One Shot (film)
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One Shot (film)
A one-shot cinema (also one-take film, single-take film, or continuous shot feature film) is a full-length movie filmed in one long take by a single camera, or manufactured to give the impression it was. Use and theory In a 2019 article, discussing the award-winning film 1917 (2019 film), ''1917'' (2019), Eric Grode of ''The New York Times'' wrote that very long takes were becoming popular in more mainstream films "as a sobering reminder of temporality, a virtuosic calling card, a self-issued challenge or all of the above", also citing the Academy Awards, Academy Award-winner from several years prior, Birdman (film), ''Birdman'' (2014). History Grode notes that before such films as ''1917'' and ''Birdman'', the idea of experimenting with long uninterrupted takes had a history of over 80 years, with Alfred Hitchcock being a pioneer. Aside from early experiments like ''Young and Innocent'' and ''Notorious (1946 film), Notorious'', the most famous early example of a film that ext ...
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Long Take
In filmmaking, a long take (also called a continuous take or continuous shot) is a shot with a duration much longer than the conventional editing pace either of the film itself or of films in general. Significant camera movement and elaborate blocking are often elements in long takes, but not necessarily so. The term "long take" should not be confused with the term "long shot", which refers to the distance between the camera and its subject and not to the temporal length of the shot itself. The length of a long take was originally limited to how much film the magazine of a motion picture camera could hold, but the advent of digital video has considerably lengthened the maximum potential length of a take. Early examples When filming ''Rope'' (1948), Alfred Hitchcock intended for the film to have the effect of one long continuous take, but the camera magazines available could hold not more than 1000 feet of 35 mm film. As a result, each take used up to a whole roll of film and lasts ...
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