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Onyx Records
Onyx Records, Inc., was a small, independent United States, American record label based in Manhattan, New York (state), New York, co-founded on July 15, 1971, by Joe Fields (producer), Joe Fields (1929–2017) and Don Schlitten (born 1932) and managed by Gentry McCreary (born 1941). Its address was at 160 West 71st Street on the Upper West Side. History Onyx flourished from its founding through 1978, re-issuing recordings, including those of Art Tatum, Hot Lips Page, Don Byas, and Charlie Parker. Its initial releases were selections from the Jerry Newman Collection ''(né'' Jerome Robert Newman; 1918–1970), who, in 1941, recorded live performances at clubs in Harlem while a student at Columbia University. The name "Onyx" was the namesake of four jazz clubs – all named the Onyx Club – all, at different times, on 52nd Street (Manhattan), West 52nd Street in Manhattan, but notably, the club that ran from 1942 to 1949 at the vanguard of bebop. Onyx Records received acclaim f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Fields (producer)
Joe Fields (1929 – July 12, 2017) was an American producer and record executive, active mainly in jazz music. Fields was born in Jersey City, New Jersey in 1929. He worked for Prestige Records as an executive in the 1960s. He and producer Don Schlitten cofounded Cobblestone Records, a subsidiary of Buddah Records, in 1972, and soon after founded Muse Records and its sister label Onyx Records. Schlitten split with Fields in 1978 to found the Xanadu label, after which Fields held sole control of Muse. Fields later sold Muse to Joel Dorn, who has released much of Muse's back catalog under the label 32 Jazz. Fields also owned the rights to the Savoy Records catalog for a time in the 1980s, having purchased the catalog from Arista Records, and subsequently selling it to Denon. (As of 2009, the library is controlled and distributed in the U.S. through Tokyo's Columbia Music Entertainment wholly owned Savoy Jazz label (the current owner of the Savoy Records masters.) Fields and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
52nd Street (Manhattan)
52nd Street is a -long one-way street traveling west to east across Midtown Manhattan, New York City. A short section of it was known as the city's center of jazz performance from the 1930s to the 1950s. Jazz center Following the repeal of Prohibition in 1933, 52nd Street replaced 133rd Street as "Swing Street" of the city. The blocks of 52nd Street between Fifth Avenue and Seventh Avenue became renowned for the abundance of jazz clubs and lively street life. The street was convenient to musicians playing on Broadway and the 'legitimate' nightclubs and was also the site of a CBS studio. Musicians who played for others in the early evening played for themselves on 52nd Street. In the period from 1930 through the early 1950s, 52nd Street clubs hosted such jazz musicians as Louis Prima, Art Tatum, Fats Waller, Billie Holiday, Trummy Young, Harry Gibson, Nat Jaffe, Dizzy Gillespie, Thelonious Monk, Charlie Parker, Miles Davis, Marian McPartland, and many more. Although musici ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Columbia Records
Columbia Records is an American record label owned by Sony Music, Sony Music Entertainment, a subsidiary of Sony Corporation of America, the North American division of Japanese Conglomerate (company), conglomerate Sony. It was founded on January 15, 1889, evolving from the Graphophone#Commercialization, American Graphophone Company, the successor to the Volta Laboratory and Bureau#Commercialization of phonograph patents, Volta Graphophone Company. Columbia is the oldest surviving brand name in the recorded sound business, and the second major company to produce records. From 1961 to 1991, its recordings were released outside North America under the name CBS Records International, CBS Records to avoid confusion with EMI's Columbia Graphophone Company. Columbia is one of Sony Music's four flagship record labels, alongside former longtime rival RCA Records, as well as Arista Records and Epic Records. Artists who have recorded for Columbia include AC/DC, Adele, Aerosmith, Julie And ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clark Monroe’s Uptown House
Clark Monroe's Uptown House, sometimes shortened to Monroe's Uptown House or simply Monroe's, was a nightclub in New York City. Along with Minton's Playhouse, it was one of the two principal jazz clubs in the early history of bebop. History Clark Monroe opened the Uptown House in the 1930s at 198 West 134th St in Harlem, in a building which formerly held Barron's Club (where Duke Ellington worked early in the 1920s) and the Theatrical Grill. From the late 1930s, the club presented swing jazz; Billie Holiday held a residence there for three months in 1937. In the early 1940s, the club became known for its jam sessions, where many of the players involved in the birth of bebop played together. Al Tinney led Monroe's house band, which included Max Roach, Benny Harris, "Little" Benny Harris, George Treadwell, and Victor Coulsen. Charlie Parker was a featured soloist at the club in 1943. An important live recording of Charlie Christian features a jam "session at Monroes". Monroe mov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minton's Playhouse
Minton's Playhouse is a jazz club and bar located on the first floor of the Cecil Hotel at 210 West 118th Street in Harlem, Manhattan, New York City. It is a registered trademark of Housing and Services, Inc. a New York City nonprofit provider of supportive housing. The door to the actual club itself is at 206 West 118th Street where there is a small plaque. Minton's was founded by tenor saxophonist Henry Minton in 1938. Minton's is known for its role in the development of modern jazz, also known as bebop, where in its jam sessions in the early 1940s, Thelonious Monk, Bud Powell, Kenny Clarke, Charlie Christian, Charlie Parker and Dizzy Gillespie pioneered the new music. Minton's thrived for three decades until its decline near the end of the 1960s, and its eventual closure in 1974. After being closed for more than 30 years, the newly remodeled club reopened on May 19, 2006, under the name Uptown Lounge at Minton's Playhouse. However, the reopened club was closed again in 2010. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Production Of Gramophone Records
In the production of phonograph records – discs that were commonly made of shellac, and later, vinyl – sound was recorded directly onto a master disc (also called the matrix, sometimes just the master) at the recording studio. From about 1950 on (earlier for some large record companies, later for some small ones) it became usual to have the performance first recorded on audio tape, which could then be processed and/or edited, and then dubbed on to the master disc. Background The grooves are engraved into the master disc on a mastering lathe. Early versions of these master discs were soft wax, and later a harder lacquer was used. The mastering process was originally something of an art as the operator had to manually allow for the changes in sound which affected how wide the space for the groove needed to be on each rotation. Sometimes the engineer would sign his work, or leave humorous or cryptic comments in the lead-out groove area, where it was normal to scratch or stam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acetate Disc
An acetate disc (also known as a ''lacquer'', ''test acetate'', ''dubplate'', or ''transcription disc'') is a type of phonograph record generally used from the 1930s to the late 1950s for recording and broadcast purposes and still in limited use today. Acetate discs are used for the production of records. Unlike ordinary vinyl records, which are quickly formed from lumps of plastic by a mass-production molding process, an acetate disc is created by using a recording lathe to cut an audio-signal-modulated groove into the surface of a lacquer-coated blank disc, a sequential operation requiring expensive, delicate equipment and expert skill for good results. The disc is then coated in metal, which is then peeled off to form a negative that will later be electroplated and peeled to create a mother (positive copy) which is then again electroplated and peeled to create negatives called stampers, which are then used as molds in a record press. In addition to their use in the creation o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jay McShann
James Columbus "Jay" McShann (January 12, 1916 – December 7, 2006) was an American jazz pianist, vocalist, composer, and bandleader. He led bands in Kansas City, Missouri, that included Charlie Parker, Bernard Anderson (trumpeter), Bernard Anderson, Walter Brown (singer), Walter Brown, and Ben Webster. Early life and education McShann was born in Muskogee, Oklahoma, Muskogee, Oklahoma, and was nicknamed Hootie. During his youth he taught himself how to play the piano through observing his sister's piano lessons and trying to practicing tunes he heard off the radio. He was also heavily influenced by late-night broadcasts of pianist Earl Hines from Chicago's Grand Terrace Cafe: "When 'Fatha' (''Hines'') went off the air, I went to bed". He began working as a professional musician in 1931 at the age of 15, performing around Tulsa, Oklahoma, and neighboring Arkansas. Career 1936–44 McShann moved to Kansas City, Missouri, in 1936, and set up his own big band which variously fea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wichita, Kansas
Wichita ( ) is the largest city in the U.S. state of Kansas and the county seat of Sedgwick County, Kansas, Sedgwick County. As of the 2020 United States census, 2020 census, the population of the city was 397,532. The Wichita metro area had a population of 647,610 in 2020. It is located in south-central Kansas on the Arkansas River. Wichita began as a trading post on the Chisholm Trail in the 1860s and was incorporated as a city in 1870. It became a destination for Cattle drives in the United States, cattle drives traveling north from Texas to Kansas railroads, earning it the nickname "Cowtown".Miner, Prof. Craig (Wichita State Univ. Dept. of History), ''Wichita: The Magic City'', Wichita Historical Museum Association, Wichita, KS, 1988Howell, Angela and Peg Vines, ''The Insider's Guide to Wichita'', Wichita Eagle & Beacon Publishing, Wichita, KS, 1995 Wyatt Earp served as a police officer in Wichita for around one year before going to Dodge City, Kansas, Dodge City. In the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
KFTI
KFTI (1070 AM) is a radio station broadcasting a classic country music format. Licensed to Wichita, Kansas, United States, the station serves the Wichita area. The station is owned by SummitMedia. KFTI is one of oldest stations in Kansas, dating to 1923, when it was founded as KFKB in Milford by the notorious "goat gland doctor", J. R. Brinkley. History Establishment in Milford as KFKB The station was first licensed, as KFKB, on September 20, 1923 to the Brinkley-Jones Hospital Association in the small town of Milford, Kansas, transmitting on 1050 kHz. The call letters were randomly assigned from an alphabetical roster of available call signs, with the slogans of "Kansas Folks Know Best" and "Kansas First, Kansas Best" later adopted based on the call sign. John R. Brinkley was the dominant force for both the hospital and for KFKB. He became interested in the potential of radio broadcasting soon after its introduction in the early 1920s. Brinkley was promoting a "goat gland" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transcription Disc
Electrical transcriptions are special phonograph recordings made exclusively for radio broadcasting,Browne, Ray B. and Browne, Pat, Eds. (2001). ''The Guide to United States Popular Culture''. The University of Wisconsin Press. . P. 263. which were widely used during the "Golden Age of Radio". They provided material—from station-identification jingles and commercials to full-length programs—for use by local stations, which were affiliates of one of the radio networks. Physically, electrical transcriptions look much like long-playing records that were popular for decades. They differ from consumer-oriented recordings, however, in that they were "distributed to radio stations for the purpose of broadcast, and not for sale to the public. The ET had higher quality audio than was available on consumer records"Hull, Geoffrey P. (2011). ''The Music and Recording Business: Delivering Music in the 21st Century''. Routledge. . P. 327. largely because they had less surface noise than comm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dan Morgenstern
Dan Morgenstern (born October 24, 1929) is a jazz writer, editor, archivist, and producer. He is the son of the German-language Jewish author Soma Morgenstern. Morgenstern was raised in Vienna and Copenhagen and arrived in the United States in 1947. He wrote for ''Jazz Journal'' from 1958 to 1961, then edited several jazz magazines: ''Metronome'' in 1961, ''Jazz'' from 1962 to 1963, and ''Down Beat'' from 1967 to 1973. In 1976, he was named director of Rutgers–Newark's Institute of Jazz Studies, where he continued the work of Marshall Stearns and made the Institute the world's largest collection of jazz documents, recordings, and memorabilia. Over the course of his career, Morgenstern has arranged concerts (including the Jazz in the Garden series at the Museum of Modern Art); produced and hosted television and radio programs; taught jazz history at universities and conservatories; and served as a panelist for jazz festivals and awards across the U.S. and Europe. Morgenstern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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