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Oliver (paladin)
Oliver (in Italian: ''Uliviero'' or ''Oliviero''), sometimes referred to as Olivier de Vienne or de Gennes, is a legendary knight in the Matter of France ''chansons de geste'', especially the French epic ''The Song of Roland''. In the tradition, he was Roland's closest friend, advisor, confidant and brother-in-law to be, one of Charlemagne's twelve peers and brother of Aude, Roland's betrothed. He dies with Roland at the Battle of Roncevaux Pass. Some critics have linked his name to the olive tree, a biblical symbol of divine wisdom. Oliver in the ''Song of Roland'' Whereas the portrayal of Roland is commonly seen as recklessly courageous, Oliver was said to exhibit poise and wisdom in combat. He tells Roland that "heroism tempered with common sense is a far cry from madness: "Reasonableness is to be preferred to recklessness" (Oxford manuscript, laisse 131). Oliver was fatally impaled from behind by the Saracen Marganice, but before dying, he used his sword, Hauteclere, to spli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Statue Of Carolus Magnus Near Notre-Dame De Paris (37623599721)
A statue is a free-standing sculpture in which the realistic, full-length figures of persons or animals are carved or cast in a durable material such as wood, metal or stone. Typical statues are life-sized or close to life-size; a sculpture that represents persons or animals in full figure but that is small enough to lift and carry is a statuette or figurine, whilst one more than twice life-size is a colossal statue. Statues have been produced in many cultures from prehistory to the present; the oldest-known statue dating to about 30,000 years ago. Statues represent many different people and animals, real and mythical. Many statues are placed in public places as public art. The world's tallest statue, ''Statue of Unity'', is tall and is located near the Narmada dam in Gujarat, India. Color Ancient statues often show the bare surface of the material of which they are made. For example, many people associate Greek classical art with white marble sculpture, but there is evidenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basilique Saint-Denis
The Basilica of Saint-Denis (french: Basilique royale de Saint-Denis, links=no, now formally known as the ) is a large former medieval abbey church and present cathedral in the commune of Saint-Denis, a northern suburb of Paris. The building is of singular importance historically and architecturally as its choir, completed in 1144, is widely considered the first structure to employ all of the elements of Gothic architecture. The basilica became a place of pilgrimage and a necropolis containing the tombs of the Kings of France, including nearly every king from the 10th century to Louis XVIII in the 19th century. Henry IV of France came to Saint-Denis to formally renounce his Protestant faith and become a Catholic. The Queens of France were crowned at Saint-Denis, and the royal regalia, including the sword used for crowning the kings and the royal sceptre, were kept at Saint-Denis between coronations. The site originated as a Gallo-Roman cemetery in late Roman times. The archae ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Notre-Dame De Paris
Notre-Dame de Paris (; meaning "Our Lady of Paris"), referred to simply as Notre-Dame, is a medieval Catholic cathedral on the Île de la Cité (an island in the Seine River), in the 4th arrondissement of Paris. The cathedral, dedicated to the Virgin Mary, is considered one of the finest examples of French Gothic architecture. Several of its attributes set it apart from the earlier Romanesque style, particularly its pioneering use of the rib vault and flying buttress, its enormous and colourful rose windows, and the naturalism and abundance of its sculptural decoration. Notre Dame also stands out for its musical components, notably its three pipe organs (one of which is historic) and its immense church bells. Construction of the cathedral began in 1163 under Bishop Maurice de Sully and was largely completed by 1260, though it was modified frequently in the centuries that followed. In the 1790s, during the French Revolution, Notre-Dame suffered extensive desecration; much of i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlemagne Et Ses Leudes
, generally translated as Charlemagne and His Guards or Charlemagne and His Paladins, is a monumental bronze statue situated on the plaza (''parvis'') in front of Notre-Dame, in the 4th arrondissement of Paris, France. A joint work by the brothers (1813-1878) and Charles Rochet (1815-1900), it was cast at the art foundry . Name ''Leude'' is a word associated with the Merovingian era, referring to a Frankish aristocrat who has pledged fidelity to the monarch and belongs to his retinue. It is synonymous of antrustion. History The Rochet brothers first conceived the project of a monument to Charlemagne in 1853. They initially intended it for Aachen. They presented a plaster version at the Universal Exposition of 1867. The completed bronze group was exhibited at the Universal Exposition of 1878 shortly after the death of Louis Rochet. By that time, however, the political climate was much less favorable to the celebration of Charlemagne given the latter's monarchical and Ger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pike (weapon)
A pike is a very long thrusting spear formerly used in European warfare from the Late Middle Ages and most of the Early Modern Period, and were wielded by foot soldiers deployed in pike square formation, until it was largely replaced by bayonet-equipped muskets. The pike was particularly well-known as the primary weapon of Swiss mercenary and German Landsknecht units. A similar weapon, the sarissa, had been used in antiquity by Alexander the Great's Macedonian phalanx infantry. Design The pike was a long weapon, varying considerably in size, from long. Generally, a spear becomes a pike when it is too long to be wielded with one hand in combat. It was approximately in weight, with the 16th century military writer Sir John Smythe recommending lighter rather than heavier pikes. It had a wooden shaft with an iron or steel spearhead affixed. The shaft near the head was often reinforced with metal strips called "cheeks" or langets. When the troops of opposing armies both c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludovico Ariosto
Ludovico Ariosto (; 8 September 1474 – 6 July 1533) was an Italian poet. He is best known as the author of the romance epic ''Orlando Furioso'' (1516). The poem, a continuation of Matteo Maria Boiardo's ''Orlando Innamorato'', describes the adventures of Charlemagne, Orlando, and the Franks as they battle against the Saracens with diversions into many sideplots. The poem is transformed into a satire of the chivalric tradition. Ariosto composed the poem in the ottava rima rhyme scheme and introduced narrative commentary throughout the work. Ariosto also coined the term "humanism" (in Italian, ''umanesimo'') for choosing to focus upon the strengths and potential of humanity, rather than only upon its role as subordinate to God. This led to Renaissance humanism. Birth and early life Ariosto was born in Reggio nell'Emilia, where his father Niccolò Ariosto was commander of the citadel. He was the oldest of 10 children and was seen as the successor to the patriarchal position of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orlando Furioso
''Orlando furioso'' (; ''The Frenzy of Orlando'', more loosely ''Raging Roland'') is an Italian epic poem by Ludovico Ariosto which has exerted a wide influence on later culture. The earliest version appeared in 1516, although the poem was not published in its complete form until 1532. ''Orlando furioso'' is a continuation of Matteo Maria Boiardo's unfinished romance ''Orlando innamorato'' (''Orlando in Love'', published posthumously in 1495). In its historical setting and characters, it shares some features with the Old French ''Chanson de Roland'' of the eleventh century, which tells of the death of Roland. The story is also a chivalric romance which stemmed from a tradition beginning in the late Middle Ages and continuing in popularity in the 16th century and well into the 17th. Orlando is the Christian knight known in French (and subsequently English) as Roland. The story takes place against the background of the war between Charlemagne's Christian paladins and the Sarace ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matteo Maria Boiardo
Matteo Maria Boiardo (, ; 144019/20 December 1494) was an Italian Renaissance poet, best known for his epic poem ''Orlando innamorato''. Early life Boiardo was born in 1440, Letteratura.it at or near, (today's province of ); the son of Giovanni di Feltrino and Lucia Strozzi, he was of noble lineage, ranking as Count of Scandiano, with seignorial power over Arceto, |
Orlando Innamorato
''Orlando Innamorato'' (; known in English as "''Orlando in Love''"; in Italian titled "''Orlando innamorato''" as the " I" is never capitalized) is an epic poem written by the Italian Renaissance author Matteo Maria Boiardo. The poem is a romance concerning the heroic knight Orlando (Roland). It was published between 1483 (first two books) and 1495 (third book published separately, first complete edition). Composition and publication To material largely quarried from the Carolingian and Arthurian cycles, Boiardo added a superstructure of his own making. As the plot is not woven around a single pivotal action, the inextricable maze of most cunningly contrived episodes are seen to be linked, first, with the quest of beautiful Angelica by love-smitten Orlando and the other enamored knights, then with the defense of Albracca by Angelica's father, the King of Cathay, against the beleaguering Tartars, and, finally, with the Moors' siege of Paris and their struggle with Charlemagne's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Pulci
Luigi Pulci (; 15 August 1432 – 11 November 1484) was an Italian diplomat and poet best known for his ''Morgante'', an epic and parodistic poem about a giant who is converted to Christianity by Orlando and follows the knight in many adventures. Pulci was born in Florence. His patrons were the Medicis, especially Lucrezia and Lorenzo Medici, who often sent Pulci on diplomatic missions. Even so, sometime around 1470 Pulci needed more money and went into the service of Roberto Sanseverino d'Aragona, a northern ''condottiere''. In 1478 (after the assassination of Lorenzo's brother Giuliano during the Pazzi Conspiracy), Pulci, riding on the coattails of the city's current anti-clericalism, wrote a poem dedicated to Lucrezia Tornabuoni that fulminated against Pope Sixtus IV's Rome. His brother Luca Pulci (1431–1470) was also a writer. His brother Luca's works, all in the Italian language, include ''Pistole'', ''Driadeo d'amore'', and ''Cyriffo Calvaneo''. ''Morgante'' The poe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morgante
''Morgante'' (sometimes also called , the name given to the complete 28-canto, 30,080-line edition published in 1483See Lèbano's introduction to the Tusiani translation, p. xxii.) is an Italian romantic epic by Luigi Pulci which appeared in its final form in 1483; a now-lost 23 canto version likely appeared in late 1478; two other 23 canto versions were published in 1481 and 1482. The work was commissioned by Lucrezia Tornabuoni. Based on popular Matter of France material, the poem tells the story of Orlando and Renaud de Montauban (in Italian, ''Renaldo'' or ''Rinaldo''), the most famous of Charlemagne's paladins, in a frequently burlesque fashion. The title character is a giant who becomes Orlando's loyal follower after the knight stops him from attacking the monastery of Chiaromonte and converts him to Christianity. After many strange adventures, Morgante is killed by a bite from a crab. Other characters include Morgante's friend, the gluttonous Margutte who dies in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Emperor
This is a list of the Byzantine emperors from the foundation of Constantinople in 330 AD, which marks the conventional start of the Eastern Roman Empire, to its fall to the Ottoman Empire in 1453 AD. Only the emperors who were recognized as legitimate rulers and exercised sovereign authority are included, to the exclusion of junior co-emperors (''symbasileis'') who never attained the status of sole or senior ruler, as well as of the various usurpers or rebels who claimed the imperial title. The following list starts with Constantine the Great, the first Christian emperor, who rebuilt the city of Byzantium as an imperial capital, Constantinople, and who was regarded by the later emperors as the model ruler. It was under Constantine that the major characteristics of what is considered the Byzantine state emerged: a Roman polity centered at Constantinople and culturally dominated by the Greek East, with Christianity as the state religion. The Byzantine Empire was the direct le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
