One In Ten (organization)
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One In Ten (organization)
"One in Ten" is a song by British reggae band UB40, released in July 1981 as a single from their second album ''Present Arms (album), Present Arms''. It became the band's fourth top-ten hit, peaking at number seven on the UK Singles Chart. Background and release The song title refers to the approximately 10% of the local workforce claiming Unemployment benefit#United Kingdom, unemployment benefit in the band's home region of West Midlands (region), West Midlands in the summer of 1981 when the song was recorded and released. It is a protest again the then-Prime minister, Prime Minister Margaret Thatcher at a time when there was rising unemployment and inequality in the UK. The song also highlights the inequalities in the UK and around the world, referencing poverty, hunger, suicide, drug addiction and homelessness. "One in Ten" was released in the UK as a double A-side single with "Present Arms in Dub", a Dub music, dub version of the ''Present Arms'' title track which was incl ...
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UB40
UB40 are an English reggae and pop band, formed in December 1978 in Birmingham, England. The band has had more than 50 singles in the UK Singles Chart, and has also achieved considerable international success. They have been nominated for the Grammy Award for Best Reggae Album four times, and in 1984 were nominated for the Brit Award for Best British Group. UB40 have sold over 70 million records worldwide. The ethnic make-up of the band's original line-up was diverse, with musicians of English, Welsh, Irish, Jamaican, Scottish, and Yemeni parentage. Their hit singles include their debut " Food for Thought" and two ''Billboard'' Hot 100 number ones with " Red Red Wine" and " Can't Help Falling in Love". Both of these also topped the UK Singles Chart, as did the band's version of " I Got You Babe". Their two most successful albums, '' Labour of Love'' (1983) and '' Promises and Lies'' (1993), reached number one on the UK Albums Chart. UB40 and the English ska band Madness ...
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Media Research Information Bureau
The Media Research Information Bureau (MRIB) was a music chart research company that operated in the United Kingdom from 1981 to 2008. It was best known for compiling the chart data for ''The Network Chart Show'' which was broadcast by many TV and radio shows, as well as being published in many music newspapers and magazines. MRIB also compiled other genre charts for the United Kingdom. History Foundation MRIB was founded in 1981, by Luke Crampton, and Dafydd Rees. In December 1984, data from MRIB showed that pirate radio station Laser 558 had an audience of nearly five million people. The Network Chart MRIB's ''Network Chart'' was a rival competitor to the "official" UK chart that was compiled by Gallup and that is now published by the Official Charts Company (OCC). MRIB's ''Network Chart'' was broadcast by more than 40 commercial and Independent Local Radio stations. It was reported in March 1991 that the ''Network Chart'' compiled by MRIB had a radio audience size that was g ...
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You Got The Love
"You Got the Love" is a song by British songwriting team The Source featuring American singer-songwriter Candi Staton. Originally released in 1986, the song was remixed and re-released in 1991, 1997, and 2006. It reached number three on the UK Singles Chart, number two on the UK Dance Singles Chart and number one on the UK Club Chart. The song has been covered by other artists, including a version by English indie rock band Florence and the Machine in 2009, which reached number five on the UK chart. The Now Voyager Remix of the song was used for the theme tune of live Football League coverage on Sky Sports until the start of the 2014ā€“15 season. Background and release The original version is a soul/disco/gospel track, written by Anthony B. Stephens, Arnecia Michelle Harris and John Bellamy. British DJ Simon Harris was the first person to discover and license the song in 1986 when he was looking for tracks to release on his newly formed Music of Life label with DJ Froggy, Har ...
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Dub Be Good To Me
"Dub Be Good to Me" is a song by British dub group Beats International featuring singer Lindy Layton, released on 24 January 1990 as the first single from their debut album, '' Let Them Eat Bingo'' (1990). It was written by frontman Norman Cook and interprets the SOS Band's 1983 hit "Just Be Good to Me", which it is named after. It also samples the songs "The Guns of Brixton" by the Clash, the ''Once Upon a Time in the West'' theme by Ennio Morricone, and "Jam Hot" by Johnny Dynell. "Dub Be Good to Me" was a number-one hit in the United Kingdom and Israel, and also hit number one on the ''Billboard'' Hot Dance Club Play chart in the United States. It is generally considered the band's signature song. MTV Dance ranked "Dub Be Good to Me" number 59 in their list of "The 100 Biggest 90's Dance Anthems of All Time" in 2011. Production Written by Norman Cook (aka Fatboy Slim), "Dub Be Good to Me" was the sole number one single for Cook's outfit Beats International. The track star ...
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Beats International
Beats International were a British dance music band and hip-hop collective, formed in the late 1980s by Norman Cook (later in his career known as Fatboy Slim) based in Brighton, East Sussex, England, after his departure from the Housemartins. A loose confederation of musicians, the line-up also included vocalist Lindy Layton, former North of Cornwallis vocalist Lester Noel, rappers DJ Baptiste (The Crazy MC), MC Wildski and keyboardist Andy Boucher. Unusually, the band's live line-up also incorporated a graffiti artist, REQ, who painted designs on a backdrop while the musicians played. Biography After having a few small hits under his own name such as "Blame It on the Bassline", a 1989 hip-house crossover single featuring MC Wildski, and "For Spacious Lies" with Lester Noel, Cook decided that further releases would be under the collective name "Beats International" - just one of the names he went on to use in the 1990s. Beats International's debut studio album, '' Let Them Eat ...
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Sound On Sound
''Sound on Sound'' is an independently owned monthly music technology magazine published by SOS Publications Group, based in Cambridge, United Kingdom. The magazine includes product tests of electronic musical performance and recording devices, and interviews with industry professionals. Due to its technical focus, it is predominantly aimed at the professional recording studio market as well as artist project studios and home recording enthusiasts. All news and articles printed in the magazine since January 1994 have also been published online via its website, often including rich media content such as video and audio files that correspond to the content of individual articles. The articles printed in the magazine before January 1994 can be found on the Mu:zines website. History The magazine was conceived, created and founded by brothers Ian and Paul Gilby in 1985, and was originally launched in 1985 on the UK Channel 4 television programme, '' The Tube'', championing the conve ...
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Mashup (music)
A mashup (also mesh, mash up, mash-up, blend, bastard pop or bootleg) is a creative work, usually a song, created by blending two or more pre-recorded songs, typically by superimposing the vocal track of one song seamlessly over the instrumental track of another and changing the tempo and key where necessary. Such works are considered "transformative" of original content and in the United States they may find protection from copyright claims under the "fair use" doctrine of copyright law. History The 1967 Harry Nilsson album ''Pandemonium Shadow Show'' features what is nominally a cover of the Beatles' "You Can't Do That" but actually introduced the "mashup" to studio-recording. Nilsson's recording of "You Can't Do That" mashes his own vocal recreations of more than a dozen Beatles songs into this track. Nilsson conceived the combining of many overlaying songs into one track after he played a chord on his guitar and realized how many Beatles songs it could apply to. This recordi ...
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Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect units to ...
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ZTT Records
ZTT Records is a British record label founded in 1983 by record producer Trevor Horn, Horn's wife and businesswoman Jill Sinclair, and ''New Musical Express'' (NME) journalist Paul Morley. The label's name was also stylised as ZANG TUMB TUUM and ZANG TUUM TUMB on various releases. In December 2017, Universal Music Group (UMG) acquired ZTT Records, along with Stiff Records. The ZTT and Stiff back catalogues were licensed to BMG Rights Management under Union Square Music until 2022, when Universal relaunched the label. History ZTT is an initialism of Filippo Tommaso Marinetti's sound poem ''Zang Tumb Tumb'', which described 'zang tumb tumb' as the sound of a machine gun. It is believed that they likely got the idea for the name via John McGeoch, who produced the Swedish pop-funk band Zzzang Tumb's eponymous 1983 album around the same time as the label was founded. The majority of the creative team at ZTT had first assembled when Horn produced the album ''The Lexicon of Love'' fo ...
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House Music
House is a music genre characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by Disc jockey, DJs and music producers from Chicago metropolitan area, Chicago's underground Clubbing (subculture), club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African Americans, African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson ("Together Again (Janet Jackson song), Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogu ...
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Breakbeat
Breakbeat is a broad type of electronic music that tends to use drum breaks sampled from early recordings of funk, jazz, and R&B. Breakbeats have been used in styles such as hip hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles (including 2-step, breakstep and dubstep). Etymology The origin of the word "breakbeat" is the fact that the drum loops that were sampled occurred during a "break" in the music - for example the '' Amen break'' (a drum solo from " Amen, Brother" by The Winstons) or the '' Think Break'' (from "Think (About It)" by Lyn Collins). History 1970sā€”1980s: Classic breaks and hip hop production Beginning in 1973 and continuing through the late 1970s and early 1980s, hip hop turntablists, such as DJ Kool Herc began using several funk breaks in a row, using drum breaks from jazz-funk tracks such as James Brown's "Funky Drummer" and The Winstons' "Amen Brother", to form the rhythmic base for hip hop songs. DJ Kool Herc's breaks st ...
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