Opéra De Monte-Carlo
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Opéra De Monte-Carlo
The Opéra de Monte-Carlo is an opera house which is part of the Monte Carlo Casino located in the Principality of Monaco. With the lack of cultural diversions available in Monaco in the 1870s, Prince Charles III, along with the Société des bains de mer, decided to include a concert hall as part of the casino. The main public entrance to the hall was from the casino, while Charles III's private entrance was on the western side. It opened in 1879 and became known as the Salle Garnier, after the architect Charles Garnier, who designed it. During the renovation of the Salle Garnier in 2004–05, the company presented operas at the ''Salle des Princes'' in the local Grimaldi Forum, a modern conference and performance facility where Les Ballets de Monte Carlo and the Monte-Carlo Philharmonic Orchestra regularly perform. Salle Garnier The architect Charles Garnier also designed the Paris opera house now known as the Palais Garnier. The Salle Garnier is much smaller, seating 524 ...
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Casino De Montecarlo, Mónaco, 2016-06-23, DD 04
A casino is a facility for certain types of gambling. Casinos are often built near or combined with hotels, resorts, restaurants, retail shopping, cruise ships, and other tourist attractions. Some casinos are also known for hosting live entertainment, such as stand-up comedy, concerts, and sports. and usage ''Casino'' is of Italian language, Italian origin; the root means a house. The term ''casino'' may mean a small country villa, Summerhouse (building), summerhouse, or social club. During the 19th century, ''casino'' came to include other public buildings where pleasurable activities took place; such edifices were usually built on the grounds of a larger Italian villa or palazzo, and were used to host civic town functions, including dancing, gambling, music listening, and sports. Examples in Italy include Villa Farnese and Villa Giulia, and in the US the Newport Casino in Newport, Rhode Island. In modern-day Italian, a is a brothel (also called , literally "closed house"), a ...
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Sarah Bernhardt
Sarah Bernhardt (; born Henriette-Rosine Bernard; 22 or 23 October 1844 – 26 March 1923) was a French stage actress who starred in some of the most popular French plays of the late 19th and early 20th centuries, including '' La Dame Aux Camelias'' by Alexandre Dumas ''fils''; ''Ruy Blas'' by Victor Hugo, ''Fédora'' and ''La Tosca'' by Victorien Sardou, and '' L'Aiglon'' by Edmond Rostand. She also played male roles, including Shakespeare's Hamlet. Rostand called her "the queen of the pose and the princess of the gesture", while Hugo praised her "golden voice". She made several theatrical tours around the world, and was one of the first prominent actresses to make sound recordings and to act in motion pictures. She is also linked with the success of artist Alphonse Mucha, whose work she helped to publicize. Mucha would become one of the most sought-after artists of this period for his Art Nouveau style. Biography Early life Henriette-Rosine Bernard was born at 5 rue de L ...
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Arturo Vigna
Arturo is a Spanish and Italian variant of the name Arthur. People *Arturo Álvarez (footballer, born 1985), American-born Salvadoran footballer * Arturo Álvarez (footballer, born 1959), Mexican footballer * Arthuro Henrique Bernhardt (b. 1982), Brazilian football (soccer) player *Arturo Brachetti (born 1957), Italian quick-change artist *Arturo Bragaglia (1893–1962), Italian actor * Arturo Bravo (born 1958), Mexican racewalker * Arturo Casadevall (born 1957), American physician *Arturo Castro (Mexican actor) (1918–1975), Mexican actor *Arturo Castro (Guatemalan actor), Guatemalan actor * Arturo Corvalán (born 1978), Chilean road cyclist * Arturo De Vecchi (1898–1988), Italian fencer *Arturo Di Modica (1941–2021), Italian-born American artist * Arturo Di Napoli (born 1974), Italian soccer (UK: football) coach *Arturo Dominici (1918–1992), Italian actor and dubbing artist * Arturo Freeman, American football player *Arturo Frondizi (1908–1995), 35th President of Argentin ...
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Otello
''Otello'' () is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play ''Othello''. It was Verdi's penultimate opera, first performed at the Teatro alla Scala, Milan, on 5 February 1887. The composer was reluctant to write anything new after the success of ''Aida'' in 1871, and he retreated into retirement. It took his Milan publisher Giulio Ricordi the next ten years, first to encourage the revision of Verdi's 1857 ''Simon Boccanegra'' by introducing Boito as librettist and then to begin the arduous process of persuading and cajoling Verdi to see Boito's completed libretto for ''Otello'' in July/August 1881. However, the process of writing the first drafts of the libretto and the years of their revision, with Verdi all along not promising anything, dragged on. It wasn't until 1884, five years after the first drafts of the libretto, that composition began, with most of the work finishing in late 1885. When it finally premiere ...
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Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini, whose works significantly influenced him. In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera ''Nabucco'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able ...
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Francesco Tamagno
Francesco Tamagno (28 December 1850 – 31 August 1905) was an Italian operatic tenor who sang with enormous success throughout Europe and America.Warrack, John and West, Ewan (1992), ''The Oxford Dictionary of Opera'', 782 pages, On 5 February 1887, he sang Otello in the first performance of Giuseppe Verdi's opera. Kennedy, Michael (2006), ''The Oxford Dictionary of Music'', 985 pages, He is also the earliest Italian tenor of note to have left a sizeable body of recordings of his voice. He was one of the first international male public figures to admit that he was the single parent and caregiver of a daughter from her birth. Musical significance The most famous heroic tenor of his age, Tamagno performed in 26 countries, gaining renown for the power of his singing, especially in the upper register. Tamagno was among the rare species of singers known as a ''tenore robusto'' or ''tenore di forza'', and critics likened the sound of his voice to that of a trumpet or even a cannon. ...
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La Damnation De Faust
''La damnation de Faust'' (English: ''The Damnation of Faust''), Op. 24 is a work for four solo voices, full seven-part chorus, large children's chorus and orchestra by the French composer Hector Berlioz. He called it a "''légende dramatique''" ( dramatic legend). It was first performed at the Opéra-Comique in Paris on 6 December 1846. Background and composition history The French composer was inspired by a translation of Goethe's dramatic poem ''Faust'' and produced a musical work that, like the masterpiece on which it is based, defies easy categorisation. Conceived at various times as a free-form oratorio and as an opera (Berlioz ultimately called it a "légende dramatique") its travelogue form and cosmic perspective have made it an extreme challenge to stage as an opera. Berlioz himself was eager to see the work staged, but once he did, he conceded that the production techniques of his time were not up to the task of bringing the work to dramatic life. Most of the work ...
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Hector Berlioz
In Greek mythology, Hector (; grc, Ἕκτωρ, Hektōr, label=none, ) is a character in Homer's Iliad. He was a Trojan prince and the greatest warrior for Troy during the Trojan War. Hector led the Trojans and their allies in the defense of Troy, killing countless Greek warriors. He was ultimately killed in single combat by Achilles, who later dragged his dead body around the city of Troy behind his chariot. Etymology In Greek, is a derivative of the verb ἔχειν ''ékhein'', archaic form * grc, ἕχειν, hékhein, label=none ('to have' or 'to hold'), from Proto-Indo-European *'' seɡ́ʰ-'' ('to hold'). , or as found in Aeolic poetry, is also an epithet of Zeus in his capacity as 'he who holds verything together. Hector's name could thus be taken to mean 'holding fast'. Description Hector was described by the chronicler Malalas in his account of the ''Chronography'' as "dark-skinned, tall, very stoutly built, strong, good nose, wooly-haired, good beard, sq ...
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Albert I, Prince Of Monaco
Albert I (Albert Honoré Charles Grimaldi; 13 November 1848 – 26 June 1922) was Prince of Monaco from 10 September 1889 until his death. He devoted much of his life to oceanography, exploration and science. Alongside his expeditions, Albert I made reforms on political, economic and social levels, bestowing a constitution on the principality in 1911. Early life Born on 13 November 1848 in Paris, France, the son of Prince Charles III (1818–1889), and Countess Antoinette de Mérode-Westerloo (1828–1864), a Belgian noblewoman, maternal aunt of Donna Maria Vittoria dal Pozzo, Princess della Cisterna, Duchess consort of Aosta and Queen consort of Spain. As a young man, Prince Albert served in the Spanish Navy as a navigator. During the Franco-Prussian War, he joined the French Navy where he was awarded the Legion of Honor. In addition to his interest in oceanographic studies, Albert had a keen interest in the origins of man and in Paris, he founded the "''Institute for H ...
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Alice Heine
Alice Heine (February 10, 1857 – December 22, 1925) was an American-born Princess consort of Monaco, by marriage to Prince Albert I of Monaco. Marcel Proust used her as a model for the ''Princesse de Luxembourg'' in his novel, ''In Search of Lost Time''. Her first husband was the Duke of Richelieu, and one of the titles of her second husband was Duke of Mazarin; she was thus unique in bearing the titles of both Cardinal Richelieu and Cardinal Mazarin. Early life She was born Marie Alice Heine at 900 Rue Royale, in the French Quarter of New Orleans, Louisiana. Her French father, Michel Heine, was a scion of a prominent German-rooted Berlin and Paris banking Jewish family. His brother was Armand Heine, and both were cousins of poet Heinrich Heine and of journalist and press publisher Gustav Heine, later Baron Heine von Geldern. Michel was born in Bordeaux, France, and moved to New Orleans in 1843, and become a successful financier and real-estate developer. Her mother was Marie ...
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Raoul Gunsbourg
Raoul Samuel Gunsbourg (born January 6, 1860 in Bucharest - died May 31, 1955 in Monte Carlo) was a Jewish-Romania-bornBorn in Bucharest, Gunsbourg is a son of a French father and Romanian mother. His grandfather was a rabbi. opera director, impresario, composer and writer. Gunsbourg is best known for being the longest-serving director of the Opéra de Monte-Carlo, where his career spanned almost six decades. Raoul Gunsbourg acquired his musical education and its comprehensive knowledge in language and literature as a self-taught person. He attended Medical School in Bucharest which he finished in 1875. In 1877-78 he served as a medic in the Russian army during the Russian-Turkish war. In 1881-83 he created and managed the ''Gunsbourg's French Opera Stage'' in Moscow and St. Petersburg. In Moscow Gunsbourg met German composer Richard Wagner. After returning to France, Gunsbourg directed the Grand Théâtre de Lille during the 1888/89 season and the Opéra de Nice in 1889-91. In 1 ...
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Adelina Patti
Adelina Patti (19 February 184327 September 1919) was an Italian 19th-century opera singer, earning huge fees at the height of her career in the music capitals of Europe and America. She first sang in public as a child in 1851, and gave her last performance before an audience in 1914. Along with her near contemporaries Jenny Lind and Thérèse Tietjens, Patti remains one of the most famous sopranos in history, owing to the purity and beauty of her lyrical voice and the unmatched quality of her ''bel canto'' technique. The composer Giuseppe Verdi, writing in 1877, described her as being perhaps the finest singer who had ever lived and a "stupendous artist". Verdi's admiration for Patti's talent was shared by numerous music critics and social commentators of her era. Biography She was born Adela Juana Maria Patti, in Madrid, the youngest child of tenor Salvatore Patti (1800–1869) and soprano Caterina Barilli (died 1870). Her Italian parents were working in Spain, at the time ...
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