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Opera Management
Opera management is the management of the processes by which opera is delivered to audiences. It is carried out by an opera manager, also called a general manager, managing director, or intendant (UK English). A multifaceted task, it involves managing an opera company, primarily the singers and musicians who perform the operas, but in many cases also involves managing the opera house in which the company performs. Background Opera is a multi-faceted art form involving high fixed costs and requiring complex approaches to management. In addition to the singers and musicians who form the core of the company, its production requires scenery and costumes and sometimes dancers and non-singing actors. Fixed costs in today's opera organizations—keeping many of the singers and musicians on year-round contracts, and if managing their own theatre, the cost of workers needed to create and maintain the sets and costumes as well as the cost of maintaining and running the building—combined with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnival
Carnival is a Catholic Christian festive season that occurs before the liturgical season of Lent. The main events typically occur during February or early March, during the period historically known as Shrovetide (or Pre-Lent). Carnival typically involves public celebrations, including events such as parades, public street parties and other entertainments, combining some elements of a circus. Elaborate costumes and masks allow people to set aside their everyday individuality and experience a heightened sense of social unity.Bakhtin, Mikhail. 1984. ''Rabelais and his world''. Translated by H. Iswolsky. Bloomington: Indiana University Press. Original edition, ''Tvorchestvo Fransua Rable i narodnaia kul'tura srednevekov'ia i Renessansa'', 1965. Participants often indulge in excessive consumption of alcohol, meat, and other foods that will be forgone during upcoming Lent. Traditionally, butter, milk, and other animal products were not consumed "excessively", rather, their stoc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arts Occupations
The arts are a very wide range of human practices of creative expression, storytelling and cultural participation. They encompass multiple diverse and plural modes of thinking, doing and being, in an extremely broad range of media. Both highly dynamic and a characteristically constant feature of human life, they have developed into innovative, stylized and sometimes intricate forms. This is often achieved through sustained and deliberate study, training and/or theorizing within a particular tradition, across generations and even between civilizations. The arts are a vehicle through which human beings cultivate distinct social, cultural and individual identities, while transmitting values, impressions, judgments, ideas, visions, spiritual meanings, patterns of life and experiences across time and space. Prominent examples of the arts include: * visual arts (including architecture, ceramics, drawing, filmmaking, painting, photography, and sculpting), * literary arts (includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Management By Type
Management (or managing) is the administration of an organization, whether it is a business, a nonprofit organization, or a government body. It is the art and science of managing resources of the business. Management includes the activities of setting the strategy of an organization and coordinating the efforts of its employees (or of volunteers) to accomplish its objectives through the application of available resources, such as financial, natural, technological, and human resources. "Run the business" and "Change the business" are two concepts that are used in management to differentiate between the continued delivery of goods or services and adapting of goods or services to meet the changing needs of customers - see trend. The term "management" may also refer to those people who manage an organization—managers. Some people study management at colleges or universities; major degrees in management includes the Bachelor of Commerce (B.Com.), Bachelor of Business Administra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theater Manager
A theater manager, also called a general manager, managing director, or intendant (UK English and German), is the administrator of a theater. They often also have the responsibilities of an artistic director but in any case oversee all administrative, marketing, production, and financial functions of their theater. They often report to a board and must have excellent communication skills, the ability to work independently, and strong organizational capacity. They must also have experience with budget creation and management, planning, budgeting/financial tracking, contract management, accounting, and schedule tracking. at Prospects.ac.uk See also * |
Arts Administration
The arts are a very wide range of human practices of creative expression, storytelling and cultural participation. They encompass multiple diverse and plural modes of thinking, doing and being, in an extremely broad range of media. Both highly dynamic and a characteristically constant feature of human life, they have developed into innovative, stylized and sometimes intricate forms. This is often achieved through sustained and deliberate study, training and/or theorizing within a particular tradition, across generations and even between civilizations. The arts are a vehicle through which human beings cultivate distinct social, cultural and individual identities, while transmitting values, impressions, judgments, ideas, visions, spiritual meanings, patterns of life and experiences across time and space. Prominent examples of the arts include: * visual arts (including architecture, ceramics, drawing, filmmaking, painting, photography, and sculpting), * literary arts (includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marco Faustini
Marco Faustini (17 May 1606 - 7 January 1676) was an Italian theatrical impresario and brother of the impresario and librettist Giovanni Faustini. Biography Marco Faustini was born in Venice. He began his career as an entrepreneur in the summer of 1651, working at the Teatro Sant 'Apollinare in Venice. After his brother's death on 19 December 1651, Faustini took over management of the theater until 1657. He went on to manage other theaters including the Teatro San Cassiano from 1657 to 1660, and the Teatro Santi Giovanni e Paolo from 1660 to 1668 (probably with a break from 1663 to 1665). Marco Faustini, like his brother, collaborated with leading composers of his time including Francesco Cavalli, Pietro Andrea Ziani and Antonio Cesti, and hired famous singers such as Anna Renzi, Antonia Coresi and Vincenza Giulia Masotti. During his years as an impresario, he staged numerous plays of famous librettists of the time including Aurelio Aureli, Francis Small, Nicolò Minato, Nicholas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patrician (post-Roman Europe)
Patricianship, the quality of belonging to a patriciate, began in the ancient world, where cities such as Ancient Rome had a social class of patrician families, whose members were initially the only people allowed to exercise many political functions. In the rise of European towns in the 12th and 13th century, the patriciate, a limited group of families with a special constitutional position, in Henri Pirenne's view, was the motive force. In 19th century Central Europe, the term had become synonymous with the upper Bourgeoisie and cannot be interchanged with the medieval patriciate in Central Europe. In German-speaking parts of Europe as well as in the maritime republics of the Italian Peninsula, the patricians were as a matter of fact the ruling body of the medieval town. Particularly in Italy, they were part of the nobility. With the establishment of the medieval towns, Italian city-states and maritime republics, the patriciate was a formally-defined social class of govern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Manelli
Francesco Manelli (Mannelli) ( 1595 – 1667) was a Roman Baroque composer, particularly of opera, and a theorbo player. He is most well known for his collaboration with fellow Roman composer Benedetto Ferrari in bringing commercial opera to Venice. The first two works, in 1637 and 1638, to be put on commercially in the Teatro San Cassiano were both by Manelli - his ''L'Andromeda'' and ''La Maga Fulminata''. Francesco Manelli was for many years confused with the Franciscan friar Giovanni Battista Fasolo, because of the resemblances between Manelli's cantata ''Luciata'', (published in ''Musiche varie,'' op. 4 Venice, 1636), and Fasolo's dialogue ''Il carro di Madama Lucia'' (Rome, 1628), and the shared text of the first piece in both collections. In a comparison of the two cantatas Fasolo's version is "languid and melancholy", while Manelli's version is "spirited and biting". A mid-14th-century Florentine scholar of the same name, also called ''dei Pontigiano'', was a close fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benedetto Ferrari
Benedetto Ferrari (ca. 1603 – 1681) was an Italian composer, particularly of opera, librettist, and theorbo player. Ferrari was born in Reggio nell'Emilia. He worked in Rome (1617–1618), Parma (1619–1623), and possibly in Modena at some time between 1623 and 1637. He created music and libretti in Venice and Bologna, 1637–1644. Ferrari's ''Andromeda'', with music by Francesco Manelli, was the first Venetian opera performed in a public theatre (in 1637). Subsequently, he provided both the text and the music for two operas, both presented in Venice: ''La maga fulminata'' (1638) and ''Il pastor regio'' (1640). The 1641 Bolognese staging of the latter included, as its final duet, the text "Pur ti miro, pur ti godo," which was later reused, possibly with Ferrari's music, for the final duet in the surviving manuscripts of Monteverdi's ''L'Incoronazione di Poppea''. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro San Cassiano
The Teatro San Cassiano (or Teatro di San Cassiano and other variants) in Venice was the world’s first public opera theatre, inaugurated as such in 1637. The first mention of its construction dates back to 1581. The name with which it is best known comes from the parish in which it was located, San Cassiano (Saint Cassian), in the Santa Croce district (‘sestiere’) not far from the Rialto. The theatre was owned by the Venetian Tron family and was the first ‘public’ opera house in the sense that it was the first to open to a paying audience. Until then, public theatres (i.e., those operating on a commercial basis) had staged only recited theatrical performances (''commedie'') while opera had remained a private spectacle, reserved for the aristocracy and the courts. The Teatro San Cassiano was, therefore, the first public theatre to stage opera and in so doing opened opera for wider public consumption. In 2019 a project, conceived by the English entrepreneur and musicologi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vendramin
The House of Vendramin (, ) was a rich merchant family of Venice, Italy, who were among the ''case nuove'' or "new houses" who joined the patrician class when the ''Libro d'Oro'' was opened after the battle of Chioggia (June 1380). Andrea Vendramin served as the sole Vendramin Doge from 1476–78, at the height of Venetian power, though in 1477 an Antonio Feleto was imprisoned, then banished, for remarking in public that the Council of the Forty-One must have been hard-pressed to elect a cheesemonger Doge. In his youth, Andrea and his brother Luca, in joint ventures, used to ship from Alexandria enough goods to fill a galley or a galley and a half, Malipiero recorded in retrospect: even his factors grew rich managing his affairs. At this period, mentions of Vendramins in various fields of business occur; Luca Vendramin (d.1527) founded a successful bank on the still-wooden Rialto Bridge with three Capelli brothers in 1507, but in his will of 1524 forbade his sons from contin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
