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Orcus (mythology)
Orcus ( la, Orcus) was a god of the underworld, punisher of broken oaths in Etruscan and Roman mythology. As with Hades, the name of the god was also used for the underworld itself. In the later tradition, he was conflated with Dis Pater. A temple to Orcus may once have existed on the Palatine Hill in Rome. It is likely that he was transliterated from the Greek daemon Horkos, the personification of oaths and a son of Eris. Origins The origins of Orcus may have lain in Etruscan religion. The so-called “ Tomb of Orcus”, an Etruscan site at Tarquinia, is a misnomer, resulting from its first discoverers mistaking a hairy, bearded giant for Orcus; it actually depicts a Cyclops. The Romans sometimes conflated Orcus with other gods such as Pluto, Hades, and Dis Pater, all gods of the underworld. The name “Orcus” seems to have been given to the malicious and punishing side of the ruler of the underworld, as the god who tormented evildoers in their afterlife. Like t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Di Selecti
Di or DI may refer to: Arts and media Music * Di, a tone in the solfège ascending chromatic scale existing between Do and Re * dizi (instrument) or di, a Chinese transverse flute * ''D.I.'' (band), a punk band from Southern California ** ''D.I.'' (EP), a 1983 EP by the same band above Other media * ''The D.I.'', 1957 military film by Jack Webb * '' Dagens Industri'', a Swedish financial newspaper * DI.FM, an internet radio service Businesses and organisations * Defence Intelligence, a UK military intelligence agency * Defensa Interior, an anti-Franco militant anarchist group in 1960s Spain * Deseret Industries, an LDS thrift store * Desert Inn, a former casino in Las Vegas * Direction Italy, a liberal-conservative political party in Italy * Dirgantara Indonesia, an Indonesian aircraft company * Discovery Institute, an intelligent design advocacy group * Norwegian Air UK, a UK based airline (IATA designator) * DynCorp International, a major United States defense contracto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etruscan Religion
Etruscan religion comprises a set of stories, beliefs, and religious practices of the Etruscan civilization, heavily influenced by the mythology of ancient Greece, and sharing similarities with concurrent Roman mythology and religion. As the Etruscan civilization was gradually assimilated into the Roman Republic from the 4th century BC, the Etruscan religion and mythology were partially incorporated into ancient Roman culture, following the Roman tendency to absorb some of the local gods and customs of conquered lands. The first attestations of an Etruscan religion can be traced back to the Villanovan culture. History Greek influence Greek traders brought their religion and hero figures with them to the coastal areas of the central Mediterranean. Odysseus, Menelaus and Diomedes from the Homeric tradition were recast in tales of the distant past that had them roaming the lands West of Greece. In Greek tradition, Heracles wandered these western areas, doing away with monste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odyssey
The ''Odyssey'' (; grc, Ὀδύσσεια, Odýsseia, ) is one of two major ancient Greek epic poems attributed to Homer. It is one of the oldest extant works of literature still widely read by modern audiences. As with the ''Iliad'', the poem is divided into 24 books. It follows the Greek hero Odysseus, king of Ithaca, and his journey home after the Trojan War. After the war, which lasted ten years, his journey lasted for ten additional years, during which time he encountered many perils and all his crew mates were killed. In his absence, Odysseus was assumed dead, and his wife Penelope and son Telemachus had to contend with a group of unruly suitors who were competing for Penelope's hand in marriage. The ''Odyssey'' was originally composed in Homeric Greek in around the 8th or 7th century BCE and, by the mid-6th century BCE, had become part of the Greek literary canon. In antiquity, Homer's authorship of the poem was not questioned, but contemporary scholarship ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orlando Furioso
''Orlando furioso'' (; ''The Frenzy of Orlando'', more loosely ''Raging Roland'') is an Italian epic poem by Ludovico Ariosto which has exerted a wide influence on later culture. The earliest version appeared in 1516, although the poem was not published in its complete form until 1532. ''Orlando furioso'' is a continuation of Matteo Maria Boiardo's unfinished romance ''Orlando innamorato'' (''Orlando in Love'', published posthumously in 1495). In its historical setting and characters, it shares some features with the Old French '' Chanson de Roland'' of the eleventh century, which tells of the death of Roland. The story is also a chivalric romance which stemmed from a tradition beginning in the late Middle Ages and continuing in popularity in the 16th century and well into the 17th. Orlando is the Christian knight known in French (and subsequently English) as Roland. The story takes place against the background of the war between Charlemagne's Christian paladins and the Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludovico Ariosto
Ludovico Ariosto (; 8 September 1474 – 6 July 1533) was an Italian poet. He is best known as the author of the romance epic ''Orlando Furioso'' (1516). The poem, a continuation of Matteo Maria Boiardo's ''Orlando Innamorato'', describes the adventures of Charlemagne, Orlando, and the Franks as they battle against the Saracens with diversions into many sideplots. The poem is transformed into a satire of the chivalric tradition. Ariosto composed the poem in the ottava rima rhyme scheme and introduced narrative commentary throughout the work. Ariosto also coined the term "humanism" (in Italian, ''umanesimo'') for choosing to focus upon the strengths and potential of humanity, rather than only upon its role as subordinate to God. This led to Renaissance humanism. Birth and early life Ariosto was born in Reggio nell'Emilia, where his father Niccolò Ariosto was commander of the citadel. He was the oldest of 10 children and was seen as the successor to the patriarchal position ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ogre
An ogre (feminine: ogress) is a legendary monster depicted as a large, hideous, man-like being that eats ordinary human beings, especially infants and children. Ogres frequently feature in mythology, folklore, and fiction throughout the world. They appear in many classic works of literature, and are most often associated in fairy tales and legend with a taste for infants. In mythology, ogres are often depicted as inhumanly large, tall, and having a disproportionately large head, abundant hair, unusually colored skin, a voracious appetite, and a strong body. Ogres are closely linked with giants and with human cannibals in mythology. In both folklore and fiction, giants are often given ogrish traits (such as the giants in "Jack and the Beanstalk" and "Jack the Giant Killer", the Giant Despair in ''The Pilgrim's Progress'', and the Jötunn of Norse mythology); while ogres may be given giant-like traits. Famous examples of ogres in folklore include the ogre in " Puss in Boots" an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Perrault
Charles Perrault ( , also , ; 12 January 1628 – 16 May 1703) was an iconic French author and member of the Académie Française. He laid the foundations for a new literary genre, the fairy tale, with his works derived from earlier folk tales, published in his 1697 book '' Histoires ou contes du temps passé'' (''Stories or Tales from Past Times''). The best known of his tales include ''Le Petit Chaperon Rouge'' ("Little Red Riding Hood"), ''Cendrillon'' (" Cinderella"), ''Le Maître chat ou le Chat botté'' (" Puss in Boots"), ''La Belle au bois dormant'' (" Sleeping Beauty"), and ''Barbe Bleue'' (" Bluebeard"). Some of Perrault's versions of old stories influenced the German versions published by the Brothers Grimm more than 100 years later. The stories continue to be printed and have been adapted to most entertainment formats. Perrault was an influential figure in the 17th-century French literary scene, and was the leader of the Modern faction during the Quarrel of the An ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Master Of The Aeneid Legend - The Descent Of Aeneas Into Hell - Walters 44205
Master or masters may refer to: Ranks or titles * Ascended master, a term used in the Theosophical religious tradition to refer to spiritually enlightened beings who in past incarnations were ordinary humans * Grandmaster (chess), National Master, International Master, FIDE Master, Candidate Master, all ranks of chess player *Grandmaster (martial arts) or Master, an honorary title * Grand master (order), a title denoting the head of an order or knighthood *Grand Master (Freemasonry), the head of a Grand Lodge and the highest rank of a Masonic organization *Maestro, an orchestral conductor, or the master within some other musical discipline *Master, a title of Jesus in the New Testament *Master or shipmaster, the sea captain of a merchant vessel * Master (college), head of a college * Master (form of address), an English honorific for boys and young men *Master (judiciary), a judicial official in the courts of common law jurisdictions *Master mariner, a licensed mariner who is qu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wild Man
The wild man, wild man of the woods, or woodwose/wodewose is a mythical figure that appears in the art and literature of medieval Europe, comparable to the satyr or faun type in classical mythology and to '' Silvanus'', the Roman god of the woodlands. The defining characteristic of the figure is its "wildness"; from the 12th century, they were consistently depicted as being covered with hair. Images of wild men appear in the carved and painted roof bosses where intersecting ogee vaults meet in Canterbury Cathedral, in positions where one is also likely to encounter the vegetal Green Man. The image of the wild man survived to appear as supporter for heraldic coats-of-arms, especially in Germany, well into the 16th century. Renaissance engravers in Germany and Italy were particularly fond of wild men, wild women, and wild families, with examples from Martin Schongauer (died 1491) and Albrecht Dürer (1471–1528) among others. Terminology The normal Middle English term, also use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle Ages
In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralized authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the Middle East—most recently part of the Ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Underworld
The underworld, also known as the netherworld or hell, is the supernatural world of the dead in various religious traditions and myths, located below the world of the living. Chthonic is the technical adjective for things of the underworld. The concept of an underworld is found in almost every civilization and "may be as old as humanity itself". Common features of underworld myths are accounts of living people making journeys to the underworld, often for some heroic purpose. Other myths reinforce traditions that entrance of souls to the underworld requires a proper observation of ceremony, such as the ancient Greek story of the recently dead Patroclus haunting Achilles until his body could be properly buried for this purpose. Persons having social status were dressed and equipped in order to better navigate the underworld. A number of mythologies incorporate the concept of the soul of the deceased making its own journey to the underworld, with the dead needing to be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyclopes
In Greek mythology and later Roman mythology, the Cyclopes ( ; el, Κύκλωπες, ''Kýklōpes'', "Circle-eyes" or "Round-eyes"; singular Cyclops ; , ''Kýklōps'') are giant one-eyed creatures. Three groups of Cyclopes can be distinguished. In Hesiod's ''Theogony'', the Cyclopes are the three brothers Brontes, Steropes, and Arges, who made for Zeus his weapon the thunderbolt. In Homer's ''Odyssey'', they are an uncivilized group of shepherds, the brethren of Polyphemus encountered by Odysseus. Cyclopes were also famous as the builders of the Cyclopean walls of Mycenae and Tiryns. In ''Cyclops'', the fifth-century BC play by Euripides, a chorus of satyrs offers comic relief based on the encounter of Odysseus and Polyphemus. The third-century BC poet Callimachus makes the Hesiodic Cyclopes the assistants of smith-god Hephaestus; as does Virgil in the Latin epic ''Aeneid'', where he seems to equate the Hesiodic and Homeric Cyclopes. From at least the fifth century BC, Cy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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