Oh Coward!
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Oh Coward!
''Oh, Coward!'' is a musical revue in two acts devised by Roderick Cook and containing music and lyrics by Noël Coward. The revue consists of two men and one woman in formal dress, performing songs based on the following themes: England, family album, travel, theatre, love and women. There are also sketches, such as "London Pastoral" which tells of the joys of London in the spring, "Family Album" about relatives who "were not excessively bright", and a scene with excerpts from several of Coward's plays, such as ''Private Lives''. It ran Off-Broadway in 1972, in London in 1975 and on Broadway in 1986. Also in 1972 a revue along similar lines, ''Cowardy Custard'' played in London. Productions A Coward revue at the 1968 Vancouver International Festival called ''And Now Noël Coward…: An Agreeable Impertinence'', was created and directed by Roderick Cook and starred Dorothy Loudon. It received scathing reviews from the critics. It was soon revised and presented on Broadway, wi ...
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Revue
A revue is a type of multi-act popular theatrical entertainment that combines music, dance, and sketches. The revue has its roots in 19th century popular entertainment and melodrama but grew into a substantial cultural presence of its own during its golden years from 1916 to 1932. Though most famous for their visual spectacle, revues frequently satirized contemporary figures, news or literature. Similar to the related subforms of operetta and musical theatre, the revue art form brings together music, dance and sketches to create a compelling show. In contrast to these, however, revue does not have an overarching storyline. Rather, a general theme serves as the motto for a loosely-related series of acts that alternate between solo performances and dance ensembles. Owing to high ticket prices, ribald publicity campaigns and the occasional use of prurient material, the revue was typically patronized by audience members who earned more and felt even less restricted by middle-class ...
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Geraldine McEwan
Geraldine McEwan (born Geraldine McKeown; 9 May 1932 – 30 January 2015) was an English actress, who had a long career in film, theatre and television. Michael Coveney described her, in a tribute article, as "a great comic stylist, with a syrupy, seductive voice and a forthright, sparkling manner".Michael Covene"Geraldine McEwan was a great comic stylist" whatsonstage.com, 2 February 2015 McEwan was a five-time Olivier Award nominee, and twice won the Evening Standard Theatre Award, Evening Standard Award for Best Actress; for ''The Rivals'' (1983) and ''The Way of the World'' (1995). She was also nominated for the 1998 Tony Award for Best Actress in a Play for ''The Chairs''. She won the British Academy Television Award for Best Actress, BAFTA TV Award for Best Actress for the 1990 television serial ''Oranges Are Not the Only Fruit (TV serial), Oranges Are Not the Only Fruit'', and from 2004 to 2009, she starred as the Agatha Christie sleuth Miss Marple, in the ITV series ...
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1972 Musicals
Year 197 ( CXCVII) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Magius and Rufinus (or, less frequently, year 950 ''Ab urbe condita''). The denomination 197 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * February 19 – Battle of Lugdunum: Emperor Septimius Severus defeats the self-proclaimed emperor Clodius Albinus at Lugdunum (modern Lyon). Albinus commits suicide; legionaries sack the town. * Septimius Severus returns to Rome and has about 30 of Albinus's supporters in the Senate executed. After his victory he declares himself the adopted son of the late Marcus Aurelius. * Septimius Severus forms new naval units, manning all the triremes in Italy with heavily armed troops for war in the East. His soldiers embark on an ...
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Off-Broadway Musicals
An off-Broadway theatre is any professional theatre venue in New York City with a seating capacity between 100 and 499, inclusive. These theatres are smaller than Broadway theatres, but larger than off-off-Broadway theatres, which seat fewer than 100. An "off-Broadway production" is a production of a play, musical, or revue that appears in such a venue and adheres to related trade union and other contracts. Some shows that premiere off-Broadway are subsequently produced on Broadway. History The term originally referred to any venue, and its productions, on a street intersecting Broadway in Midtown Manhattan's Theater District, the hub of the American theatre industry. It later became defined by the League of Off-Broadway Theatres and Producers as a professional venue in Manhattan with a seating capacity of at least 100, but not more than 499, or a production that appears in such a venue and adheres to related trade union and other contracts. Previously, regardless of the size ...
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Original Cast Recording
Originality is the aspect of created or invented works that distinguish them from replica, reproductions, clones, forgery, forgeries, or substantially derivative works. The modern idea of originality is according to some scholars tied to Romanticism, by a notion that is often called romantic originality.Smith (1924)Waterhouse (1926)Macfarlane (2007) The validity of "originality" as an operational concept has been questioned. For example, there is no clear boundary between "derivative" and "inspired by" or "in the tradition of." The concept of originality is both culturally and historically contingent. For example, unattributed reiteration of a published text in one culture might be considered plagiarism but in another culture might be regarded as a convention of veneration. At the time of Shakespeare, it was more common to appreciate the similarity with an admired classical work, and Shakespeare himself avoided "unnecessary invention".Royal Shakespeare Company (2007) ''The RSC ...
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The Guardian
''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers ''The Observer'' and ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. Since 2018, the paper's main news ...
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Michael Billington (critic)
Michael Keith Billington OBE (born 16 November 1939) is a British author and arts critic. He writes for ''The Guardian'', and was the paper's chief drama critic from 1971 to 2019. Billington is "Britain's longest-serving theatre critic" and the author of biographical and critical studies relating to British theatre and the arts. He is the authorised biographer of the playwright Harold Pinter (1930–2008). Early life and education Billington was born on 16 November 1939, in Leamington Spa, Warwickshire, England, and attended Warwick School, an independent boys' school in Warwick. He attended St Catherine's College, Oxford, from 1958 to 1961, where he studied English and was appointed theatre critic of '' Cherwell''. He graduated with a BA degree. As a member of Oxford University Dramatic Society (OUDS), in 1959, Billington played the Priest in '' The Birds'', by Aristophanes, his only appearance as an actor, and, in 1960, he directed a production of Eugène Ionesco's ''The Ba ...
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Tony Award
The Antoinette Perry Award for Excellence in Broadway Theatre, more commonly known as the Tony Award, recognizes excellence in live Broadway theatre. The awards are presented by the American Theatre Wing and The Broadway League at an annual ceremony in Midtown Manhattan. The awards are given for Broadway productions and performances. One is also given for regional theatre. Several discretionary non-competitive awards are given as well, including a Special Tony Award, the Tony Honors for Excellence in Theatre, and the Isabelle Stevenson Award. The awards were founded by theatre producer and director Brock Pemberton and are named after Antoinette "Tony" Perry, an actress, producer and theatre director who was co-founder and secretary of the American Theatre Wing. The trophy consists of a spinnable medallion, with faces portraying an adaptation of the comedy and tragedy masks, mounted on a black base with a pewter swivel. The rules for the Tony Awards are set forth in the off ...
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Patrick Quinn (actor)
Patrick Dominic Quinn (February 12, 1950 – September 24, 2006) was an American actor. From 2000 until his death in 2006, he was the president of Actors' Equity Association. Early life Quinn was born in Philadelphia, Pennsylvania, the son of a mortician. He had three brothers and one sister. Quinn studied theater at the Temple University and took his first role in a touring company of ''Man of La Mancha''. He helped start the Charade Dinner Theater, the first Equity dinner theater in metropolitan Philadelphia. Career His first Broadway role was in the 1976 revival of ''Fiddler on the Roof''. He also appeared in the productions of ''Lend Me a Tenor'', ''Beauty and the Beast'', ''A Class Act'' and the 1998 revival of ''The Sound of Music''. Quinn's television credits included roles on the shows ''Bosom Buddies'', ''Edens Lost'' and ''Remember WENN'', as well as all three current versions of the NBC crime drama ''Law & Order''. Quinn's voice was also featured as the main cha ...
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Catherine Cox (actress)
Catherine Cox is an American actress. Cox is a native of Toledo, Ohio, whose mother sang with an all-female orchestra during World War II. Cox graduated from Wittenberg University with a degree in music education. A regular on the Broadway stage in the 1980s, Cox's credits include the original Ethel McCormack in the production of ''Footloose'', the musical ''Oh Coward!'', for which she was nominated for a Tony Award for Best Performance by a Leading Actress in a Musical, and ''Baby'' for which she won the Drama Desk Award. Other Broadway credits include roles in ''Rumors'', ''Music Is'', ''Whoopee!'', ''Barnum'', and ''One Night Stand''. Cox has also worked extensively in regional theaters across the United States and in Off-Broadway productions in New York. Off-Broadway she has appeared in productions of William Finn's ''In Trousers'', ''Rap Master Ronnie'', ''By Strouse'', ''It's Better With A Band'' and ''The Waves''. Cox's regional credits include the roles of Donna and Oolie ...
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Helen Hayes Theatre
The Hayes Theater (formerly the Little Theatre, New York Times Hall, Winthrop Ames Theatre, and Helen Hayes Theatre) is a Broadway theater at 240 West 44th Street in the Theater District of Midtown Manhattan in New York City. Named for actress Helen Hayes, the venue is operated by Second Stage Theater. It is the smallest Broadway theater, with 597 seats across two levels. The theater was constructed in 1912 for impresario Winthrop Ames and designed by Ingalls & Hoffman in a neo-Georgian style. The original single-level, 299-seat configuration was modified in 1920, when Herbert J. Krapp added a balcony. The theater has served as a legitimate playhouse, a conference hall, and a broadcasting studio throughout its history. The facade and parts of the theater's interior are New York City landmarks. The facade is made largely of red brick. The main entrance is through an arch on the eastern portion of the ground-floor; the rest of the ground floor is taken up by emergency exits, ...
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Criterion Theatre
The Criterion Theatre is a West End theatre at Piccadilly Circus in the City of Westminster, and is a Grade II* listed building. It has a seating capacity of 588. Building the theatre In 1870, the caterers Spiers and Pond began development of the site of the White Bear, a seventeenth-century posting inn. The inn was located on sloping ground stretching between Jermyn Street and Piccadilly Circus, known as Regent Circus. A competition was held for the design of a concert hall complex, with Thomas Verity winning out of 15 entries. He was commissioned to design a large restaurant, dining rooms, ballroom, and galleried concert hall in the basement. The frontage, which was the façade of the restaurant, showed a French Renaissance influence using Portland stone. After the building work began, it was decided to change the concert hall into a theatre. The composers' names, which line the tiled staircases, were retained and can still be seen. The redesign placed the large Criterio ...
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