Oliver Schwerdt
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Oliver Schwerdt
Oliver Schwerdt (born 13 November 1979) is a German musicologist and musician (piano, percussion) in the field of free improvisation. Academic career Born in Eisenach, Schwerdt attended school in Eisenach until his university entrance qualification and received classical piano lessons at the municipal music school there. He did his military service as a piano accompanist in the training music corps of the German armed forces. He began his studies of music and cultural sciences as well as art history at the Leipzig University in 1999 and completed them in 2006 with a master's thesis on Georg Simmel and Dadaism submitted to . In 2012 he received his doctorate from Sebastian Klotz at the , for which he also worked as a lecturer. His dissertation focuses on the musical strategies of central actors in the scene of free improvised music in the wake of Free Jazz and their spatial theoretical interpretation. He has taught at the Museum of Musical Instruments of Leipzig University and with ...
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Musicologist
Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus (psychological, sociological, acoustical, neurological, computational). Some geographers and anthropologists have an interest in musicology so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist. Musicology traditionally is divided in three main branches: historical musicology, systematic musicology and ethnomusicology. Historical musicologists mostly study the history of the western classical music tradition, though the study of music history need not be limited to that. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aesthe ...
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Paul Lovens
Paul Lovens (born 6 June 1949) is a German musician. He plays drums, percussion, singing saw, and cymbals. He has performed with the Aardvark Jazz Orchestra and Berlin Contemporary Jazz Orchestra. He was born in Aachen, Germany. In the early 1970s, he was part of a trio with pianist Alexander von Schlippenbach. Since then he has worked with Cecil Taylor, Harri Sjöström, Günther Christmann, Eugene Chadbourne, Peter Brötzmann, Teppo Hauta-Aho, Mats Gustafsson, Thomas Lehn, Phil Wachsmann, Rajesh Mehta and Joëlle Léandre. He also played with Florian Schneider and Ebehard Kranemann in an early incarnation of Kraftwerk. Since 1967, Lovens has run the record label Po Torch with Paul Lytton. Discography As leader * ''Voerkel/Frey/Lovens'' (FMP, 1976) * ''Carpathes'' with Michel Pilz, Peter Kowald (FMP, 1976) * ''Was It Me'' with Paul Lytton (Po Torch, 1977) * ''Paul Rutherford/Paul Lovens'' (Po Torch, 1978) * ''Moinho Da Asneira'' with Paul Lytton (Po Torch, 1980) * ''We ...
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Sven-Åke Johansson
Sven-Åke Johansson (born 1943 in Mariestad) is a Swedish composer, drummer, poet, author and visual artist associated with European free jazz and free improvisation, who has lived in Berlin since 1968. Johansson is one of the first European free jazz drummers: he was part of the Peter Brötzmann trio that recorded '' For Adolphe Sax'' (1967) and ''Machine Gun'' (1968), alongside bassist Peter Kowald. Johansson briefly joined an early incarnation of Tangerine Dream in 1968, played in the Globe Unity Orchestra and with German reedist Alfred Harth and Belgian pianist Nicole Van den Plas in E.M.T. In 1972, he recorded and released ''Schlingerland'', one of the first solo free jazz recordings by a drummer. Johansson formed a long-running duo with pianist Alexander von Schlippenbach in 1976. Johansson has contributed to numerous exhibitions, publications and hundreds of recordings. He has also produced radio plays for several German radio stations. Since 2010, he has been working i ...
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Barre Phillips
Barre Phillips (born October 27, 1934, in San Francisco, California, United States) is an American jazz bassist. A professional musician since 1960, he moved to New York City in 1962, then to Europe in 1967. Since 1972, he has been based in southern France where, in 2014, he founded the European Improvisation Center. He studied briefly in 1959 with S. Charles Siani, Assistant Principal Bassist with the San Francisco Symphony. During the 1960s, he recorded with (among others) Eric Dolphy, Jimmy Giuffre, Archie Shepp, Peter Nero, Attila Zoller, Lee Konitz and Marion Brown. Phillips' 1968 recording of solo bass improvisations, issued as ''Journal Violone'' in the US, ''Unaccompanied Barre'' in England, and ''Basse Barre'' in France on Futura Records, is generally credited as the first solo bass record. A 1971 record with Dave Holland, ''Music from Two Basses'', was probably the first record of improvised double bass duets. In the 1970s, he was a member of the well-regarded and inf ...
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Axel Dörner
Axel Dörner (born 26 April 1964 in Cologne, Germany) is a German trumpeter, pianist, and composer. Biography Dörner studied piano in the Dutch town Arnhem (1988–89) and at the Music Academy in Cologne (1989–1996). From 1991 he studied trumpet with Malte Burba, and during his studies he collaborated with trumpeter Bruno Light as the Street Fighters Duo. The duo expanded to form the Street Fighters Quartet and the Street Fighters Double Quartet, with members including Matthias Schubert, Bruno Leicht, and Claudio Puntin. He formed the Axel Dörner Quartet with Frank Gratkowski, Hans Schneider, and Martin Blume, and played with saxophonist Matthias Petzold on the albums ''Lifelines'' and ''Psalmen Und Lobgesänge''. Dörner has lived in Berlin since 1994 and is an integral part of the Berlin scene of new improvisational and experimental music. Besides playing solo and in his trio TOOT (with Phil Minton and Thomas Lehn), he has played with artists such as Otomo Yoshihide and ...
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Frank Möbus
Frank or Franks may refer to: People * Frank (given name) * Frank (surname) * Franks (surname) * Franks, a medieval Germanic people * Frank, a term in the Muslim world for all western Europeans, particularly during the Crusades - see Farang Currency * Liechtenstein franc or frank, the currency of Liechtenstein since 1920 * Swiss franc or frank, the currency of Switzerland since 1850 * Westphalian frank, currency of the Kingdom of Westphalia between 1808 and 1813 * The currencies of the German-speaking cantons of Switzerland (1803–1814): ** Appenzell frank ** Argovia frank ** Basel frank ** Berne frank ** Fribourg frank ** Glarus frank ** Graubünden frank ** Luzern frank ** Schaffhausen frank ** Schwyz frank ** Solothurn frank ** St. Gallen frank ** Thurgau frank ** Unterwalden frank ** Uri frank ** Zürich frank Places * Frank, Alberta, Canada, an urban community, formerly a village * Franks, Illinois, United States, an unincorporated community * Franks, Missouri, United Stat ...
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Ernst-Ludwig Petrowsky
Ernst-Ludwig Petrowsky (10 December 1933 – 10 July 2023), often called Luten Petrowsky, was a German jazz saxophonist, clarinetist, flautist, composer and author. He is considered the father of free jazz in East Germany (GDR). He was one of few jazz musicians permitted to play in the West already in the 1960s. Petrowsky played in the 1973 quartet recording ''Just for fun'', the first of jazz musicians from both East and West. He took part in more than a hundred recordings between 1963 and 2016, with groups such as Synopsis and Zentralquartett, and with his singer wife, Uschi Brüning. Life and career Petrowsky was born in Güstrow on 10 December 1933. He attended school with Uwe Johnson, later to become a novelist. He received violin lessons for six years. As a jazz musician he was self-taught, having listened to records. He began studies of music pedagogy at the Musikhochschule Weimar in 1956 but dropped out. From 1957 he played in various bands. He became a founding mem ...
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Paul Rutherford (trombonist)
Paul William Rutherford (29 February 1940 – 5 August 2007) was an English free improvising trombonist. Biography Born in Greenwich, South East London, England, Rutherford initially played saxophone but switched to trombone. During the 1960s, he taught at the Guildhall School of Music and Drama. In 1970, Rutherford, guitarist Derek Bailey and bassist Barry Guy formed the improvising group Iskra 1903, which lasted until 1973. The formation was documented on a double album from Incus, later reissued with much bonus material on the three-CD set ''Chapter One'' (Emanem, 2000). A film soundtrack was separately released as ''Buzz Soundtrack''. Iskra 1903 was one of the earliest free improvising groups to omit a drummer/percussionist, permitting the players to explore a range of textures and dynamics which set it apart from such other contemporary improvising ensembles as SME and AMM. The group's unusual name is the Slavic word for "spark"; it was the title of the ''Iskra'' re ...
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Rudi Mahall
Rudi Mahall (born December 23, 1966) is a contemporary jazz bass clarinetist. While studying classical clarinet, Mahall shifted towards contemporary music, improvisation and jazz. He is, or was a member of following bands: Avantgardeband ''Die Hartmann 8'', Der Rote Bereich (initially comprehending Frank Möbus, Marty Cook, Jim Black und Henning Sievert), the Trio ''Tiefe töne für Augen und Ohren'' (with Sievert and Bill Elgart), Carlos Bicas ''Azul'' and ''Die Enttäuschung'' (amongst others with Axel Dörner, Jan Roder). He carried out several projects and published CDs with Aki Takase, about the work of Eric Dolphy and others. Mahall participated to Alexander von Schlippenbach's recording of the complete works of Thelonious Monk, published by a prestigious Swiss label, and he is a member of the Globe Unity Orchestra. Moreover, he performed with Conny Bauer, Lee Konitz, Barry Guy, Karl Berger, Paul Lovens, Sven-Åke Johansson, Radu Malfatti, Ed Schuller, Ray Anderson (mus ...
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Friedrich Schenker
Friedrich Schenker (23 December 19428 February 2013) was a German avant-garde composer and trombone player. Life Born in the German town of Zeulenroda, Schenker learned trombone and piano as a child and made his first compositional attempts at the age of 10. At the Hochschule für Musik "Hanns Eisler" in Berlin he studied trombone from 1961 to 1964 with Helmut Stachowiak and music composition with Eisler's student Günter Kochan. During his studies he taught himself the technique of dodecaphony and played in a jazz band. After the instrumental Staatsexamen in 1964 he was employed as principal trombonist in the Rundfunk-Sinfonieorchester Leipzig until 1982. He continued his composition studies in evening classes at the University of Music and Theatre Leipzig until in 1968 with Fritz Geißler. In 1970 he founded the Gruppe Neue Musik Hanns Eisler with the oboisten Burkhard Glaetzner and six other musicians from the ''Rundfunk-Sinfonieorchester'' and the Gewandhaus orchester in ...
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Neue Musik
Neue Musik (English ''new music'', French ''nouvelle musique'') is the collective term for a wealth of different currents in composed Western art music from around 1910 to the present. Its focus is on compositions of 20th century music. It is characterised in particular by – sometimes radical – expansions of tonal, harmonic, melodic and rhythmic means and forms. It is characterised by the search for new sounds, new forms or new combinations of old styles, which is partly a continuation of existing traditions, partly a deliberate break with tradition and appears either as ''progress'' or as ''renewal'' (neo- or post-styles). Roughly speaking, Neue Musik can be divided into the period from around 1910 to the Second World War – often referred to as "modernism" – and the reorientation after the Second World War, which is perceived as "radical" – usually apostrophised as ''avant-garde'' – up to the present. The latter period is sometimes subdivided into the 1950s, 1960s and ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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