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Ogata Gekkō
was a Japanese artist best known as a painter and a designer of ukiyo-e Japanese woodblock printing, woodblock prints. He was self-taught in art, and won numerous national and international prizes and was one of the earliest Japanese artists to win an international audience. Biography He was born as Nakagami Shōnosuke (名鏡 正之助) in Kyōbashi Yazaemon-chō in Edo (modern Tokyo) in 1859. His father, tradesman Nakagami Seijirō (名鏡 清次郎), died in 1876, and Gekkō took to work in a lantern shop in Kyōbashi Yumi-chō. Gekkō was self-taught in art, and began decorating porcelain and rickshaws, and designing flyers for the pleasure quarters. His early style shows the influence of the painter Kikuchi Yōsai. About 1881 he took the surname Ogata at the insistence of a descendant of the painter Ogata Kōrin. He soon was designing prints and illustrating books and newspapers. In 1885 Gekkō exhibited in the Painting Appreciation Society, and he became acquainted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ... of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. The term translates as "picture[s] of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tsukioka Yoshitoshi
Tsukioka Yoshitoshi ( ja, 月岡 芳年; also named Taiso Yoshitoshi ; 30 April 1839 – 9 June 1892) was a Japanese printmaker. Nussbaum, Louis Frédéric. (2005)"Tsukoka Kōgyō"in ''Japan Encyclopedia,'' p. 1000. Yoshitoshi has widely been recognized as the last great master of the ukiyo-e genre of woodblock printing and painting. He is also regarded as one of the form's greatest innovators. His career spanned two eras – the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing. By the end of his career, Yoshitoshi was in an almost single-handed struggle against time and technology. As he worked on in the old manner, Japan was adopting Western mass reproduction methods li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Douglas Lane
Richard Douglas Lane (1926–2002) was an American scholar, author, collector, and dealer of Japanese art. He lived in Japan for much of his life, and had a long association with the Honolulu Museum of Art in Hawaii, which now holds his vast art collection. Life Lane was born in Kissimmee, Florida. After graduating from high school in 1944, during World War II, he enlisted in the United States Marine Corps. In the Marines he trained as a Japanese translator, and served in Japan during the war. He later received a bachelor's degree from the University of Hawaii in Japanese and Chinese literature, and continued his studies at Columbia University, where he earned a master's degree and a PhD in 18th-century Japanese literature. In 1957, Lane moved to Japan, where he lived for the rest of his life. Lane was never on a university faculty, but supported himself as an author, dealer and consultant. He was a visiting research associate at the Honolulu Museum of Art from 1957 to 1971, durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donald Keene
Donald Lawrence Keene (June 18, 1922 – February 24, 2019) was an American-born Japanese scholar, historian, teacher, writer and translator of Japanese literature. Keene was University Professor emeritus and Shincho Professor Emeritus of Japanese Literature at Columbia University, where he taught for over fifty years. Soon after the 2011 Tōhoku earthquake and tsunami, he retired from Columbia, moved to Japan permanently, and acquired citizenship under the name . This was also his poetic and occasional nickname, spelled in the ''ateji'' form . Early life and education Keene was born in 1922 in the Flatbush section of Brooklyn, New York City and attended James Madison High School. He received a Bachelor's degree from Columbia University in 1942 and studied under Mark Van Doren, Moses Hadas, Lionel Trilling, and Jacques Barzun. He then studied the Japanese language at the United States Navy Japanese Language School in Boulder, Colorado and in Berkeley, California, and serve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Forty-seven Rōnin
The revenge of the , also known as the or Akō vendetta, is a historical event in Japan in which a band of ''rōnin'' (lordless samurai) avenged the death of their master on 31 January 1703. The incident has since become legendary. It is one of the three major ''adauchi'' vendetta incidents in Japan, alongside the Revenge of the Soga Brothers and the Igagoe vendetta. The story tells of a group of samurai who were left leaderless after their ''daimyō'' (feudal lord) Asano Naganori was compelled to perform ''seppuku'' (ritual suicide) for assaulting a powerful court official named Kira Yoshinaka. After waiting and planning for a year, the ''rōnin'' avenged their master's honor by killing Kira, knowing full well that the authorities would likely not tolerate this vendetta's completion. They were then obliged to commit ''seppuku'' for the crime of murder. This true story was popularized in Japanese culture as emblematic of the loyalty, sacrifice, persistence, and honor that pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battle Of Weihaiwei
The Battle of Weihaiwei (Japanese: was a battle of the First Sino-Japanese War. It took place between 20 January and 12 February 1895, in Weihai, Shandong Province, China, between the forces of Japan and Qing China. In early January 1895, the Japanese landed forces in eastern Shandong positioning forces behind the Chinese naval base at Weihaiwei. Through a well-coordinated offensive of both naval and land forces, the Japanese destroyed the forts and sank much of the Chinese fleet. With the Shandong and Liaoning peninsulas under Japanese control, the option for a pincer attack against the Chinese capital, Beijing, was now a possibility. This strategic threat forced the Chinese to sue for peace and led to the war's end in April 1895. Background Following its victory at the Battle of Lushunkou on 21 November 1894, the next strategic objective of the Japanese campaign was to neutralize the Qing naval base at Weihaiwai on Shandong Peninsula. This would give Japan total control o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ōdera Yasuzumi
was a general in the early Imperial Japanese Army, and the highest ranking casualty on the Japanese side in the First Sino-Japanese War. Life and career Ōdera was born in Satsuma Domain (present day Kagoshima Prefecture), as the second son of a ''samurai'' in the service of the Shimazu clan. He studied at the domain's military academy, and fought in the Boshin War of the Meiji restoration. During the Battle of Toba-Fushimi, he fought alongside fellow Satsuma clansmen Yamamoto Gonnohyōe and Shibayama Yahachi. In an anecdotal account of the battle, Ōdera was sleeping when Tokugawa forces opened fire. When awakened by his comrades, he complained that he could not see the enemy since it was too dark, and he would wait until daylight to fire back as he did not want to waste ammunition. In 1872, he entered the fledgling Imperial Japanese Army as a second lieutenant. He was soon promoted to lieutenant, and in February 1874, Ōdera participated in the suppression of the Saga Rebelli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emperor Go-Daigo
Emperor Go-Daigo (後醍醐天皇 ''Go-Daigo-tennō'') (26 November 1288 – 19 September 1339) was the 96th emperor of Japan, Imperial Household Agency (''Kunaichō'')後醍醐天皇 (96) retrieved 2013-8-28. according to the traditional order of succession. He successfully overthrew the Kamakura shogunate in 1333 and established the short lived Kenmu Restoration to bring the Imperial House back into power. This was to be the last time the emperor had real power until the Meiji Restoration in 1868.Sansom 1977: 22–42. The Kenmu restoration was in turn overthrown by Ashikaga Takauji in 1336, ushering in the Ashikaga shogunate, and split the imperial family into two opposing factions between the Ashikaga backed Northern Court situated in Kyoto and the Southern Court based in Yoshino led by Go-Daigo and his later successors. This 14th-century sovereign personally chose his posthumous name after the 9th-century Emperor Daigo and ''go-'' (後), translates as "later", and he is thu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kusanagi No Tsurugi
is a legendary Japanese sword and one of three Imperial Regalia of Japan. It was originally called , but its name was later changed to the more popular ("Grass-Cutting Sword"). In folklore, the sword represents the virtue of valor. Legends The history of the extends into legend. According to , the god Susanoo encountered a grieving family of ("gods of the land") headed by in Izumo Province. When Susanoo inquired of Ashinazuchi, he told him that his family was being terrorized by the fearsome Yamata no Orochi, an eight-headed serpent of Koshi, who had consumed seven of the family's eight daughters and that the creature was coming for his final daughter, . Susanoo investigated the creature, and after an abortive encounter he returned with a plan to defeat it. In return, he asked for Kushinada-hime's hand in marriage, which was agreed. Transforming her temporarily into a comb (one interpreter reads this section as "using a comb he turns into asquerades asKushinada-hime") to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamato Takeru
, originally , was a Japanese semi-legendary prince of the Yamato dynasty, son of Emperor Keikō, who is traditionally counted as the 12th Emperor of Japan. His name written in kanji can vary, in the '' Nihon Shoki'' it is spelled 日本武尊 and in the ''Kojiki'' it is 倭建命. He was also the predecessor of Takeda ryu. The story of his life and death are told principally in the Japanese chronicles in the late 14th century ''Kojiki'' (712) and '' Nihon Shoki'' (720), but also mentioned in ''Kogo Shūi'' (807) and some histories like the (721). One of his sons became Emperor Chūai, the 14th Emperor of Japan. His history is uncertain but based on the chronicles his life can be calculated. He was born circa 72 and died in 114. Details are different between the two books, and the version in ''Kojiki'' is assumed to be loyal to the older form of this legend. Legendary narrative Prince Takeru slew his elder brother . His father, the emperor Keikō, feared his brutal temper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nihonga
''Nihonga'' (, "Japanese-style paintings") are Japanese paintings from about 1900 onwards that have been made in accordance with traditional Japanese artistic conventions, techniques and materials. While based on traditions over a thousand years old, the term was coined in the Meiji period of Imperial Japan, to distinguish such works from Western-style paintings or ''Yōga'' (). History The impetus for reinvigorating traditional painting by developing a more modern Japanese style came largely from many artist/educators, which included Shiokawa Bunrin, Kōno Bairei, Tomioka Tessai and art critics Okakura Tenshin and Ernest Fenollosa, who attempted to combat Meiji Japan's infatuation with Western culture by emphasizing to the Japanese the importance and beauty of native Japanese traditional arts. These two men played important roles in developing the curricula at major art schools, and actively encouraged and patronized artists. ''Nihonga'' was not simply a continuation of olde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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