|
Opéra National Du Rhin
The Opéra national du Rhin is an opera company which performs in Alsace, eastern France. It includes the Opéras in Strasbourg, in Mulhouse, where the Ballet de l'Opéra national du Rhin, also known as the Ballet Du Rhin, is based, and in Colmar, with its Opéra Studio, a training centre for young singers. Thee organisation has held the status of "national opera" since 1997. The Orchestre philharmonique de Strasbourg and the Orchestre symphonique de Mulhouse are the usual orchestras of this institution. History The first opera house opened in Strasbourg in 1701 in a converted granary. After a fire and temporary locations, a new Théâtre municipal opened in the Place Broglie in 1821. This building was virtually gutted during the German bombardment of 1870, but it was rebuilt in identical style, re-opening in 1873.Pitt, C. "Strasbourg", ''The New Grove Dictionary of Opera.'' Macmillan, London & New York, 1997. During the German era up to 1919, several eminent conductors held po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strasbourg - 2016 (29355077533)
Strasbourg (, , ; german: Straßburg ; gsw, label=Bas Rhin Alsatian, Strossburi , gsw, label=Haut Rhin Alsatian, Strossburig ) is the prefecture and largest city of the Grand Est region of eastern France and the official seat of the European Parliament. Located at the France–Germany border, border with Germany in the historic region of Alsace, it is the prefecture of the Bas-Rhin Departments of France, department. In 2019, the city proper had 287,228 inhabitants and both the Eurométropole de Strasbourg (Greater Strasbourg) and the Arrondissement of Strasbourg had 505,272 inhabitants. Strasbourg's functional area (France), metropolitan area had a population of 846,450 in 2018, making it the eighth-largest metro area in France and home to 14% of the Grand Est region's inhabitants. The transnational Eurodistrict Strasbourg-Ortenau Eurodistrict, Strasbourg-Ortenau had a population of 958,421 inhabitants. Strasbourg is one of the ''de facto'' four main capitals of the Eur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mathis Der Maler
''Mathis der Maler'' (''Matthias the Painter'' is an opera by Paul Hindemith. The work's protagonist, Matthias Grünewald, was a historical figure who flourished during the Reformation, and whose art, in particular the Isenheim Altarpiece, inspired many creative figures in the early 20th century. Hindemith completed the opera, writing his own libretto, in 1935. By that time, however, the rise of Nazism prevented Hindemith from securing a performance in Germany. The story, set during the German Peasants' War (1524-25), concerns Matthias's struggle for artistic freedom of expression in the repressive climate of his day, which mirrored Hindemith's own struggle as the Nazis attained power and repressed dissent. The opera's obvious political message did not escape the regime. Performance history The opera was first performed at the Opernhaus Zürich on 28 May 1938, conducted by Robert Denzler. On 14 October 1956, a rebuilt Schauspiel Köln in Cologne opened with a gala performa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José Carreras
Josep Maria Carreras Coll (; born 5 December 1946), better known as José Carreras (, ), is a Spanish operatic tenor who is particularly known for his performances in the operas of Donizetti, Verdi and Puccini. Born in Barcelona, he made his debut on the operatic stage at 11 as Trujamán in Manuel de Falla's ''El retablo de Maese Pedro'', and went on to a career that encompassed over 60 roles, performing in the world's leading opera houses and on numerous recordings. He gained fame with a wider audience as one of the Three Tenors, with Plácido Domingo and Luciano Pavarotti, in a series of large concerts from 1990 to 2003. He is also known for his Humanitarianism, humanitarian work as president of the José Carreras Leukaemia Foundation, José Carreras International Leukaemia Foundation (La Fundació Internacional Josep Carreras per a la Lluita contra la Leucèmia), which he established following his own recovery from the disease in 1988. Life and career Early years Carreras wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Montserrat Caballé
Montserrat Caballé i Folch or Folc (full name: María de Montserrat Bibiana Concepción Caballé i Folch (, , ; (12 April 1933 – 6 October 2018), known simply as Montserrat Caballé, was a Catalan Spanish operatic soprano. She sang a wide variety of roles, but is best known as an exponent of the works of Verdi and of the bel canto repertoire, notably the works of Rossini, Bellini, and Donizetti. She was noticed internationally when she stepped in for a performance of Donizetti's '' Lucrezia Borgia'' at Carnegie Hall in 1965, and then appeared at leading opera houses. Her voice was described as pure but powerful, with superb control of vocal shadings and exquisite pianissimo. Caballé became popular to non-classical music audiences in 1987, when she recorded, at the request of the International Olympic Committee, "Barcelona", a duet with Freddie Mercury, which became an official theme song for the 1992 Olympic Games. She received several international awards and also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Birgit Nilsson
Märta Birgit Nilsson (17 May 1918 – 25 December 2005) was a celebrated Swedish dramatic soprano. Although she sang a wide répertoire of operatic and vocal works, Nilsson was best known for her performances in the operas of Richard Wagner and Richard Strauss. Her voice was noted for its overwhelming force, bountiful reserves of power, and the gleaming brilliance and clarity in the upper register. Biography Early life Birgit Nilsson was born Märta Birgit Svensson on a farm at Västra Karup in Skåne (100 km/60 miles north of Malmö) to Nils Svensson and Justina Svensson (née Paulsson). When she was three years old she began picking out melodies on a toy piano her mother bought for her. She once told an interviewer that she could sing before she could walk, adding, "I even sang in my dreams". Her vocal talent was first noticed when she began to sing in her church choir. A choirmaster near her home heard her sing and advised her to take voice lessons. She studied w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alain Lombard
Alain Lombard (born 4 October 1940, Paris) is a French conductor. Career Lombard attended the Conservatoire de Paris, where his studied violin with Line Talleul and conducting with Gaston Poulet. He subsequently secured an appointment at the Opéra National de Lyon in 1961, and later became principal conductor from 1961 to 1965. He was a gold medal winner at the Dmitri Mitropoulos Competition in 1966.''International Who's Who in Classical Music 2003''. Europa Publications (2003), pp. 476-477 () He made his debut at the Metropolitan Opera in 1967, conducting Gounod's '' Faust''. He was an assistant conductor of the New York Philharmonic during the music directorship of Leonard Bernstein, and traveled with the orchestra as Associate Tour Conductor. In the US, he was music director of the Greater Miami Philharmonic Orchestra from 1967 to 1975. Lombard assisted in the formation of the ''Opéra du Rhin'' (later the ''Opéra national du Rhin'') in 1972. He was music dire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Troyens
''Les Troyens'' (; in English: ''The Trojans'') is a French grand opera in five acts by Hector Berlioz. The libretto was written by Berlioz himself from Virgil's epic poem the ''Aeneid''; the score was composed between 1856 and 1858. ''Les Troyens'' is Berlioz's most ambitious work, the summation of his entire artistic career, but he did not live to see it performed in its entirety. Under the title ''Les Troyens à Carthage'', the last three acts were premièred with many cuts by Léon Carvalho's company, the Théâtre Lyrique, at their theatre (now the Théâtre de la Ville) on the Place du Châtelet in Paris on 4 November 1863, with 21 repeat performances. After decades of neglect, today the opera is considered by some music critics as one of the finest ever written. Composition history Berlioz began the libretto on 5 May 1856 and completed it toward the end of June 1856. He finished the full score on 12 April 1858. Berlioz had a keen affection for literature, and he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dalibor (opera)
''Dalibor'' is a Czech opera in three acts by Bedřich Smetana. The libretto was written in German by Josef Wenzig, and translated into Czech by Ervin Špindler. It was first performed at the New Town Theatre in Prague on 16 May 1868. The opera received criticism at the time for being overly influenced by German opera, including that of Richard Wagner's ''Lohengrin''. The subject of the opera is ( fl. c. 1490), a Czech knight who took part in an uprising in Ploskovice in support of the oppressed people and was sentenced to death in 1498, during the reign of Vladislaus II of Hungary. The plot bears a resemblance to that of Ludwig van Beethoven's opera ''Fidelio'', in that the central female characters in each opera disguise themselves in male clothing and gain the confidence of a jailor to try to save the imprisoned hero. Performance history Smetana had great affection for the opera, but because of the lukewarm reception, died thinking that he had failed with this opera. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Frau Ohne Schatten
' (''The Woman without a Shadow''), Op. 65, is an opera in three acts by Richard Strauss with a libretto by his long-time collaborator, the poet Hugo von Hofmannsthal. It was written between 1911 and either 1915 or 1917. When it premiered at the Vienna State Opera on 10 October 1919, critics and audiences were unenthusiastic. Many cited problems with Hofmannsthal's complicated and heavily symbolic libretto. However, it is now a standard part of the operatic repertoire. Composition history Work on the opera began in 1911. Hofmannsthal's earliest sketches for the libretto are based on a piece by Goethe, ' (1795). Hofmannsthal handles Goethe's material freely, adding the idea of two couples, the emperor and empress who come from another realm, and the dyer and his wife who belong to the ordinary world. Hofmannsthal also drew on portions of ''The Arabian Nights'', ''Grimms' Fairy Tales'', and even quotes Goethe's ''Faust''. The opera is conceived as a fairy tale on the theme of lov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jenůfa
''Její pastorkyňa'' (''Her Stepdaughter''; commonly known as ''Jenůfa'' ) is an opera in three acts by Leoš Janáček to a Czech libretto by the composer, based on the play ''Její pastorkyňa'' by Gabriela Preissová. It was first performed at the National Theatre, Brno on 21 January 1904. Composed between 1896 and 1902, it is among the first operas written in prose. The first of Janáček's operas in which his distinctive voice can clearly be heard, it is a grim story of infanticide and redemption. Like the playwright's original work, it is known for its unsentimental realism. While today it is heard in the composer's original version, ''Jenůfas early popularity was due to a revised version by Karel Kovařovic, altering what was considered its eccentric style and orchestration. Thus altered, it was well-received, first in Prague, and particularly after its Vienna première also worldwide. More than 70 years passed before audiences again heard it in Janáček's original ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oedipus Rex
''Oedipus Rex'', also known by its Greek title, ''Oedipus Tyrannus'' ( grc, Οἰδίπους Τύραννος, ), or ''Oedipus the King'', is an Athenian tragedy by Sophocles that was first performed around 429 BC. Originally, to the ancient Greeks, the title was simply ''Oedipus'' (), as it is referred to by Aristotle in the ''Poetics''. It is thought to have been renamed ''Oedipus Tyrannus'' to distinguish it from '' Oedipus at Colonus'', a later play by Sophocles. In antiquity, the term "tyrant" referred to a ruler with no legitimate claim to rule, but it did not necessarily have a negative connotation. Of Sophocles' three Theban plays that have survived, and that deal with the story of Oedipus, ''Oedipus Rex'' was the second to be written, following ''Antigone'' by about a dozen years. However, in terms of the chronology of events described by the plays, it comes first, followed by '' Oedipus at Colonus'' and then ''Antigone''. Prior to the start of ''Oedipus Rex'', Oedipu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Prigioniero
''Il prigioniero'' (''The Prisoner'') is an opera (originally a radio opera) in a prologue and one act, with music and libretto by Luigi Dallapiccola. The opera was first broadcast by the Italian radio station RAI on 1 December 1949. The work is based on the short story ''La torture par l'espérance'' ("Torture by Hope") from the collection ''Nouveaux contes cruels'' by the French writer Auguste Villiers de l'Isle-Adam and from ''La Légende d'Ulenspiegel et de Lamme Goedzak'' by Charles De Coster. Some of the musical material is based on Dallapiccola's earlier choral work on a similar theme, '' Canti di prigionia'' (1938). Dallapiccola composed ''Il prigioniero'' in the period of 1944–1948. The work contains seven parts and lasts about 50 minutes. The musical idiom is serialism, and it is one of the first completed operas using that compositional method. Performance history The opera's first stage performance was at the Teatro Comunale Florence on May 20, 1950. The performers wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Opéra National Du Rhin")
