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Orchestre Symphonique De Mulhouse
The Orchestre symphonique de Mulhouse is a French symphonic orchestra based in Mulhouse, in the Alsace region. Its principal venue is ''La Filature''. History The Orchestre symphonique de Mulhouse has its origins in the small municipal orchestra founded in 1867 in the Alsatian city of Mulhouse. In 1972, it became the ''Orchestre régional de Mulhouse''. In 1979, the orchestra took the name of the ''Orchestre symphonique du Rhin and, finally, the Orchestre symphonique de Mulhouse. The orchestra divides its duties between its symphonic season at ''La Filature'' and opera performances at the Opéra national du Rhin (whose services it shares with the Orchestre philharmonique de Strasbourg). The orchestra's most recent music director was Jacques Lacombe, from 2018 to 2021. In June 2022, Christoph Koncz first guest-conducted the orchestra. In September 2022, the orchestra announced the appointment of Koncz as its next music director, effective September 2023, with an initial contr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonic Orchestra
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gioacchino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. Durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony Orchestras
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, cello, and double bass * woodwinds, such as the flute, oboe, clarinet, saxophone, and bassoon * Brass instruments, such as the horn, trumpet, trombone, cornet, and tuba * percussion instruments, such as the timpani, snare drum, bass drum, cymbals, triangle, tambourine, and mallet percussion instruments Other instruments such as the piano, harpsichord, and celesta may sometimes appear in a fifth keyboard section or may stand alone as soloist instruments, as may the concert harp and, for performances of some modern compositions, electronic instruments and guitars. A full-size Western orchestra may sometimes be called a or philharmonic orchestra (from Greek ''phil-'', "loving", and "harmony"). The actual number of musicians employed in a giv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Orchestras
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * French ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José Van Dam
Joseph, Baron Van Damme (born 27 August 1940 in Brussels), known as José van Dam, is a Belgian bass-baritone. At the age of 17, he entered the Brussels Royal Conservatory and studied with Frederic Anspach. A year later, he graduated with diplomas and first prizes in voice and opera performance. He made his opera début as the music teacher Don Basilio in Gioacchino Rossini’s ''Il Barbiere di Siviglia'' at the Paris Opera in 1961, and remained in the company until 1965, when he sang his first major role, Escamillo from Bizet's ''Carmen''. He then sang for two seasons at Geneva, La Scala, Covent Garden, and in Paris. At Geneva, Van Dam sang in the première of Milhaud's ''La mère coupable'' in 1966. Lorin Maazel heard van Dam and invited him to record Ravel’s ''L’heure espagnole'' with him for Deutsche Grammophon. In 1967, Maazel asked him to join the Deutsche Oper in Berlin. Van Dam has performed at L’Opéra de Paris, Covent Garden, the Metropolitan Opera, Teatro alla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Temps Des Cerises
''Le Temps des cerises'' (, ''The Time of Cherries'') is a song written in France in 1866, with words by Jean-Baptiste Clément and music by Antoine Renard, extremely famous in French-speaking countries. The song was later strongly associated with the Paris Commune, during which verses were added to the song, thus becoming a revolutionary song. The "Time of Cherries" is a metaphor regarding what life will be like when a revolution will have changed social and economic conditions. It is believed to be dedicated by the writer to a nurse who fought in the ''Semaine Sanglante'' ("Bloody Week") when French government troops overthrew the commune. For its hourly chime, the clock of the town hall in the Parisian suburb of Saint-Denis alternates between two different tunes, " Le roi Dagobert a mis sa culotte à l'envers" and "Le temps des cerises". This song inspired the Communist Party of Bohemia and Moravia to adopt two cherries as part of their logo and the French Communist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Riccarda Wesseling
Maria Riccarda Wesseling is a Swiss-Dutch operatic mezzo-soprano who has appeared in lead roles at international opera houses and festivals. She created the title role in Henze's last opera, ''Phaedra'', at the Staatsoper Berlin, repeated at La Monnaie in Brussels and in the Barbican Centre. Career Born Maria Riccarda Schmid in Wattwil, she studied with Hedwig Vonlanthen in Solothurn, with Elisabeth Glauser at the Musikhochschule Bern, and with at the Sweelinck Conservatory in Amsterdam. She appeared as Rossinis ''La Cenerentola'' on a tour with the Orchestre National de Lille. She was a regular guest at the Stadttheater Bern, where she performed roles such as Kassandra in Aribert Reimann's ''Troades'', Fenena in Verdi's ''Nabucco'', Enrichetta in Bellini's ''I puritani'', Olga in ''Tri Sestri'' by Péter Eötvös, Idamante in Mozart's ''Idomeneo'', Cesare in Handel's ''Giulio Cesare'', and the title role in Bizet's ''Carmen''. She sang leading roles by Handel also at festiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Bizet
Georges Bizet (; 25 October 18383 June 1875) was a French composer of the Romantic music, Romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, ''Carmen'', which has become one of the most popular and frequently performed works in the entire opera repertoire. During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camille Saint-Saëns
Charles-Camille Saint-Saëns (; 9 October 183516 December 1921) was a French composer, organist, conductor and pianist of the Romantic music, Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Piano Concerto No. 2 (Saint-Saëns), Second Piano Concerto (1868), the Cello Concerto No. 1 (Saint-Saëns), First Cello Concerto (1872), ''Danse macabre (Saint-Saëns), Danse macabre'' (1874), the opera ''Samson and Delilah (opera), Samson and Delilah'' (1877), the Violin Concerto No. 3 (Saint-Saëns), Third Violin Concerto (1880), the Symphony No. 3 (Saint-Saëns), Third ("Organ") Symphony (1886) and ''The Carnival of the Animals'' (1886). Saint-Saëns was a musical prodigy; he made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, Paris, La Madeleine, the official church of the Second French Empire, Fren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruggero Leoncavallo
Ruggero (or Ruggiero) Leoncavallo ( , , ; 23 April 18579 August 1919) was an Italian opera composer and librettist. Although he produced numerous operas and other songs throughout his career it is his opera '' Pagliacci'' (1892) that remained his lasting contribution, despite attempts to escape the shadow of his greatest success. Today he remains largely known for ''Pagliacci'', one of the most popular and frequently performed works in the opera repertory. His other compositions include the song "Mattinata", popularized by Enrico Caruso, and the symphonic poem ''La Nuit de mai''. Biography The son of Vincenzo Leoncavallo, a police magistrate and judge, Leoncavallo was born in Naples on 23 April 1857. As a child, Leoncavallo moved with his father to the town of Montalto Uffugo in Calabria, where he lived during his adolescence. He later returned to Naples and was educated at the city's San Pietro a Majella Conservatory and later the University of Bologna studying literature ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amilcare Ponchielli
Amilcare Ponchielli (, ; 31 August 1834 – 16 January 1886) was an Italian opera composer, best known for his opera ''La Gioconda''. He was married to the soprano Teresina Brambilla. Life and work Born in Paderno Fasolaro (now Paderno Ponchielli) near Cremona, then Kingdom of Lombardy–Venetia, Ponchielli won a scholarship at the age of nine to study music at the Milan Conservatory, writing his first symphony by the time he was ten years old. In 1856 he wrote his first opera—it was based on Alessandro Manzoni's great novel '' The Betrothed'' (''I promessi sposi'')—and it was as an opera composer that he eventually found fame. His early career was disappointing. Maneuvered out of a professorship at the Milan Conservatory that he had won in a competition, he took small-time jobs in small cities, and composed several operas, none successful at first. In spite of his disappointment, he gained much experience as the bandmaster (''capobanda'') in Piacenza and Cremona, arrangin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Trekel
Roman Trekel (born Pirna near Dresden in 1963) is a German operatic baritone and Lied-singer. He was awarded the title of Kammersänger Kammersänger (male) or Kammersängerin (female), abbreviated Ks. or KS, is a German honorific title for distinguished singers of opera and classical music. It literally means "chamber singer". Historically, the title was bestowed by princes or ... in 2000. References German operatic baritones 1963 births Living people Academic staff of the Hochschule für Musik Hanns Eisler Berlin Oehms Classics artists Echo (music award) winners {{Germany-singer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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