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Old Gold And Ivory
''Old Gold and Ivory'' is a 1963 album by George Shearing accompanied by his quintet and a string orchestra, conducted by Milt Raskin. Reception The initial '' Billboard'' review from April 25, 1964 said that "The results are smooth, uncomplicated, and creatively exciting musical fare" and that the "underlying these throughout is one of torrid seriousness". Scott Yanow reviewed the album for Allmusic and wrote that "Shearing did the arrangements himself for strings, French horns, and woodwinds (the personnel is unidentified), but, overall, the performances never rise above the level of sleepy background music. The music is well played and pleasant overall but not particularly memorable, and certainly not very stimulating. " Track listing # " Ritual Fire Dance" (Manuel de Falla) – 2:50 # " Prelude, Op. 28, No. 20" ( Frédéric Chopin) – 2:11 # " Theme from Scheherazade" ( Nikolai Rimsky-Korsakov) – 2:19 # " None But the Lonely Heart" (Pyotr Ilyich Tchaikovsky) – 3:42 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Shearing
Sir George Albert Shearing, (13 August 1919 14 February 2011) was a British jazz pianist who for many years led a popular jazz group that recorded for Discovery Records, MGM Records and Capitol Records. Shearing was the composer of over 300 titles, including the jazz standards "Lullaby of Birdland" and " Conception", and had multiple albums on the '' Billboard'' charts during the 1950s, 1960s, 1980s and 1990s. He died of heart failure in New York City, at the age of 91. Biography Early life Born in Battersea, London, Shearing was the youngest of nine children. He was born blind to working-class parents: his father delivered coal and his mother cleaned trains in the evening. He started to learn piano at the age of three and began formal training at Linden Lodge School for the Blind, where he spent four years. Though he was offered several scholarships, Shearing opted to perform at a local pub, the Mason's Arms in Lambeth, for "25 bob a week" playing piano and accordion. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
None But The Lonely Heart (Tchaikovsky)
Pyotr Ilyich Tchaikovsky composed a set of six romances for voice and piano, Op. 6, in late 1869; the last of these songs is the melancholy "None but the Lonely Heart" (russian: Нет, только тот, кто знал, translit=Net, tol'ko tot, kto znal, link=no), a setting of Lev Mei's poem "The Harpist's Song" which in turn was a translation of "Nur wer die Sehnsucht kennt" from Goethe's ''Wilhelm Meister's Apprenticeship''. Tchaikovsky dedicated this piece to Alina Khvostova. The song was premiered by Russian mezzo-soprano Yelizaveta Lavrovskaya in Moscow in 1870, following it with its Saint Petersburg premiere the following year during an all-Tchaikovsky concert hosted by Nikolai Rubinstein; the latter was the first concert devoted entirely to Tchaikovsky's works. Text Mei's Russian translation (transliteration) Net, tol'ko tot, kto znal svidan'ja, zhazhdu, pojmjot, kak ja stradal i kak ja strazhdu. Gljazhu ja vdal'... net sil, tusknejet oko... Akh, kto menja ljubil i zna ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pavane (Fauré)
The Pavane in F-sharp minor, Op. 50, is a short work by the French composer Gabriel Fauré written in 1887. It was originally a piano piece, but is better known in Fauré's version for orchestra and optional chorus. It was first performed in Paris in 1888, becoming one of the composer's most popular works. History The work is titled after the slow processional Spanish court dance of the same name. Fauré's original version of the piece was written for piano and chorus in the late 1880s.Howat, p. 155 He described it as "elegant, assuredly, but not particularly important." Fauré composed the orchestral version at Le Vésinet Le Vésinet () is a suburban commune in the Yvelines department in the Île-de-France region in north-central France. It is a part of the affluent outer suburbs of western Paris, from the centre of Paris. In 2019, it had a population of 15,943. ... in the summer of 1887.Orledge, Robert (1993). Notes to EMI CD CDM 7-64715-2 He envisaged a purely orc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fantaisie-Impromptu
Frédéric Chopin's ''Fantaisie-Impromptu'' ( pl, Fantazja-Impromptu) in C minor, Op. posth. 66, WN 46 is a solo piano composition. It was composed in 1834 and published posthumously in 1855 despite Chopin's instruction that none of his unpublished manuscripts be published. The ''Fantaisie-Impromptu'' is one of Chopin's most frequently performed and popular compositions.Ernst Oster, "The ''Fantaisie–Impromptu:'' A Tribute to Beethoven", in ''Aspects of Schenkerian Analysis'', David Beach, ed. Yale University Press, 1983 History The ''Fantaisie-Impromptu'' was written in 1834, as were the Four Mazurkas (Op. 17) and the Grande valse brillante in E major (Op. 18), but unlike these other works, Chopin never published the ''Fantaisie-Impromptu''. Instead, Julian Fontana published it posthumously, along with other waltzes Opp. 69 and 70. It is unknown why Chopin did not release the ''Fantaisie-Impromptu''. James Huneker called parts of it "mawkish" and "with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edvard Grieg
Edvard Hagerup Grieg ( , ; 15 June 18434 September 1907) was a Norwegian composer and pianist. He is widely considered one of the foremost Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use of Norwegian folk music in his own compositions brought the music of Norway to fame, as well as helping to develop a national identity, much as Jean Sibelius did in Finland and Bedřich Smetana in Bohemia. Grieg is the most celebrated person from the city of Bergen, with numerous statues which depict his image, and many cultural entities named after him: the city's largest concert building (Grieg Hall), its most advanced music school (Grieg Academy) and its professional choir (Edvard Grieg Kor). The Edvard Grieg Museum at Grieg's former home Troldhaugen is dedicated to his legacy. Background Edvard Hagerup Grieg was born in Bergen, Norway (then part of Sweden–Norway). His parents were Alexander Grieg (1806–1875), a merchant and the B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peer Gynt (Grieg)
''Peer Gynt'', Op. 23, is the incidental music to Henrik Ibsen's 1867 play of the same name, written by the Norwegian composer Edvard Grieg in 1875. It premiered along with the play on 24 February 1876 in Christiania (now Oslo). Grieg later created two suites from his ''Peer Gynt'' music. Some of the music from these suites has received coverage in popular culture; see Grieg's music in popular culture. Background Edvard Grieg (1843–1907) was one of the definitive leaders of Scandinavian music and his influence was great. Although composing many short piano pieces and chamber works, the work Grieg did for Henrik Ibsen stood out. Originally composing 90 minutes of orchestral music for the play, he later went back and extracted certain sections for the suites. Peer Gynt's travels around the world and distant lands are represented by the instruments Grieg chooses to use. When Ibsen asked Grieg to write music for the play in 1874, he reluctantly agreed. However, it was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyril Scott
Cyril Meir Scott (27 September 1879 – 31 December 1970) was an English composer, writer, poet, and occultist. He created around four hundred musical compositions including piano, violin, cello concertos, symphonies, and operas. He also wrote around 20 pamphlets and books on occult topics and natural health. Biography Scott was born in Oxton, Cheshire to Henry Scott (1843-1918), shipper and scholar of Greek and Hebrew, and Mary (née Griffiths), an amateur pianist of Welsh origin. He showed a talent for music from an early age and was sent to the Hoch Conservatory in Frankfurt, Germany to study piano in 1892 at age 12. He studied with Iwan Knorr and belonged to the Frankfurt Group, a circle of composers who studied at the Hoch Conservatory in the late 1890s. At 20, the German poet Stefan George helped Scott organize a performance of Scott's first symphony. He played his Piano Quartet with Fritz Kreisler, Emil Kreuz, and Ludwig Lebell in St. James' Hall in 1903. In 1902 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percy Grainger
Percy Aldridge Grainger (born George Percy Grainger; 8 July 188220 February 1961) was an Australian-born composer, arranger and pianist who lived in the United States from 1914 and became an American citizen in 1918. In the course of a long and innovative career he played a prominent role in the revival of interest in British folk music in the early years of the 20th century. Although much of his work was experimental and unusual, the piece with which he is most generally associated is his piano arrangement of the folk-dance tune " Country Gardens". Grainger left Australia at the age of 13 to attend the Hoch Conservatory in Frankfurt. Between 1901 and 1914 he was based in London, where he established himself first as a society pianist and later as a concert performer, composer and collector of original folk melodies. As his reputation grew he met many of the significant figures in European music, forming important friendships with Frederick Delius and Edvard Grieg. He became a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traditional Music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk reviv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Country Gardens
"Country Gardens" is regarded as an old English folk tune traditionally used for Morris dancing, but it is unlikely to be of folk origin as it was first composed for an opera. It was introduced by traditional folk musician William Kimber to Cecil Sharp near the beginning of the twentieth century, then popularised by a diverse range of musicians from Percy Grainger to Jimmie Rodgers. History as a folk tune "Country Gardens" can be dated as far back as 1728, when a version using a very similar tune to the now popular version appeared in Thomas Walker's ''Quaker's Opera'', written as a parody of ''The Beggar's Opera'' by John Gay. The tune was collected by Cecil Sharp from the playing of William Kimber; Sharp transcribed the song from Kimber's playing in 1906, and his transcription can be viewed online via the Vaughan Williams Memorial Library. Kimber, who was later recorded playing the tune on concertina in London in 1948, had performed it in the same way for Morris Dancers in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernesto Lecuona
Ernesto Lecuona y Casado (; August 7, 1896 – November 29, 1963) was a Cuban composer and pianist, many of whose works have become standards of the Latin, jazz and classical repertoires. His over 600 compositions include songs and zarzuelas as well as pieces for piano and symphonic orchestra. In the 1930s, he helped establish a popular band, the Lecuona Cuban Boys, which showcased some of his most successful pieces and was later taken over by Armando Oréfiche. In the 1950s, Lecuona recorded several LPs, including solo piano albums for RCA Victor. He moved to the United States after the Cuban Revolution and died in Spain in 1963. Early years Lecuona was born in Guanabacoa, Havana, Cuba, Kingdom of Spain, to a Cuban mother and a Canarian father. There are inconsistencies surrounding his birthdate, with some sources indicating the year 1895, and others still giving the day as August 6. He started studying piano at the age of five, under the tuition of his sister Ernestina Lecu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malagueña (song)
"Malagueña" (, from Málaga) is a song by Cuban composer Ernesto Lecuona. It was originally the sixth movement of Lecuona's ''Suite Andalucía'' (1933), to which he added lyrics in Spanish. The song has since become a popular, jazz, marching band, and drum and bugle corps standard and has been provided with lyrics in several languages. In general terms Malagueñas are flamenco dance styles from Málaga in the southeast of Spain (see Malagueñas (flamenco style)). Origins The melody that forms the basis of "Malagueña" was not of Lecuona's invention. It can be heard in 19th century American composer Louis Moreau Gottschalk's solo piano composition "Souvenirs d'Andalousie." Based on Gottschalk's international renown, it is reasonable to assume Lecuona heard it and either wittingly or unwittingly co-opted it in composing his most famous piece. Further research is required to determine if Gottschalk's composition and the melody popularized as "Malagueña" is itself based on a fol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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