One Mint Julep
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One Mint Julep
"One Mint Julep" is a R&B song, written and composed by Rudy Toombs, that became a 1952 hit for the Clovers. History "One Mint Julep" was recorded on the Atlantic Records label in New York City on December 19, 1951, and released in March 1952. It was one of the first "drinking songs" to become a hit and one of the first to feature a tenor saxophone solo. It was an important step in the history of Ahmet Ertegun and Atlantic Records in its quest to become a hot rhythm and blues label. Stylistically, the Clovers were moving away from the sentimental lyrics of the romantic doo-wop group songs and adapting a cooler group style, emphasizing rhythm more, nearing the style of a jump blues combo. Toombs had been hired by the Atlantic Records label to write and compose humorous up-tempo rhythm and blues novelty songs. Atlantic wanted material that was true to life, but also funny. The humor in this song comes in part from the idea of a young black man getting drunk on mint juleps, traditio ...
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The Clovers
The Clovers are an American rhythm and blues/doo-wop vocal group who became one of the biggest selling acts of the 1950s.The Guinness Who's Who of Fifties Music. General Editor: Colin Larkin. First published 1993 (UK). . The Clovers p77. They had a top 30 US hit in 1959 with the Leiber and Stoller song "Love Potion No. 9 (song), Love Potion No. 9". History 1946 to 1960 The group was formed at Armstrong High School, Washington, D.C., in 1946 by Harold Lucas (baritone), Billy Shelton and Thomas Woods. Initially a trio, they expanded to a quartet with the addition of John "Buddy" Bailey (lead) and began calling themselves The Four Clovers. Billy Shelton was replaced by Matthew McQuater (tenor) in 1948. As The Four Clovers, the group started to appear at local amateur music shows including the WWDC amateur hour show hosted by Jack Lowe Endler at the Republic Theatre. This brought them to the attention of a wider audience including Harold Winley (bass) who, after hearing them on WWDC, ...
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One Scotch, One Bourbon, One Beer
"One Bourbon, One Scotch, One Beer" (originally "One Scotch, One Bourbon, One Beer") is a blues song written by Rudy Toombs and recorded by Amos Milburn in 1953. It is one of several drinking songs recorded by Milburn in the early 1950s that placed in the top ten of the Billboard R&B chart. Other artists released popular recordings of the song, including John Lee Hooker in 1966 and George Thorogood in 1977. Original song "One Scotch, One Bourbon, One Beer" is one of Amos Milburn's popular alcohol-themed songs, that included "Bad, Bad Whiskey" (1950), "Thinking and Drinking" (1952), "Let Me Go Home, Whiskey" (1953), and "Good Good" Whiskey" (1954). Written by Rudy Toombs, is a mid-tempo song, sometimes described as a jump blues. Milburn recorded the song on June 30, 1953, at Audio-Video Recording studios in New York City. The lyrics tell the story of a man who is "in a bar at closing time trying to get enough booze down his neck to forget that his girlfriend's gone AWOL, harassin ...
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Earl Palmer
Earl Cyril Palmer (October 25, 1924 – September 19, 2008) was an American drummer. Considered one of the inventors of rock and roll, he is a member of the Rock and Roll Hall of Fame. Palmer was one of the most prolific studio musicians of all time and played on thousands of recordings, including nearly all of Little Richard's hits, all of Fats Domino's hits, "You've Lost That Lovin' Feelin'" by the Righteous Brothers, and a long list of classic TV and film soundtracks. According to one obituary, "his list of credits read like a Who's Who of American popular music of the last 60 years". Biography Born into a show-business family in New Orleans and raised in the Tremé district, Palmer started his career at five as a tap dancer, joining his mother and aunt on the black vaudeville circuit in its twilight and touring the country extensively with Ida Cox's Darktown Scandals Review. His father is thought to have been the local pianist and bandleader Walter "Fats" Pichon. Palmer ...
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Freddie Hubbard
Frederick Dewayne Hubbard (April 7, 1938 – December 29, 2008) was an American jazz trumpeter. He played bebop, hard bop, and post-bop styles from the early 1960s onwards. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop. Career beginnings Hubbard started playing the mellophone and trumpet in his school band at Arsenal Technical High School in Indianapolis, Indiana. Trumpeter Lee Katzman, former sideman with Stan Kenton, recommended that he begin studying at the Arthur Jordan Conservatory of Music (now the Jordan College of the Arts at Butler University) with Max Woodbury, the principal trumpeter of the Indianapolis Symphony Orchestra. In his teens, Hubbard worked locally with brothers Wes and Monk Montgomery, and worked with bassist Larry Ridley and saxophonist James Spaulding. In 1958, at the age of 20, he moved to New York and began playing with some of the best jazz players of the era, including Philly Joe Jones, Sonny Rollin ...
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Count Basie
William James "Count" Basie (; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams. Biography Early life and education William Basie was born to Lillian and Harvey Lee Basie in Red Bank, New Jersey. His father worked as a coachman and caretaker for a wealthy judge. After automobiles replaced ...
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Alfred "Pee Wee" Ellis
Alfred James Ellis (April 21, 1941 – September 23, 2021), known as Pee Wee Ellis due to his diminutive stature, was an American saxophonist, composer, and arranger. With a background in jazz, he was a member of James Brown's band in the 1960s, appearing on many of Brown's recordings and co-writing hits like "Cold Sweat" and "Say It Loud – I'm Black and I'm Proud". He also worked with Van Morrison. In the 2014 biographical movie '' Get on Up'' about James Brown, Ellis is played by Tariq Trotter. Ellis resided in England for the last 30 years of his life. Early life Ellis was born on April 21, 1941 in Bradenton, Florida to his mother Elizabeth and his father Garfield Devoe Rogers, Jr. His father left when he was a young boy, and In 1949, his mother married Ezell Ellis, an organizer of musicians for local dance bands. The family settled in Lubbock, Texas, "a highly segregated town", according to Ellis who gained his nickname "Pee Wee" from musicians staying at the family ho ...
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Duane Eddy
Duane Eddy (born April 26, 1938) is an American rock and roll guitarist. In the late 1950s and early 1960s, he had a string of hit records produced by Lee Hazlewood, which were noted for their characteristically "twangy" sound, including "Rebel-'Rouser", "Peter Gunn", and "Because They're Young". He had sold 12 million records by 1963. He was inducted into the Rock and Roll Hall of Fame in 1994, and the Musicians Hall of Fame and Museum in 2008. Early life Eddy was born in Corning, New York. He began playing the guitar at the age of five. In 1951, his family moved to Tucson, and then to Coolidge, Arizona. At the age of 16 he formed a duo, Jimmy and Duane, with his friend Jimmy Delbridge (who later recorded as Jimmy Dell). Career While performing at local radio station KCKY, they met disc jockey Lee Hazlewood, who produced the duo's single, "Soda Fountain Girl", recorded and released in 1955 in Phoenix. Hazlewood then produced Sanford Clark's 1956 hit, "The Fool", featuring g ...
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Ray Stevens
Harold Ray Ragsdale (born January 24, 1939), known professionally as Ray Stevens, is an American country and pop singer-songwriter and comedian, known for his Grammy-winning recordings "Everything Is Beautiful" and "Misty", as well as novelty hits such as "Gitarzan" and "The Streak". Stevens has received gold albums for his music sales and has worked as a producer, music arranger, and television host. He is also an inductee of the Nashville Songwriters Hall of Fame, the Georgia Music Hall of Fame, the Christian Music Hall of Fame, and the Country Music Hall of Fame and Museum. Early life Harold Ray Ragsdale was born on January 24, 1939, in Clarkdale, Georgia. He is the elder of two sons born to Willis Harold Ragsdale (1915–2001) and Frances Stephens Ragsdale (1916–97). He has a younger brother, John, who was an actor and writer. John died in 2020 at the age of 75. While attending high school, Stevens formed his first band, a rhythm and blues group named The Barons. Follow ...
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Chet Atkins
Chester Burton Atkins (June 20, 1924 – June 30, 2001), known as "Mr. Guitar" and "The Country Gentleman", was an American musician who, along with Owen Bradley and Bob Ferguson, helped create the Nashville sound, the country music style which expanded its appeal to adult pop music fans. He was primarily a guitarist, but he also played the mandolin, fiddle, banjo, and ukulele, and occasionally sang. Atkins's signature picking style was inspired by Merle Travis. Other major guitar influences were Django Reinhardt, George Barnes, Les Paul, and, later, Jerry Reed. His distinctive picking style and musicianship brought him admirers inside and outside the country scene, both in the United States and abroad. Atkins spent most of his career at RCA Victor and produced records for the Browns, Hank Snow, Porter Wagoner, Norma Jean, Dolly Parton, Dottie West, Perry Como, Floyd Cramer, Elvis Presley, the Everly Brothers, Eddy Arnold, Don Gibson, Jim Reeves, Jerry Reed, Sk ...
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Louis Prima
Louis Leo Prima (December 7, 1910 – August 24, 1978) was an American singer, songwriter, bandleader, and trumpeter. While rooted in New Orleans jazz, swing music, and jump blues, Prima touched on various genres throughout his career: he formed a seven-piece New Orleans-style jazz band in the late 1920s, fronted a swing combo in the 1930s and a big band group in the 1940s, helped to popularize jump blues in the late 1940s and early to mid 1950s, and performed frequently as a Vegas lounge act beginning in the 1950s. From the 1940s through the 1960s, his music further encompassed early R&B and rock 'n' roll, boogie-woogie, and Italian folk music, such as the tarantella. Prima made prominent use of Italian music and language in his songs, blending elements of his Italian and Sicilian identity with jazz and swing music. At a time when ethnic musicians were discouraged from openly stressing their ethnicity, Prima's conspicuous embrace of his Sicilian ethnicity opened the doors ...
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Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky Ne ...
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List Of Number-one Rhythm And Blues Hits (United States)
Linked here are ''Billboard'' magazine's number-one rhythm and blues hits. The ''Billboard'' R&B chart is today known as the Hot R&B/Hip-Hop Songs chart. History From May 22, 1948 to October 13, 1958, multiple charts were published, which explains the overlap in the dates of the charts. The 1942 "Harlem Hit Parade" chart, based on juke box plays, became the "Race Records Juke Box" chart in 1945, and the "Race Record Best Sellers" chart, based on sales, began in parallel in 1948. They were renamed as R&B charts in 1949. A third, "Jockeys" chart, based on radio airplay, was introduced in 1955, and a unified chart was only introduced in 1958. Because of the existence of multiple charts, some dates had more than one number-one song during the week. Gap in the chart From November 30, 1963 to January 23, 1965 there was no ''Billboard'' R&B singles chart. Some publications have used ''Cashbox'' magazine's stats in their place. No specific reason has ever been given as to why ''Billbo ...
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