Old Roman Chant
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Old Roman Chant
Old Roman chant is the liturgical plainchant repertory of the Roman rite of the early Christian Church. It was formerly performed in Rome, and, although it is closely related to Gregorian chant, the two are distinct. Gregorian Chant gradually supplanted Old Roman Chant between the 11th century and the 13th century AD. Unlike other chant traditions (such as Ambrosian chant, Mozarabic chant, and Gallican chant), Old Roman chant and Gregorian chant share essentially the same liturgy and the same texts. Many of their melodies are also closely related. Although primarily associated with the churches of Rome, the Old Roman chant was also performed in parts of central Italy, and it was possibly performed much more widely. History The chant that is now called "Old Roman" comes primarily from a small number of sources, including three graduals and two antiphoners from between 1071 and 1250. Although these are newer than many notated sources from other chant traditions, this chant is called ...
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Plainsong
Plainsong or plainchant (calque from the French ''plain-chant''; la, cantus planus) is a body of chants used in the liturgy, liturgies of the Western Church. When referring to the term plainsong, it is those sacred pieces that are composed in Latin text. Plainsong was the exclusive form of Christian church music until the ninth century, and the introduction of polyphony. The Monophony, monophonic chants of plainsong have a non-metric rhythm. Their rhythms are generally freer than the metered rhythm of later Western music, and they are sung A cappella, without musical accompaniment. There are three types of chant melodies that plainsongs fall into, Syllabic verse, syllabic, Neume, neumatic, and melismatic. The free flowing melismatic melody form of plainsong is still heard in Middle Eastern music being performed today. Although the Catholic Church (both its Eastern and Western halves) and the Eastern Orthodoxy, Eastern Orthodox churches did not East–West Schism, split until lo ...
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Pope
The pope ( la, papa, from el, πάππας, translit=pappas, 'father'), also known as supreme pontiff ( or ), Roman pontiff () or sovereign pontiff, is the bishop of Rome (or historically the patriarch of Rome), head of the worldwide Catholic Church, and has also served as the head of state or sovereign of the Papal States and later the Vatican City State since the eighth century. From a Catholic viewpoint, the primacy of the bishop of Rome is largely derived from his role as the apostolic successor to Saint Peter, to whom primacy was conferred by Jesus, who gave Peter the Keys of Heaven and the powers of "binding and loosing", naming him as the "rock" upon which the Church would be built. The current pope is Francis, who was elected on 13 March 2013. While his office is called the papacy, the jurisdiction of the episcopal see is called the Holy See. It is the Holy See that is the sovereign entity by international law headquartered in the distinctively independent Vatic ...
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Tonality
Tonality is the arrangement of pitches and/or chords of a musical work in a hierarchy of perceived relations, stabilities, attractions and directionality. In this hierarchy, the single pitch or triadic chord with the greatest stability is called the tonic. The root of the tonic chord forms the name given to the key, so in the key of C major, the note C is both the tonic of the scale and the root of the tonic chord (which is C–E–G). Simple folk music songs often start and end with the tonic note. The most common use of the term "is to designate the arrangement of musical phenomena around a referential tonic in European music from about 1600 to about 1910". Contemporary classical music from 1910 to the 2000s may practice or avoid any sort of tonality—but harmony in almost all Western popular music remains tonal. Harmony in jazz includes many but not all tonal characteristics of the European common practice period, usually known as "classical music". "All harmonic idioms in ...
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Cadence (music)
In Western musical theory, a cadence (Latin ''cadentia'', "a falling") is the end of a phrase in which the melody or harmony creates a sense of full or partial resolution, especially in music of the 16th century onwards.Don Michael Randel (1999). ''The Harvard Concise Dictionary of Music and Musicians'', pp. 105-106. . A harmonic cadence is a progression of two or more chords that concludes a phrase, section, or piece of music. A rhythmic cadence is a characteristic rhythmic pattern that indicates the end of a phrase. A cadence can be labeled "weak" or "strong" depending on the impression of finality it gives. While cadences are usually classified by specific chord or melodic progressions, the use of such progressions does not necessarily constitute a cadence—there must be a sense of closure, as at the end of a phrase. Harmonic rhythm plays an important part in determining where a cadence occurs. Cadences are strong indicators of the tonic or central pitch of a passage or ...
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Reciting Tone
In chant, a reciting tone (also called a recitation tone) can refer to either a repeated musical pitch or to the entire melodic formula for which that pitch is a structural note. In Gregorian chant, the first is also called tenor, dominant or tuba, while the second includes psalm tones (each with its own associated Gregorian mode) as well as simpler formulae for other readings and for prayers. Reciting tones in Gregorian chant Regular psalm tones Reciting tones occur in several parts of the Roman Rite. These include the accentus prayers and lessons chanted by the deacons or priests such as the Collect, Epistle, Gospel, Secret, Preface, Canon, and Postcommunion, as well as such regular texts as the Pater noster, Te Deum, and the Gloria in excelsis Deo. They are also sung in versicles and responds such as the ''Dominus vobiscum'' ("The Lord be with you") of the officiant followed by the ''Et cum spiritu tuo'' ("and with your spirit") of the choir. Some tones, presumably from the ear ...
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Incipit
The incipit () of a text is the first few words of the text, employed as an identifying label. In a musical composition, an incipit is an initial sequence of notes, having the same purpose. The word ''incipit'' comes from Latin and means "it begins". Its counterpart taken from the ending of the text is the explicit. Before the development of titles, texts were often referred to by their incipits, as with for example ''Agnus Dei''. During the medieval period in Europe, incipits were often written in a different script or colour from the rest of the work of which they were a part, and "incipit pages" might be heavily decorated with illumination. Though the word ''incipit'' is Latin, the practice of the incipit predates classical antiquity by several millennia and can be found in various parts of the world. Although not always called by the name of ''incipit'' today, the practice of referring to texts by their initial words remains commonplace. Historical examples Sumerian In th ...
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Liturgical Calendar
The liturgical year, also called the church year, Christian year or kalendar, consists of the cycle of liturgical seasons in Christian churches that determines when feast days, including celebrations of saints, are to be observed, and which portions of Scripture are to be read either in an annual cycle or in a cycle of several years. Distinct liturgical colours may be used in connection with different seasons of the liturgical year. The dates of the festivals vary somewhat among the different churches, although the sequence and logic is largely the same. Liturgical cycle The liturgical cycle divides the year into a series of seasons, each with their own mood, theological emphases, and modes of prayer, which can be signified by different ways of decorating churches, colours of paraments and vestments for clergy, scriptural readings, themes for preaching and even different traditions and practices often observed personally or in the home. In churches that follow the liturg ...
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All Saints' Day
All Saints' Day, also known as All Hallows' Day, the Feast of All Saints, the Feast of All Hallows, the Solemnity of All Saints, and Hallowmas, is a Christian solemnity celebrated in honour of all the saints of the church, whether they are known or unknown. From the 4th century, feasts commemorating all Christian martyrs were held in various places, on various dates near Easter and Pentecost. In the 9th century, some churches in the British Isles began holding the commemoration of all saints on 1 November, and in the 9th century this was extended to the whole Catholic church by Pope Gregory IV. In Western Christianity, it is still celebrated on 1 November by the Roman Catholic Church as well as many Protestant churches, as the Lutheran, Anglican, and Methodist traditions. The Eastern Orthodox Church and associated Eastern Catholic and Eastern Lutheran churches celebrate it on the first Sunday after Pentecost. The Syro-Malabar Church and the Chaldean Catholic Church, both of who ...
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Ambrosian Rite
The Ambrosian Rite is a Catholic Western liturgical rite, named after Saint Ambrose, a bishop of Milan in the fourth century, which differs from the Roman Rite. It is used by some five million Catholics in the greater part of the Archdiocese of Milan (excluding Monza, Treviglio and Trezzo sull'Adda), in some parishes of the Diocese of Como, Bergamo, Novara, Lodi, and in the Diocese of Lugano, Canton of Ticino, Switzerland. The Ambrosian Rite has risked suppression at various points in its history. It was reformed after the Second Vatican Council (Pope Paul VI belonged to the Ambrosian Rite, having previously been Archbishop of Milan). In the 20th century, it also gained prominence and prestige from the attentions of two other scholarly Archbishops of Milan: Achille Ratti, later Pope Pius XI, and the Blessed Ildefonso Schuster, both of whom were involved in studies and publications on the rite. History The Church of Milan's own liturgy is named ''Ambrosian'' after its patr ...
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Gallican Rite
The Gallican Rite is a historical version of Christian liturgy and other ritual practices in Western Christianity. It is not a single rite but a family of rites within the Latin Church, which comprised the majority use of most of Western Christianity for the greater part of the 1st millennium AD. The rites first developed in the early centuries as the Syriac-Greek rites of Jerusalem and Antioch and were first translated into Latin in various parts of the Western Roman Empire Praetorian prefecture of Gaul. By the 5th century, it was well established in the Roman civil diocese of Gaul, which had a few early centers of Christianity in the south. Ireland is also known to have had a form of this Gallican Liturgy mixed with Celtic customs. History and origin The Gallican Rite was used from before the 5th century, and likely prior to the Diocletian reform in AD 293 Roman Gaul, until the middle or end of the 8th century. There is no information before the 5th century and very little th ...
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Henry II Of Germany
Henry II (german: Heinrich II; it, Enrico II; 6 May 973 – 13 July 1024), also known as Saint Henry the Exuberant, Obl. S. B., was Holy Roman Emperor ("Romanorum Imperator") from 1014. He died without an heir in 1024, and was the last ruler of the Ottonian line. As Duke of Bavaria, appointed in 995, Henry became King of the Romans ("Rex Romanorum") following the sudden death of his second cousin, Emperor Otto III in 1002, was made King of Italy ("Rex Italiae") in 1004, and crowned emperor by Pope Benedict VIII in 1014. The son of Henry II, Duke of Bavaria, and his wife Gisela of Burgundy, Emperor Henry II was a great-grandson of German king Henry the Fowler and a member of the Bavarian branch of the Ottonian dynasty. Since his father had rebelled against two previous emperors, the younger Henry spent long periods of time in exile, where he turned to Christianity at an early age, first finding refuge with the Bishop of Freising and later during his education at the cathedral s ...
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Credo
In Christian liturgy, the credo (; Latin for "I believe") is the Nicene-Constantinopolitan Creed – or its shorter version, the Apostles' Creed – in the Mass, either as a prayer, a spoken text, or sung as Gregorian chant or other musical settings of the Mass. History After the formulation of the Nicene Creed, its initial liturgical use was in baptism, which explains why the text uses the singular "I ...." instead of "we...." The text was gradually incorporated into the liturgies, first in the east and in Spain, and gradually into the north, from the sixth to the ninth centuries. In 1014 it was accepted by the Church of Rome as a legitimate part of the Mass. It is recited in the Western Mass directly after the homily on all Sundays and solemnities; in modern celebrations of the Tridentine Mass as an extraordinary form of the Roman Rite, the Credo is recited on all Sundays, feasts of the I class, II class feasts of the Lord and of the Blessed Virgin, on the days within the octav ...
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