Orchestre Poly-Rythmo De Cotonou
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Orchestre Poly-Rythmo De Cotonou
Orchestre Poly-Rythmo de Cotonou (sometimes prefaced with T.P. or Tout Puissant, French for "All Powerful") is a band from Cotonou, Benin, originally active from the 1960s to the 1980s and founded by singer-guitarist Mélomé Clément. They reformed in 2009 to international recognition. Their work has mixed styles such as funk, afrobeat, psychedelia, jazz and local voodoo influences. ''The Guardian'' called them "one of West Africa's best dance bands." Biography Orchestre Poly-Rythmo de Cotonou was first formed by bandleader Mélomé Clément in 1968 under the name "Orchestre Poly-Disco" in the coastal town of Cotonou, Benin. Their debut album was originally released in 1973. From the late 1960s through the early 1980s, the group recorded around 500 songs in a variety of musical styles for various Beninese record labels, making them among the most prolific groups of the 20th century. The 1982 deaths of guitarist Papillon and drummer Yehouessi Léopold hobbled the group, and by the ...
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Benin
Benin ( , ; french: Bénin , ff, Benen), officially the Republic of Benin (french: République du Bénin), and formerly Dahomey, is a country in West Africa. It is bordered by Togo to the west, Nigeria to the east, Burkina Faso to the north-west, and Niger to the north-east. The majority of its population lives on the southern coastline of the Bight of Benin, part of the Gulf of Guinea in the northernmost tropical portion of the Atlantic Ocean. The capital is Porto-Novo, and the seat of government is in Cotonou, the most populous city and economic capital. Benin covers an area of and its population in was estimated to be approximately million. It is a tropical nation, dependent on agriculture, and is an exporter of palm oil and cotton. Some employment and income arise from subsistence farming. The official language of Benin is French, with indigenous languages such as Fon, Bariba, Yoruba and Dendi also spoken. The largest religious group in Benin is Sunni Islam (27 ...
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Afro-Cuban Jazz
Afro-Cuban jazz is the earliest form of Latin jazz. It mixes Afro-Cuban clave-based rhythms with jazz harmonies and techniques of improvisation. Afro-Cuban music has deep roots in African ritual and rhythm.{{cite web, Cuba: Son and Afro-Cuban Music, https://worldmusic.net/blogs/guide-to-world-music/cuba-son-and-afro-cuban-music Afro-Cuban jazz emerged in the early 1940s with the Cuban musicians Mario Bauzá and Frank Grillo "Machito" in the band Machito and his Afro-Cubans in New York City. In 1947, the collaborations of bebop trumpeter Dizzy Gillespie and percussionist Chano Pozo brought Afro-Cuban rhythms and instruments, such as the tumbadora and the bongo, into the East Coast jazz scene. Early combinations of jazz with Cuban music, such as " Manteca" and "Mangó Mangüé", were commonly referred to as "Cubop" for Cuban bebop.{{cite book , last=Fernandez , first=Raul A. , title=From Afro-Cuban Rhythms to Latin Jazz , url=https://books.google.com/books?id=6WO7YevK_18C&pg=PA6 ...
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Rumba
The term rumba may refer to a variety of unrelated music styles. Originally, "rumba" was used as a synonym for "party" in northern Cuba, and by the late 19th century it was used to denote the complex of secular music styles known as Cuban rumba. Since the early 20th century the term has been used in different countries to refer to distinct styles of music and dance, most of which are only tangentially related to the original Cuban rumba, if at all. The vague etymological origin of the term rumba, as well as its interchangeable use with guaracha in settings such as bufo theatre, is largely responsible for such worldwide polysemy of the term. In addition, "rumba" was the primary marketing term for Cuban music in North America, as well as West and Central Africa, during much of the 20th century, before the rise of mambo, pachanga and salsa. "Rumba" entered the English lexicon in the early 20th century, at least as early as 1919, and by 1932 it was used a verb to denote the ballro ...
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Pitchfork (website)
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog. Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. It has since expanded and covers all kinds of music, including pop. Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-chief until he left the website in 2019. Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One World Trade Center alongside other Condé Nast publications. The site is best known for its daily output of music reviews but also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously review ...
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Psychedelic Funk
Psychedelic funk (also called P-funk or funkadelia, and sometimes conflated with psychedelic soul) is a music genre that combines funk music with elements of psychedelic rock. It was pioneered in the late 1960s and early 1970s by American acts like Sly and the Family Stone, Jimi Hendrix, and the Parliament-Funkadelic collective. It would influence subsequent styles including '70s jazz fusion and the '90s West Coast hip hop style G-funk. History Origins: Late 1960s Inspired by Jimi Hendrix and the culture of psychedelia, black funk group Sly and the Family Stone borrowed techniques from psychedelic rock music, including wah pedals, fuzz boxes, echo chambers, and vocal distorters, on albums such as '' Dance to the Music'' (1968) and ''Stand'' (1969). The sound would also be reflected in the late 1960s output of iconic Detroit label Motown. Producer Norman Whitfield drew on this sound for popular Motown recordings such as The Temptations' " Cloud Nine" and Marvin Gaye's "I Heard It ...
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African American Diaspora
The African-American diaspora refers to communities of people outside of the United States who are descended from people of African descent who were enslaved in the United States or its preceding European colonies along the east coast of North America. West Africa Sierra Leone Many freed slaves were discontent with where they were resettled in Canada after the Revolutionary War and were eager to return to their homeland. Beginning in 1787, the British government made their first attempt to settle people in Sierra Leone. About 300 Black Britons, known as the ''Black Poor'' of London, were settled on the Sierra Leonean peninsula in West Africa. Within two years, most members of the settlement would die from disease or conflict with the local Temne people. In 1792, a second attempt at settlement was made when 1,100 freed slaves established Freetown with support from British abolitionist Thomas Clarkson. Their numbers were further bolstered when over 500 Jamaican Maroons were t ...
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Latin America
Latin America or * french: Amérique Latine, link=no * ht, Amerik Latin, link=no * pt, América Latina, link=no, name=a, sometimes referred to as LatAm is a large cultural region in the Americas where Romance languages — languages derived from Latin — are predominantly spoken. The term was coined in the nineteenth century, to refer to regions in the Americas that were ruled by the Spanish, Portuguese and French empires. The term does not have a precise definition, but it is "commonly used to describe South America, Central America, Mexico, and the islands of the Caribbean." In a narrow sense, it refers to Spanish America plus Brazil (Portuguese America). The term "Latin America" is broader than categories such as ''Hispanic America'', which specifically refers to Spanish-speaking countries; and ''Ibero-America'', which specifically refers to both Spanish and Portuguese-speaking countries while leaving French and British excolonies aside. The term ''Latin America'' was f ...
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Dahomey
The Kingdom of Dahomey () was a West African kingdom located within present-day Benin that existed from approximately 1600 until 1904. Dahomey developed on the Abomey Plateau amongst the Fon people in the early 17th century and became a regional power in the 18th century by expanding south to conquer key cities like Whydah belonging to the Kingdom of Whydah on the Atlantic coast which granted it unhindered access to the tricontinental triangular trade. For much of the middle 19th century, the Kingdom of Dahomey became a key regional state, after eventually ending tributary status to the Oyo Empire. European visitors extensively documented the kingdom, and it became one of the most familiar African nations to Europeans. The Kingdom of Dahomey was an important regional power that had an organized domestic economy built on conquest and slave labor, significant international trade and diplomatic relations with Europeans, a centralized administration, taxation systems, and an organ ...
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Fela Kuti
Fela Aníkúlápó Kuti (born Olufela Olusegun Oludotun Ransome-Kuti; 15 October 1938 – 2 August 1997), also known as Abami Eda, was a Nigerian musician, bandleader, composer, political activist, and Pan-Africanist. He is regarded as the pioneer of Afrobeat, a Nigerian music genre that combines West African music with American funk and jazz. At the height of his popularity, he was referred to as one of Africa's most "challenging and charismatic music performers". AllMusic described him as a musical and sociopolitical voice of international significance. Kuti was the son of Nigerian women's rights activist Funmilayo Ransome-Kuti. After early experiences abroad, he and his band Africa 70 (featuring drummer and musical director Tony Allen) shot to stardom in Nigeria during the 1970s, during which he was an outspoken critic and target of Nigeria's military juntas. In 1970, he founded the Kalakuta Republic commune, which declared itself independent from military rule. Th ...
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Afro-beat
Afrobeat is a Nigerian music genre that involves the combination of West African musical styles (such as traditional Yoruba music and highlife) and American funk, jazz, and soul influences, with a focus on chanted vocals, complex intersecting rhythms, and percussion.Grass, Randall F. "Fela AnikulaThe Art of an Afrobeat Rebel". ''The Drama Review: TDR''. MIT Press. 30: 131–148. The style was pioneered in the 1960s by Nigerian multi-instrumentalist and bandleader Fela Kuti, who is responsible for popularizing the style both within and outside Nigeria. Distinct from Afrobeat is Afrobeats – a sound originating in West Africa in the 21st century, one that takes in diverse influences and is an eclectic combination of genres such as hip hop, house, jùjú, ndombolo, R&B and soca. The two genres, though often conflated, are not the same. History Afrobeat was developed in Nigeria in the late 1960s by Fela Kuti who, with drummer Tony Allen, experimented with different contempo ...
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