Orfeo (Rossi)
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Orfeo (Rossi)
''Orfeo'' (''Orpheus'') is an opera in three acts, a prologue and an epilogue by the Italian composer Luigi Rossi. The libretto, by Francesco Buti, is based on the myth of Orpheus and Eurydice. ''Orfeo'' premiered at the Théâtre du Palais-Royal in Paris on 2 March 1647. It was one of the earliest operas to be staged in France. Background and performance history Rossi had already written one opera, ''Il palazzo incantato'', for Rome. This aroused the interest of the French first minister, the Italian-born Cardinal Mazarin, who was eager to bring Italian culture to Paris and hired Rossi in 1646 to write an opera for the Paris carnival the following year. During his stay in France, Rossi learnt that his wife, Costanza, had died and the grief he felt influenced the music he was writing. The premiere was given a magnificent staging with the sets and stage machinery designed by Giacomo Torelli. Over 200 men were employed to work on the scenery. The choreography was by Giovan Battista B ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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La Scala
La Scala (, , ; abbreviation in Italian of the official name ) is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the ' (New Royal-Ducal Theatre alla Scala). The premiere performance was Antonio Salieri's ''Europa riconosciuta''. Most of Italy's greatest operatic artists, and many of the finest singers from around the world, have appeared at La Scala. The theatre is regarded as one of the leading opera and ballet theatres globally. It is home to the La Scala Theatre Chorus, La Scala Theatre Ballet, La Scala Theatre Orchestra, and the Filarmonica della Scala orchestra. The theatre also has an associate school, known as the La Scala Theatre Academy ( it, Accademia Teatro alla Scala, links=no), which offers professional training in music, dance, stagecraft, and stage management. Overview La Scala's season opens on 7 December, Saint Ambrose's Day, the feast day of Milan's patron saint. All performances must end befor ...
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Jacopo Melani
Jacopo Melani (6 July 1623 – 18 August 1676) was an Italian composer and violinist of the Baroque era. He was born and died in Pistoia, and was the brother of composer Alessandro Melani and singer Atto Melani. Works *1655-6: Intermedi (with ''La donna più costante''), Florence, Cocomero *1657: '' Il potestà di Colognole'' (''La Tancia'') (libretto G. A. Moniglia), dramma civile rusticale, Florence, Teatro della Pergola *1657: ''Scipione in Cartagine'' (libretto Moniglia?), dramma musicale, Florence, Cocomero *1658: ''Il pazzo per forza'' (libretto G. A. Moniglia), dramma civile rusticale, Florence, Teatro della Pergola *1659: ''Il vecchio balordo'' (''Il vecchio burlato'') (libretto Moniglia), dramma civile, Florence, Teatro della Pergola *1661: ''Ercole in Tebe'' (libretto G. A. Moniglia), festa teatrale The term ''festa teatrale'' (Italian: , plural: ''feste teatrali'' ) refers to a genre of drama, and of opera in particular. The genre cannot be rigidly defined, and in ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Jupiter (god)
Jupiter ( la, Iūpiter or , from Proto-Italic "day, sky" + "father", thus " sky father" Greek: Δίας or Ζεύς), also known as Jove (gen. ''Iovis'' ), is the god of the sky and thunder, and king of the gods in ancient Roman religion and mythology. Jupiter was the chief deity of Roman state religion throughout the Republican and Imperial eras, until Christianity became the dominant religion of the Empire. In Roman mythology, he negotiates with Numa Pompilius, the second king of Rome, to establish principles of Roman religion such as offering, or sacrifice. Jupiter is usually thought to have originated as a sky god. His identifying implement is the thunderbolt and his primary sacred animal is the eagle, which held precedence over other birds in the taking of auspices and became one of the most common symbols of the Roman army (see Aquila). The two emblems were often combined to represent the god in the form of an eagle holding in its claws a thunderbolt, frequently se ...
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Marc'Antonio Pasqualini
200px, ''Marcantonio Pasqualini Crowned by Apollo'' (1641) by Andrea Sacchi. Marco Antonio Pasqualini (stage name Malagigi; 25 April 1614 – 2 July 1691) was an Italian castrato opera singer who performed during the Baroque period. He has been described as "the leading male soprano of his day". Pasqualini joined the choir of the Sistine Chapel in 1630. He was also a composer, having written more than 250 arias and cantatas. Despite being historically addressed as a soprano, Pasqualini's vocal range extended no higher than B5. Thus, he was a mezzo-soprano by modern classification. Patrons From 1631/2 Pasqualini was a protagonist of many operas produced at the Palazzo Barberini and Teatro delle Quattro Fontane. He benefited greatly from the generosity of his patrons, the Barberini family of Pope Urban VIII, who were enthusiastic supporters of early opera. Pasqualini is thought to have conducted an ongoing homosexual relationship with one of his patrons, Cardinal Antonio Barb ...
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Aristaeus
A minor god in Greek mythology, attested mainly by Athenian writers, Aristaeus (; ''Aristaios'' (Aristaîos); lit. “Most Excellent, Most Useful”), was the culture hero credited with the discovery of many useful arts, including bee-keeping; he was the son of the huntress Cyrene and Apollo. ''Aristeus'' ("the best") was a cult title in many places: Boeotia, Arcadia, Ceos, Sicily, Sardinia, Thessaly, and Macedonia; consequently a set of "travels" was imposed, connecting his epiphanies in order to account for these widespread manifestations. If Aristaeus was a minor figure at Athens, he was more prominent in Boeotia, where he was "the pastoral Apollo", and was linked to the founding myth of Thebes by marriage with Autonoë, daughter of Cadmus, the founder. Aristaeus may appear as a winged youth in painted Boeotian pottery, similar to representations of the Boreads, spirits of the North Wind. Besides Actaeon and Macris, he also was said to have fathered Charmus and Calli ...
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Atto Melani
Atto Melani (30 March 1626, in Pistoia – 4 January 1714, in Paris) was a famous Italian castrato opera singer, also employed as a diplomat and a spy. Life Melani was born in Pistoia, the third of seven sons of a local bell-ringer. He was castrated at a young age so that he could become a singer. Three other brothers also became castrati, along with two cousins. His brothers Alessandro Melani and Jacopo Melani both became celebrated composers. He soon attracted the patronage of nobleman Mattias de' Medici. Roger Freitas argues that the "circumstantial evidence is convincing" that Melani has an affair with Duke Carlo II of Mantua: Melani indicated that "both men had sex with the same (unidentified) page at the court of Innsbruck".Roger Freitas, "The Eroticism of Emasculation: Confronting the Baroque Body of the Castrato" in ''The Journal of Musicology'', Vol. 20, No. 2. (Spring, 2003), pp. 196-249. Atto first sang between 1636 and 1643 in the choir of the Cathedral of Pistoia. ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Castrato
A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to an endocrinological condition, never reaches sexual maturity. Castration before puberty (or in its early stages) prevents the larynx from being transformed by the normal physiological events of puberty. As a result, the vocal range of prepubescence (shared by both sexes) is largely retained, and the voice develops into adulthood in a unique way. Prepubescent castration for this purpose diminished greatly in the late 18th century. Methods of castration used to terminate on the onset of puberty varied. Methods involved using opium to medically induce a coma, then submerging the boy into an ice or milk bath where the procedure of either severing the vas deferens (similar to a vasectomy), twisting the testicles until they atrophied, or comp ...
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Anthony Tommasini
Anthony Carl Tommasini (born April 14, 1948) is an American music critic and author who specializes in classical music. Described as "a discerning critic, whose taste, knowledge and judgment have made him a must-read", Tommasini was the chief classical music critic for ''The New York Times'' from 2000 to 2021. Also a pianist, he has released two CDS and two books on the music of his colleague and mentor, the composer and critic Virgil Thomson. A classical music enthusiast since his youth, Tommasini attended both Yale University and Boston University to study piano, and then taught music at Emerson College. In 1986 he left academia to write music criticism for ''The Boston Globe''. Tommasini joined the ''Times'' in 1996 and became their chief classical music critic in 2000 for over two decades. He traveled to cover important premieres of contemporary classical music, encouraged diversity in both classical repertoire and ensembles, and wrote books covering influential operas and ...
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Juilliard School
The Juilliard School ( ) is a private performing arts conservatory in New York City. Established in 1905, the school trains about 850 undergraduate and graduate students in dance, drama, and music. It is widely regarded as one of the most elite drama, music, and dance schools in the world. History Early years: 1905-1946 In 1905, the Institute of Musical Art, Juilliard's predecessor institution, was founded by Frank Damrosch, the godson of Franz Liszt and head of music education for New York City's public schools, on the premise that the United States did not have a premier music school and too many students were going to Europe to study music. In 1919, a wealthy textile merchant named Augustus Juilliard died and left the school in his will the largest single bequest for the advancement of music at that time. In 1968, the school's name was changed from the Juilliard School of Music to The Juilliard School to reflect its broadened mission to educate musicians, directors, ...
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