Oh What The Future Holds
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Oh What The Future Holds
''Oh What the Future Holds'' is the sixth studio album by American deathcore band Fit for an Autopsy. The album was released on January 14, 2022, through Nuclear Blast and was produced by the band's guitarist Will Putney. It has received positive reviews from critics. Track listing Personnel Credits adapted from album's liner notes. ;Fit for an Autopsy * Joe Badolato – lead vocals * Pat Sheridan – guitars, backing vocals * Will Putney – guitars, production, engineering, mixing, mastering * Tim Howley – guitars * Peter "Blue" Spinazola – bass * Josean Orta – drums A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair o ... Charts References External links * {{Authority control 2022 albums Fit for an Autopsy albums ...
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Fit For An Autopsy
Fit for an Autopsy is an American deathcore band from Jersey City, New Jersey, formed in 2008. The band consists of guitarists Pat Sheridan, Will Putney and Tim Howley, drummer Josean Orta, vocalist Joe Badolato, and bassist Peter "Blue" Spinazola. They are currently signed to Nuclear Blast and have released six studio albums since formation. History The band released their first demo in 2008, followed a year later by the group's first EP, ''Hell on Earth''. In 2011, Fit for an Autopsy released their debut studio album, '' The Process of Human Extermination''. In September 2013, the band released their second studio album, '' Hellbound''. Less than a year later, in April 2014, the band announced that vocalist Nate Johnson would be leaving the band. Greg Wilburn of the Devastated was immediately named as Johnson's temporary replacement. In early 2015, the band announced the departure of Greg Wilburn and the addition of their new vocalist, Joe Badolato. Along with this, they a ...
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Liner Notes
Liner notes (also sleeve notes or album notes) are the writings found on the sleeves of LP record albums and in booklets that come inserted into the compact disc jewel case or the equivalent packaging for cassettes. Origin Liner notes are descended from the program notes for musical concerts, and developed into notes that were printed on the inner sleeve used to protect a traditional 12-inch vinyl record, i.e., long playing or gramophone record album. The term descends from the name "record liner" or "album liner". Album liner notes survived format changes from vinyl LP to cassette to CD. These notes can be sources of information about the contents of the recording as well as broader cultural topics. Contents Common material Such notes often contained a mix of factual and anecdotal material, and occasionally a discography for the artist or the issuing record label. Liner notes were also an occasion for thoughtful signed essays on the artist by another party, often a sympathetic ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Audio Mastering
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in cas ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ...
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Audio Engineer
An audio engineer (also known as a sound engineer or recording engineer) helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the "technical aspect of recording—the placing of microphones, pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer... the nuts and bolts." Sound engineering is increasingly seen as a creative profession where musical instruments and technology are used to produce sound for film, radio, television, music and video games. Audio engineers also set up, sound check and do live sound mixing using a mixing console and a sound reinforcement system for music concerts, theatre, sports games and corporate events. Alternatively, ''audio engineer'' can refer to a scientist or professional engineer who holds an engineering degree and who designs, dev ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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Electric Guitar
An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar (however combinations of the two - a semi-acoustic guitar and an electric acoustic guitar exist). It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities on the amplifier settings or the knobs on the guitar from that of an acoustic guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz and rock guitar playing. Invented in 1932, the electric guitar was adopted by jazz guitar players, who wanted to play single-note guitar solos in large big band ensembles. Early proponents of the electric guitar on ...
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Death Growl
A death growl, or simply growl, is an extended vocal technique usually employed in extreme styles of music, particularly in death metal and other extreme subgenres of heavy metal music. Death growl vocals are sometimes criticized for their "ugliness", but their unintelligibility contributes to death metal's abrasive style and often dark and obscene subject matter.Sharpe-Young, Garry. ''Death Metal'', Definition Death metal, in particular, is associated with growled vocals; it tends to be lyrically and thematically darker and more morbid than other forms of metal, and features vocals which attempt to evoke chaos, death, and misery by being "usually very deep, guttural, and unintelligible." Natalie Purcell notes, "Although the vast majority of death metal bands use very low, beast-like, almost indiscernible growls as vocals, many also have high and screechy or operatic vocals, or simply deep and forcefully-sung vocals."Purcell, Natalie J. ''Death Metal Music:The Passion and ...
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Metal Storm (webzine)
Metal Storm (also known as MetalStorm.net, MetalStorm.ee, MetalStorm.eu or just MS) is a webzine specializing in various forms of heavy metal music. It is based in Tallinn, Estonia, but caters to an international audience, symbolically recognized by the acquisition of an EU domain in 2008. As of June 2013, the website hosts 7,812 band profiles, 7,800 reviews, 553 interviews and 16,753 news items. Community Members Metal Storm users can register for free and create a custom profile based on their specific preferences. The comprehensive profile format allows for users to display detailed information about their musical taste, activity on the site, and other miscellaneous information, including up to three photos. "Community Points" are awarded to users for contributing forum reports, band info, lyrics, news, events, reviews, and articles, with the number awarded depending on the value of the contribution. Users may also add albums to their "Collection," an interactive list of al ...
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Deathcore
Deathcore is an extreme metal subgenre that combines death metal with metalcore. The genre consists of death metal guitar riffs, blast beats, and metalcore breakdowns. While there are some precursors to the concept of death metal fused with metalcore/hardcore elements seen in the 1990s, deathcore itself emerged in the early 2000s and gained prominence beginning in the mid-2000s within the southwestern United States, especially Arizona and inland southern California (mostly the Coachella Valley), which are home to many notable bands and various festivals. Some of the genre's earliest examples include Antagony, Despised Icon, and the Red Chord. Deathcore's expansion in the mid-2000s saw bands like All Shall Perish, Through the Eyes of the Dead, Bring Me the Horizon, Suicide Silence, Carnifex, Job for a Cowboy, Chelsea Grin and Whitechapel taking off. In the 2010s, deathcore bands began experimenting with an eclectic selection of other genres. The genre is noted for its criticism ...
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Metal Hammer
''Metal Hammer'' is a heavy metal music magazine and website founded in 1983, published in the United Kingdom by Future, with other language editions available in numerous other countries. ''Metal Hammer'' features news, reviews and long-form articles covering both major and underground bands in heavy metal, as well as covering rock, punk, grunge and other alternative music genres. Publication History Wilfried F. Rimensberger conceived ''Metal Hammer'' in 1983, taking the idea of a rock magazine publishing in different languages to Jürgen Wigginghaus, publisher of the German magazine ''MusikSzene'', where Rimensberger was chief editor. Wigginghaus helped launch the German edition of ''Metal Hammer'' soon after, while Rimensberger launched the flagship, English language version from London in November 1986, installing Harry Doherty, formerly of ''Melody Maker'', as editor. The magazine would grow to be published in 11 different languages around the world, including local langua ...
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