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Oper Am Gänsemarkt
The Oper am Gänsemarkt was a theatre in Hamburg, Germany, built in 1678 after plans of Girolamo Sartorio at the Gänsemarkt square. It was the first public opera house to be established in Germany: not a court opera, as in many other towns. Everybody could buy a ticket, like in Venice. Most works were in the German language or translated librettos (from Italian). The building was torn down in 1756, but rebuilt in 1765. History Hamburg was a rich city and hardly affected by the Thirty Years' War. The founding of the Hamburg opera was an initiative of the well-traveled lawyer and alderman Gerhard Schott, who was impressed by Italian opera and Johann Adam Reincken, a local church organist. Johann Theile, Kapellmeister of Christian Albert, Duke of Holstein-Gottorp, who lived during the years 1675–1679 and 1684–1689 in exile in the city, organised its first performance. For the construction of the stage the Italian engineer and architect Girolamo Sartorio was attracted by th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gänsemarkt
Gänsemarkt (lit. ''Geese Market'') is a public square in Hamburg, Germany, located in the Neustadt quarter. The triangular urban square is accessible by streets of Jungfernstieg from the east, Dammtorstraße and Valentinskamp in the north west and ABC-Straße in the south. History The opera building of Oper am Gänsemarkt at the square was used from 1678 to 1738. In 1765 the building was demolished and replaced by the Hamburg National Theatre, which had to close in 1769. The theatre employed Gotthold Ephraim Lessing as the world's first dramaturg. Today, the Hamburg State Opera is located a few metres north at Dammtorstraße. Therefore, the Lessing Monument is located in the center of the square. It was created by Fritz Schaper and erected in 1881. On 18 June 1944 the monument was hit by a bomb and it fell from its pedestal. In 1955 it was erected again. The Ufa-Palast, with a capacity of 2,667 once Europe's largest cinema, opened in December 1929 inside the building of . I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concertos. Handel received his training in Halle (Saale), Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Singspiele
A Singspiel (; plural: ; ) is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and arias which were often strophic, or folk-like. Singspiel plots are generally comic or romantic in nature, and frequently include elements of magic, fantastical creatures, and comically exaggerated characterizations of good and evil. __TOC__ History Some of the first Singspiele were miracle plays in Germany, where dialogue was interspersed with singing. By the early 17th century, miracle plays had grown profane, the word "Singspiel" is found in print, and secular Singspiele were also being performed, both in translated borrowings or imitations from English and Italian songs and plays, and in original German creations. In the 18th century, some Singspiele were translations of English ballad operas. In 1736, the Prussian ambassador to England commissioned a translation of the ballad ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Georg Conradi
Johann Georg Conradi (1645 in Oettingen – 22 May 1699) was a German composer. He was, with Johann Theile, Nicolaus Adam Strungk, Johann Philipp Fortsch, Johann Wolfgang Franck and Johann Sigismund Kusser one of the main composers of the early Oper am Gänsemarkt The Oper am Gänsemarkt was a theatre in Hamburg, Germany, built in 1678 after plans of Girolamo Sartorio at the Gänsemarkt square. It was the first public opera house to be established in Germany: not a court opera, as in many other towns. E ....Dieterich Buxtehude: organist in Lübeck - Page 116 Kerala J. Snyder 1987 Several composers besides Theile were active in the early years of the Hamburg opera: Nicolaus Adam Strungk (1640-1700), Johann Wolfgang Franck (1644-ca. 1710) Johann Philipp Fortsch (1652-1732), and Johann Georg Conradi (ca. 1645-99) References {{DEFAULTSORT:Conradi, Johann 1645 births 1699 deaths 17th-century classical composers German Baroque composers German male classical compos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Caspar Schürmann
Georg Caspar Schürmann (1672 (or early 1673), in Idensen bei Neustadt am Rübenberge – 25 February 1751, in Wolfenbüttel) was a German Baroque composer. His name also appears as Schurmann and in Hochdeutsch as Scheuermann. Life Schürmann studied music, including voice, in his native Lower Saxony. By 1693, he was singing at the Oper am Gänsemarkt as a young alto. In 1694 he composed a cantata for the inauguration of the Castle Salzdahlum in Wolfenbüttel. In 1697, he went to Lüneburg (about 50 km southeast of Hamburg) for a guest performance. His singing there so impressed Duke Anton Ulrich of Brunswick-Wolfenbüttel that the Duke hired him on the spot. From 1702 to 1707 he was principal conductor and composer for the Meiningen Court Orchestra. In 1707 Schürmann officially succeeded Reinhard Keiser as ''Cammer-Componist'' (court composer). He served the court of Brunswick, with but a few brief interruptions, for 54 years until he died at the age of 79. Work Schürma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Philipp Krieger
Johann Philipp Krieger (also ''Kriger'', ''Krüger'', ''Krugl'', and ''Giovanni Filippo Kriegher''; baptised 27 February 1649; died 7 February 1725) was a German people, German Baroque composer and organist. He was the elder brother of Johann Krieger. Life Early years The Krieger brothers came from a Nuremberg family of Rug making, rugmakers. According to Johann Mattheson's ''Grundlage einer Ehren-Pforte'', Johann Philipp started studying keyboard playing at age 8, with Johann Drechsel (a pupil of the celebrated Johann Jakob Froberger) and other instruments at around the same time, with Gabriel Schütz. He was apparently a gifted student, displaying absolute pitch and a feeling for keyboard music: according to Mattheson, already after a year of studies he was able to impress large audiences and was composing attractive arias. Johann Philipp soon left Nuremberg for Copenhagen, where he spent some four or five years, studying organ playing with Johann Schröder (composer), Johann Sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Bronner
{{disambiguation ...
Georg may refer to: * ''Georg'' (film), 1997 *Georg (musical), Estonian musical * Georg (given name) * Georg (surname) * , a Kriegsmarine coastal tanker See also * George (other) George may refer to: People * George (given name) * George (surname) * George (singer), American-Canadian singer George Nozuka, known by the mononym George * George Washington, First President of the United States * George W. Bush, 43rd President ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Philipp Förtsch
Johann Philipp Förtsch (14 May 1652 - 14 December 1732) was a German baroque composer, statesman and doctor. Life Förtsch was born in Wertheim and possibly received his musical education from Johann Philipp Krieger. Moving to Hamburg in 1674 to write librettos, he then became in the 1680s one of the main composers in the heyday of the Oper am Gänsemarkt. In later life he returned to medicine. Works Operas (all lost) * Das unmöglichste Ding (Lukas von Bostel, after Lope de Vega, 1684) * Der hochmüthige, gestürzte und wieder erhabene Crösus (Lukas von Bostel, after Nicolò Minato, 1684) * Der Grosse Alexander in Sidon (Christian Heinrich Postel, after Aurelio Aureli, Hamburg 1688) * Die Heilige Eugenia, or the Conversion of Alexandria to Christianity (Christian Heinrich Postel, probably after Girolamo Bartolommei, Hamburg 1688) * Der im Christenthum biß in den Todt beständige Märtyrer Polyeuctes (Heinrich Elmenhorst, after Pierre Corneille, Hamburg 1688) * Der mächtige M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolaus Adam Strungk
Nicolaus Adam Strungk (christened 15 November 1640 in Braunschweig – 23 September 1700 in Dresden) was a German composer and violinist. Life Nicolaus Adam was the son of the organist Delphin Strungk. He studied organ under his father, then at the University of Helmstedt. From 1660 he studied violin with Nathanael Schnittelbach, performing for the Duke of Wolfenbüttel, and Kaiser Leopold I in Vienna. From 1665 he was chamber musician in the service of Prince Johann Friedrich in Hanover. In 1679 Strungk became director of the Hamburger Ratsmusik. In 1688 he succeeded Christian Ritter as deputy Kapellmeister and organist in Dresden, where in 1693 he succeeded Christoph Bernhard as Hofkapellmeister. He left after three years, in 1696, to take up directorship of the Leipzig Opera. He died of fever („am hitzigen Fieber“) a few years later. His fourth daughter, Dorothea Christine Lachs, was a noted poet and author of the libretto to Telemann's '' Germanicus''. Works Strunck ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Friedrich Händel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three commercial opera companies to supply the English nobility with Italian opera. In 1737, he had a physical bre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pratolino
The Villa di Pratolino was a Renaissance patrician villa in Vaglia, Tuscany, Italy. It was mostly demolished in 1822. Its remains are now part of the Villa Demidoff, 12 km north of Florence, reached from the main road to Bologna. History The villa was built by Francesco de' Medici, Grand Duke of Tuscany, in part to please his Venetian mistress, the celebrated Bianca Cappello. Villa and gardens were designed by his court architect, designer and engineer Bernardo Buontalenti, who completed the construction from 1569 to 1581. It was sufficiently finished to provide the setting for Francesco's public wedding to Bianca Cappello in 1579. In its time it was a splendid example of the Mannerist garden. Francesco had assembled most of the property, which was not a hereditary Medici possession, by September 1568, and construction began the following spring. The garden was laid out along a perfectly straight down-slope axis passing through the center of the villa, which stood midway. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
