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Opera Awards (Australia)
The Opera Awards is an singing competition for professional Australian opera singers. It was established in 1986 with the purpose of assisting and developing professional Australian opera singers. This is achieved through programs of study with selected international educational institutions, engagements with professional opera companies, as well as through introduction, networking and educational opportunities with prominent members of the international operatic community. The Opera Awards consists of a group of awards, including the YMF Australia Award and the Armstrong-Martin Scholarship, amongst others. Major sponsors and supporters of the awards have included Youth Music Foundation (YMF) Australia, the Armstrong-Martin Estate, Haas Foundation, The Glyndebourne Festival Opera (UK), the Royal Over-Seas League (UK) and the Australian Elizabethan Theatre Trust The Australian Elizabethan Theatre Trust is a theatre and performing arts company that was founded in September 1954, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Bonynge
Richard Alan Bonynge ( ) (born 29 September 1930) is an Australian conductor and pianist. He is the widower of Australian dramatic coloratura soprano Dame Joan Sutherland. Bonynge conducted virtually all of Sutherland's operatic performances from 1962 until her retirement in 1990. Biography Bonynge was born in Epping, a suburb of Sydney, and educated at Sydney Boys' High School before studying piano at the Sydney Conservatorium of Music and gaining a scholarship to the Royal College of Music in London, where his piano teacher was Herbert Fryer. He gave up his music scholarship, continuing his private piano studies, and became a coach for singers. One of these was Joan Sutherland, whom he had accompanied in Australia. They married in 1954 and became a duo, performing operatic recitals until 1962. When the scheduled conductor for a recital of operatic arias became ill and the replacement conductor was involved in a car accident, Bonynge stepped in and, from that time on, he c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Organisations Based In Australia
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Competitions In Australia
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal ja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Competitions
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benjamin Northey
Benjamin Northey is an Australian conductor, musician and arranger. He has been Chief Conductor of the Christchurch Symphony Orchestra in New Zealand, since 2015.thebigidea Retrieved 8 November 2014 He is also the Principal Conductor in Residence of the since 2020. He was previously the Associate Conductor of the Melbourne Symphony Orchestra from 2010-2019. Early life and family Northey was born and raised in , Victoria. His father Robert (Bob) Northey is a retired university ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass-baritone
A bass-baritone is a high-lying bass or low-lying "classical" baritone voice type which shares certain qualities with the true baritone voice. The term arose in the late 19th century to describe the particular type of voice required to sing three Wagnerian roles: the title role in ''Der fliegende Holländer'', Wotan/Der Wanderer in the ''Ring Cycle'' and Hans Sachs in '' Die Meistersinger von Nürnberg''. Wagner labelled these roles as ''Hoher Bass'' ("high bass")—see fach for more details. The bass-baritone voice is distinguished by two attributes. First, it must be capable of singing comfortably in a baritonal tessitura. Secondly, however, it needs to have the ripely resonant lower range typically associated with the bass voice. For example, the role of Wotan in ''Die Walküre'' covers the range from F2 (the F at the bottom of the bass clef) to F4 (the F above middle C), but only infrequently descends beyond C3 (the C below middle C). Bass-baritones are typically divide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicole Car
Nicole Car (born 1985) is an Australian operatic soprano. She has performed leading roles at the Metropolitan Opera, Royal Opera House, Vienna State Opera, Bavarian State Opera, Deutsche Oper Berlin, Semperoper Dresden, Opéra national de Paris, The Dallas Opera, and Opera Australia. Car is particularly associated with the roles of Tatyana in ''Eugene Onegin'', Mimì in ''La bohème'', Marguerite in ''Faust'', Fiordiligi in '' Così fan tutte'', Donna Elvira in '' Don Giovanni'' and Micaëla in '' Carmen'', and has also given noted performances as Marguerite de Valois in ''Don Carlos'', and the title roles in ''Luisa Miller'' and ''Thaïs''. Early life and education Car attended Strathmore Secondary School, where she performed in school musicals. In Year 12 she sang at the Victorian Schools' Spectacular, singing jazz songs from the 1930s and 40s. At age 17, Car saw her first opera, ''Tosca'', in her final year of high school in Melbourne. She then completed a Bachelor of Musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Molino
Andrea Molino (born 1964 in Turin, Italy) is an Italian composer and conductor. Biography Andrea Molino was born in Turin and studied in Turin, Milan, Venice, Paris and Freiburg. He lives in Zurich and Paris. In 1997, as musical director of the Pocket Opera Company in Nuremberg he conducted the world premiere of Alessandro Melchiorre's ''Unreported inbound Palermo'' and in 2000, the premiere of the stage version of Heiner Goebbels' ''Surrogate Cities''. His own projects the smiling carcass' (1999), based on the subject of advertising, and ''Those Who Speak In A Faint Voice'' (2001), on death penalty, both in collaboration with the Italian photographer Oliviero Toscani, are the first examples of his commitment towards innovative, multimedia oriented music theatre. From 2000 to 2006 Andrea Molino was artistic director of Fabrica Musica, the music department of the Italian communication research centerFabrica ''CREDO'', a multimedia music theatre on the theme of ethnic and religious ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jonathan Darlington
Jonathan Philip Darlington (born 1956 in Lapworth, England) is a British conductor, Music Director Emeritus of the Vancouver Opera and the former Music Director of the Duisburg Philharmonic Orchestra. He is known for his broad repertoire of both opera and symphonic music and appears regularly with major orchestras and opera houses, most notably the Paris Opera, Vienna State Opera, Frankfurt Oper, Orchestre National de France, Prague Radio Symphony Orchestra, the Swedish Chamber Orchestra, Orchestra Sinfonica del San Carlo di Napoli, the Orchestre Philharmonique de Strasbourg, the National Orchestra of Taiwan, the BBC Symphony Orchestra, English National Opera and Opera Australia. Education and early career Jonathan Darlington was educated at The King's School, Worcester. He graduated in 1978 with a music degree from Durham University, where he was a member of Hatfield College. He subsequently studied at the Royal Academy of Music. Early in his career he had worked with Pierr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
