emma a contralto. Under their father’s management, they ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York Clipper
The ''New York Clipper'', also known as ''The Clipper'', was a weekly entertainment newspaper published in New York City from 1853 to 1924. It covered many topics, including circuses, dance, music, the outdoors, sports, and theatre. It had a circulation of about 25,000. The publishers also produced the yearly ''New York Clipper Annual''. In 1924, ''The Clipper'' was absorbed into the entertainment journal ''Variety''. History Frank Queen began publishing the ''New York Clipper'' in 1853, making it the first American paper devoted entirely to entertainment; the paper eventually shortened its name to ''The Clipper''. The paper was one of the earliest publications in the United States to regularly cover sports, and it played an important role in popularizing baseball in the country. In addition to more popular sporting events, the ''New York Clipper'' also wrote about billiards, bowling, even chess. It began covering American football in 1880. In 1894, however, ''The Clipper'' d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk rev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minstrel Show
The minstrel show, also called minstrelsy, was an American form of racist theatrical entertainment developed in the early 19th century. Each show consisted of comic skits, variety acts, dancing, and music performances that depicted people specifically of African descent. The shows were performed by mostly white people wearing blackface make-up for the purpose of playing the role of black people. There were also some African-American performers and black-only minstrel groups that formed and toured. Minstrel shows caricatured black people as dim-witted, lazy, buffoonish, superstitious, and happy-go-lucky.The Coon Character , Jim Crow Museum of Racist Memorabilia, Ferris State University. Retrieved 29 January 2016.John Kenrick [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sam Lucas
Sam Lucas (August 7, 1840 – January 10, 1916) was an American actor, comedian, singer, and songwriter. Sam Lucas's exact date of birth is disputed. Lucas's year of birth, to freed former slaves, has also been cited as 1839, 1841, 1848 and 1850. His career began in blackface minstrelsy, but he later became one of the first African Americans to branch out into more serious drama, with roles in seminal works such as ''The Creole Show'' and ''A Trip to Coontown''. He was the first black man to portray the role of Uncle Tom on both stage and screen. James Weldon Johnson described him as the "Grand Old Man of the Negro Stage". Despite his beginnings in minstrelsy, he was vocal about liberating himself from the minstrel profession, and was the only composer of spirituals of his time to present them consistently within the context of jubilee concerts. Early career Lucas was born Samuel Mildmay Lucas (or Samuel Lucas Milady) in Washington Court House, Ohio to free black parents. He sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jubilee Singers
The Fisk Jubilee Singers are an African-American ''a cappella'' ensemble, consisting of students at Fisk University. The first group was organized in 1871 to tour and raise funds for college. Their early repertoire consisted mostly of traditional spirituals, but included some songs by Stephen Foster. The original group toured along the Underground Railroad path in the United States, as well as performing in England and Europe. Later 19th-century groups also toured in Europe. In 2002 the Library of Congress honored their 1909 recording of "Swing Low, Sweet Chariot" by adding it in the United States National Recording Registry. In 2008 they were awarded a National Medal of Arts. History The singers were organized as a fundraising effort for Fisk University. The historically black college in Nashville, Tennessee, was founded by the American Missionary Association and local supporters after the end of the American Civil War to educate freedmen and other young African Americans. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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