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Opéra De Nice
The Opéra de Nice is the principal opera venue in Nice, France, which houses the Ballet Nice Méditerrannée and the Nice Philharmonic Orchestra. It offers three types of performances: operas, ballets and classical music concerts. History The “petit théâtre en bois” (wooden theatre) was first created in 1776 by Marquess Alli-Maccarani. Sold in 1787 to a group of gentry,Pâris, Alain. Opéra de Nice. In: ''Dictionnaire des interprètes''. Éditions Robert Laffont, Paris, 1995, p1152-53. it reopened in 1790 under the name “Théâtre Royal”. In 1826, the city of Nice, encouraged by King Charles Félix, bought it from its owners and had it demolished and rebuilt. It was inaugurated in 1828 with Giovanni Pacini's ''Il Barone di Bolsheim''. In 1856, a great ball was organized in the honour of King Victor Emmanuel II. In 1860, Napoleon III was invited to attend an evening at the Théâtre Royal. For this special occasion, Johann Strauss led the orchestra. The same year, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra De Nice IMG 1254
This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public. Often specific genres of opera were commissioned by theatres or patrons (in which case the form of the work might deviate more or less from the genre norm, depending on the inclination of the composer). Opera genres are not exclusive. Some operas are regarded as belonging to several. Definitions Opera genres have been defined in different ways, not always in terms of stylistic rules. Some, like opera seria, refer to traditions identified by later historians,McClymonds, Marita P and Heartz, Daniel: "Opera seria" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie (London, 1992) and others, like Zeitoper, have been defined by their own inventors. Other form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugene Onegin (opera)
''Eugene Onegin'' ( rus, Евгений Онегин, italic=yes, Yevgény Onégin, jɪvˈɡʲenʲɪj ɐˈnʲeɡʲɪn, Ru-Evgeny_Onegin.ogg), Opus number, Op. 24, is an opera ("lyrical scenes") in 3 acts (7 scenes), composed by Pyotr Ilyich Tchaikovsky. The libretto, organised by the composer himself, very closely follows certain passages in Alexander Pushkin's 1825-1832 Eugene Onegin, novel in verse, retaining much of his poetry. Tchaikovsky's friend Konstantin Shilovsky contributed M. Triquet's verses in Act 2, Scene 1, while Tchaikovsky himself arranged the text for Lensky's arioso in Act 1, Scene 1, and almost all of Prince Gremin's aria in Act 3, Scene 1. ''Eugene Onegin'' is a well-known example of lyric opera, to which Tchaikovsky added music of a dramatic nature. The story concerns a selfish hero who lives to regret his blasé rejection of a young woman's love and his careless incitement of a fatal duel with his best friend. The opera was first performed in Moscow in 1879. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra De Monte-Carlo
The Opéra de Monte-Carlo is an opera house which is part of the Monte Carlo Casino located in the Principality of Monaco. With the lack of cultural diversions available in Monaco in the 1870s, Prince Charles III, along with the Société des bains de mer, decided to include a concert hall as part of the casino. The main public entrance to the hall was from the casino, while Charles III's private entrance was on the western side. It opened in 1879 and became known as the Salle Garnier, after the architect Charles Garnier, who designed it. During the renovation of the Salle Garnier in 2004–05, the company presented operas at the ''Salle des Princes'' in the local Grimaldi Forum, a modern conference and performance facility where Les Ballets de Monte Carlo and the Monte-Carlo Philharmonic Orchestra regularly perform. Salle Garnier The architect Charles Garnier also designed the Paris opera house now known as the Palais Garnier. The Salle Garnier is much smaller, seating 524 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Albert Cartier
Jean-Albert Cartier (15 May 1930 – 27 December 2015) was a French art critic and director of cultural institutions. He was director of the Paris Opera from 1989 to 1991. Life Born in Marseille, passionate about the visual arts, Cartier studied at the École du Louvre.. He was an art critic for 15 years at ''Combat''. In 1968, he founded the Ballet-Théâtre contemporain, then successively became director of the Grand Théâtre d'Angers and of the of Angers (1972-1978), director of the Ballet-Théâtre of Nancy (1978-1987). Cartier was also director of the Théâtre musical de Paris (1980-1988), administrator of the Paris Opera (1989-1991), delegate for music programmes at the music directorate at Radio France (1991-1993), general director of the Opéra de Nice (1994-1997), founder of the ''Europa Danse Project'' of Grasse in 1999 and president of the International Dance Institute with the Unesco. In 1987, he was nominated "". [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Dervaux
Pierre Dervaux (born 3 January 1917 in Juvisy-sur-Orge, France; died 20 February 1992 in Marseilles, France) was a French operatic conductor, composer, and pedagogue. At the Conservatoire de Paris, he studied counterpoint and harmony with Marcel Samuel-Rousseau and Jean and Noël Gallon, as well as piano with Isidor Philipp, Armand Ferté, and Yves Nat. He also served as principal conductor of the Opéra-Comique (1947–53), and the Opéra de Paris (1956–72). In this capacity he directed the French première of Poulenc’s ''Dialogues des Carmélites''. He was also Vice-President of the Concerts Pasdeloup (1949–55), President and Chief conductor of the Concerts Colonne (1958–92), Musical Director of the Orchestre des Pays de Loire (1971–79) as well as holding similar posts at the Quebec Symphony Orchestra (1968–75), where he collaborated with concertmaster Hidetaro Suzuki, and the Nice Philharmonic (1979–82). He taught at the École Normale de Musique de Paris (1964 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio De Almeida (conductor)
Antonio de Almeida (20 January 1928 – 18 February 1997) was a French conductor and musicologist of Portuguese-American descent. Born Antonio Jacques de Almeida Santos in Neuilly-sur-Seine near Paris, his father was the financier Baron de Almeida Santos of Lisbon, his mother was the former Barbara Tapper of Highland Park near Chicago. His godfather was pianist Arthur Rubinstein. Early years De Almeida was born in Neuilly-sur-Seine. As a child he studied piano, showing great musical talent (although he admitted he was not an exceptional pianist). In the early 1940s, he taught himself to play the clarinet by listening to recordings of Benny Goodman and Artie Shaw. When his family moved to Buenos Aires he studied with Alberto Ginastera, and he had the opportunity to hear performances conducted by notable European refugees at the Teatro Colón.Wimbush, R. Here and There – Antonio de Almeida. Gramophone, September 1969, p376. He studied nuclear chemistry at the Massachusetts I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Wolff (conductor)
Albert Louis Wolff (19 January 1884 – 20 February 1970) was a French conductor and composer of Dutch descent. Most of his career was spent in European venues, with the exception of two years that he spent as a conductor at the Metropolitan Opera and a few years in Buenos Aires during the Second World War. He is most known for holding the position of principal conductor with the Opéra-Comique in Paris for several years. He was married to the French mezzo-soprano Simone Ballard. Biography Early life and education Wolff was born in Paris, of Dutch parents, though he was a French citizen from birth, never lived in the Netherlands, and never had a Dutch passport. When only 12 years old, he began his musical education at the Paris Conservatoire. There, he studied with such teachers as André Gedalge, Xavier Leroux, and Paul Antonin Vidal. At the same time he played the piano in cabarets and was organist at the Église Saint-Thomas-d'Aquin (Paris) for four years. Upon graduatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexandre Luigini
Alexandre Clément Léon Joseph Luigini (9 March 185029 July 1906) was a French composer and conductor, especially active in the opera house.Charton D. Alexandre Luigini. In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. As a composer, he is now remembered almost solely for his '' Ballet égyptien''. Life and career Luigini was born in Lyon in 1850. His grandparents had moved to Lyon from Modena, Italy, when his grandfather took up the post of trumpeter with the orchestra of the Grand Théâtre. Alexandre Luigini was brought up with music, his father Joseph also playing with, and later conducting, the orchestra of the Grand Théâtre. He was the nephew of César and (another) Alexandre Luigini, both noted instrumentalists.Carré’s funeral oration, quoted in : Stoullig E. ''Les Annales du Théâtre et de la Musique, 32ème édition, 1906.'' G Charpentier et Cie, Paris, 1907, pp109-110. His daughter was the harpist Caroline Luigini, who married t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raoul Gunsbourg
Raoul Samuel Gunsbourg (born January 6, 1860 in Bucharest - died May 31, 1955 in Monte Carlo) was a Jewish-Romania-bornBorn in Bucharest, Gunsbourg is a son of a French father and Romanian mother. His grandfather was a rabbi. opera director, impresario, composer and writer. Gunsbourg is best known for being the longest-serving director of the Opéra de Monte-Carlo, where his career spanned almost six decades. Raoul Gunsbourg acquired his musical education and its comprehensive knowledge in language and literature as a self-taught person. He attended Medical School in Bucharest which he finished in 1875. In 1877-78 he served as a medic in the Russian army during the Russian-Turkish war. In 1881-83 he created and managed the ''Gunsbourg's French Opera Stage'' in Moscow and St. Petersburg. In Moscow Gunsbourg met German composer Richard Wagner. After returning to France, Gunsbourg directed the Grand Théâtre de Lille during the 1888/89 season and the Opéra de Nice in 1889-91. In 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edoardo Sonzogno
Edoardo Sonzogno (21 April 1836 – 14 March 1920) was an Italian publisher. A native of Milan, Sonzogno was the son of a businessman who owned a printing plant and bookstore. When he inherited the business upon his father's death he set about turning it into a publishing house, Casa Sonzogno, which opened in 1874. The company specialized in producing cheap editions of early Italian music, and became celebrated for its one-act opera contest, which began in 1883. Among the participants was Giacomo Puccini with ''Le Villi'' (1883) - who, in fact, did not win so that the opera was taken over by Giulio Ricordi, the competitor of Sonzogno. Pietro Mascagni's ''Cavalleria rusticana'', submitted in 1889 and premiering in 1890, was by far the most famous opera to win the prize. Sonzogno owned and directed the newspaper '' Il Secolo'' from 1861 until 1909. For much of that time, its editor was Ernesto Teodoro Moneta. In 1894 he established a theater, the Lirico Internazionale The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elegy For Young Lovers
''Elegy for Young Lovers'' (German: ') is an opera in three acts by Hans Werner Henze to an English libretto by W. H. Auden and Chester Kallman. Background The opera was first performed in a German translation by Louis, Prince of Hesse and by Rhine at the Schlosstheater Schwetzingen at the Schwetzingen Festival on 20 May 1961, conducted by Heinrich Bender. The first performance using the original English text was in Glyndebourne, also in 1961. The Juilliard Opera Center produced the opera in New York City in 1965, with the composer conducting. Henze revised the opera in 1987, and this revised version received its first performance on 28 October 1988 at the La Fenice, Venice, with Markus Stenz conducting. According to Ann Saddlemyer in her book ''Becoming George: The Life of Mrs. W. B. Yeats'' (2002), the poet is partially based on W. B. Yeats, and his wife "George" (Georgie Hyde-Lees) was the inspiration for both the secretary and the woman with visions. David Anderson has not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lady Macbeth Of The Mtsensk District (opera)
''Lady Macbeth of Mtsensk'' (russian: Леди Макбет Мценского уезда, translit=Ledi Makbet Mtsenskogo uyezda, link=no, translation=Lady Macbeth of the Mtsensk District) is an opera in four acts and nine scenes by Dmitri Shostakovich, his Opus 29. The libretto, jointly written by Alexander Preys and the composer, is based on the novella ''Lady Macbeth of the Mtsensk District'' by Nikolai Leskov. Dedicated by Shostakovich to his first wife, physicist Nina Varzar, the roughly 160-minute opera was first performed on 22 January 1934 at the Leningrad Maly Operny, and two days later in Moscow. It incorporates elements of expressionism and verismo, telling the story of a lonely woman in 19th-century Russia who falls in love with one of her husband's workers and is driven to murder. Performance history Despite early success on popular and official levels, ''Lady Macbeth'' became the vehicle for a general denunciation of Shostakovich's music by the Communist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
