Offstage Downstairs
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Offstage Downstairs
The terms offscreen, off camera, and offstage refer to fictional events in theatre, television, or film which are not seen on stage or in frame, but are merely heard by the audience, or described (or implied) by the characters or narrator. Offscreen action often leaves much to the audience's imagination. As a narrative mode and stylistic device, it may be used for a number of dramatic effects. Like a deleted scene, it may also be used to save time in storytelling, to circumvent technical or financial constraints of a production, or to meet content rating standards. Uses In ancient Greek drama, events were often recounted to the audience by a narrator, rather than being depicted on the stage. Offscreen voice-over narration continues to be a common tool for conveying information authoritatively. Charlie Chaplin made use of offscreen action to humorous effect. In a deleted scene in ''Shoulder Arms'' (1918), Chaplin's character is berated by an abusive wife who is never seen on cam ...
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Theatrical Production
A theatrical production is any work of theatre, such as a staged play, musical, comedy or drama produced from a written book or script. Theatrical productions also extend to other performance designations such as Dramatic and Nondramatic theatre, as well as Dance theatre. These works are protected by common law or statuary copyright unless in the public domain. These productions generally feature actors, costumes and sets. The History of theatre, history of the theatrical production goes back to Theatre of ancient Greece, ancient Greece. Theatrical productions vary in many ways. They can be anything from high school as well as college productions, community theatre productions to summer stock and regional theatre productions all the way to Broadway and Kings Road productions. Today's contemporary theatres produce a variety of plays and musicals that attract very different audiences. In full theatrical productions there are a great number of people working towards many types of sho ...
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Dracula (1931 English-language Film)
''Dracula'' is a 1931 American pre-Code supernatural horror film directed and co-produced by Tod Browning from a screenplay written by Garrett Fort and starring Bela Lugosi in the titular role. It is based on the 1924 stage play ''Dracula'' by Hamilton Deane and John L. Balderston, which in turn is adapted from the 1897 novel ''Dracula'' by Bram Stoker. Lugosi portrays Count Dracula, a vampire who emigrates from Transylvania to England and preys upon the blood of living victims, including a young man's fiancée. Produced and distributed by Universal Pictures, ''Dracula'' is the first sound film adaptation of the Stoker novel. Several actors were considered to portray the title character, but Lugosi, who had previously played the role on Broadway, eventually got the part. The film was partially shot on sets at Universal Studios Lot in California, which were reused at night for the filming of ''Dracula'', a concurrently produced Spanish-language version of the story also by Univer ...
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Special Effect
Special effects (often abbreviated as SFX, F/X or simply FX) are illusions or visual tricks used in the theatre, film, television, video game, amusement park and simulator industries to simulate the imagined events in a story or virtual world. Special effects are traditionally divided into the categories of mechanical effects and optical effects. With the emergence of digital film-making a distinction between special effects and visual effects has grown, with the latter referring to digital post-production and optical effects, while "special effects" refers to mechanical effects. Mechanical effects (also called practical or physical effects) are usually accomplished during the live-action shooting. This includes the use of mechanized props, scenery, scale models, animatronics, pyrotechnics and atmospheric effects: creating physical wind, rain, fog, snow, clouds, making a car appear to drive by itself and blowing up a building, etc. Mechanical effects are also often inco ...
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Theatrical Makeup
Theatrical makeup is makeup that is used to assist in creating the appearance of the characters that actors portray during a theater production. Background In Greek and Roman theatre, makeup was unnecessary. Actors wore various masks, allowing them to portray another gender, age, or entirely different likeness. Thespis, considered to be the first actor, used white lead and wine to paint his face. In medieval Europe, actors altered their appearances by painting their faces a different color. Performers who portrayed God painted their faces white or gold; actors playing angels painted their faces red. During the Renaissance, actors were creative and resourceful when making-over their faces. They used lamb's wool for false beards and flour as face paint. Advancements in stage lighting technology required stage makeup to evolve beyond one over-all face colour to a multidimensional craft. Originally, theatres used candles and oil lamps; these two sources of light were dim and allowe ...
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Location Shooting
Location shooting is the shooting of a film or television production in a real-world setting rather than a sound stage or backlot. The location may be interior or exterior. The filming location may be the same in which the story is set (for example, scenes in the film ''The Interpreter'' were set and shot inside the United Nations Headquarters in Manhattan), or it may stand in for a different locale (the films ''Amadeus'' and '' The Illusionist'' were primarily set in Vienna, but were filmed in Prague). Most films feature a combination of location and studio shoots; often, interior scenes will be shot on a soundstage while exterior scenes will be shot on location. Second unit photography is not generally considered a location shoot. Before filming, the locations are generally surveyed in pre-production, a process known as location scouting and recce. Pros and cons Location shooting has several advantages over filming on a studio set. First and foremost, the expense can often ...
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Set Construction
Set construction is the process undertaken by a construction manager to build full-scale scenery, as specified by a production designer or art director working in collaboration with the director of a production to create a set for a theatrical, film, or television production. The set designer produces a scale model, scale drawings, paint elevations (a scale painting supplied to the scenic painter of each element that requires painting), and research about props, textures, and so on. Scale drawings typically include a groundplan, elevation, and section of the complete set, as well as more detailed drawings of individual scenic elements which, in theatrical productions, may be static, flown, or built onto scenery wagons. Models and paint elevations are frequently hand-produced, though in recent years, many Production Designers and most commercial theatres have begun producing scale drawings with the aid of computer drafting programs such as AutoCAD or Vectorworks. Theater In ...
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Parody
A parody, also known as a spoof, a satire, a send-up, a take-off, a lampoon, a play on (something), or a caricature, is a creative work designed to imitate, comment on, and/or mock its subject by means of satiric or ironic imitation. Often its subject is an original work or some aspect of it (theme/content, author, style, etc), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the French Revolution or 1960s counterculture). Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice". The literary theorist Linda Hutcheon said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including literature, music, theater, television and film, animation, and gaming. Some parody is practiced in theater. The writer and critic John Gross observes in his ''Oxford Boo ...
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Tunnel
A tunnel is an underground passageway, dug through surrounding soil, earth or rock, and enclosed except for the entrance and exit, commonly at each end. A pipeline is not a tunnel, though some recent tunnels have used immersed tube construction techniques rather than traditional tunnel boring methods. A tunnel may be for foot or vehicular road traffic, for rail traffic, or for a canal. The central portions of a rapid transit network are usually in the tunnel. Some tunnels are used as sewers or aqueducts to supply water for consumption or for hydroelectric stations. Utility tunnels are used for routing steam, chilled water, electrical power or telecommunication cables, as well as connecting buildings for convenient passage of people and equipment. Secret tunnels are built for military purposes, or by civilians for smuggling of weapons, contraband, or people. Special tunnels, such as wildlife crossings, are built to allow wildlife to cross human-made barriers safely. ...
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Train
In rail transport, a train (from Old French , from Latin , "to pull, to draw") is a series of connected vehicles that run along a railway track and Passenger train, transport people or Rail freight transport, freight. Trains are typically pulled or pushed by locomotives (often known simply as "engines"), though some are self-propelled, such as multiple units. Passengers and cargo are carried in railroad cars, also known as wagons. Trains are designed to a certain Track gauge, gauge, or distance between rails. Most trains operate on steel tracks with steel wheels, the low friction of which makes them more efficient than other forms of transport. Trains have their roots in wagonways, which used railway tracks and were Horsecar, powered by horses or Cable railway, pulled by cables. Following the invention of the steam locomotive in the United Kingdom in 1804, trains rapidly spread around the world, allowing freight and passengers to move over land faster and cheaper than ever pos ...
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Fireplace
A fireplace or hearth is a structure made of brick, stone or metal designed to contain a fire. Fireplaces are used for the relaxing ambiance they create and for heating a room. Modern fireplaces vary in heat efficiency, depending on the design. Historically, they were used for heating a dwelling, cooking, and heating water for laundry and domestic uses. A fire is contained in a firebox or fire pit; a chimney or other flue allows exhaust gas to escape. A fireplace may have the following: a foundation, a hearth, a firebox, a mantel, a chimney crane (used in kitchen and laundry fireplaces), a grate, a lintel, a lintel bar, an overmantel, a damper, a smoke chamber, a throat, a flue, and a chimney filter or afterburner. On the exterior, there is often a corbelled brick crown, in which the projecting courses of brick act as a drip course to keep rainwater from running down the exterior walls. A cap, hood, or shroud serves to keep rainwater out of the exterior of the chimney; rai ...
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Sex Scene
Sex in film, the presentation of aspects of sexuality in film, specially human sexuality, has been controversial since the development of the medium. Films which display or suggest sexual behavior have been criticized by religious groups or have been banned or censored by governments, although attitudes have changed much along the years and a more permissive social environment has developed in certain parts of the world, notably in Europe, North America, Australia and New Zealand. In countries with a film rating system, films which contain explicit sex scenes typically receive a restricted classification. Nudity in film may be regarded as sexual or as non-sexual. An erotic film is usually a film that has an erotic quality, meaning that it may arouse sexual feelings, even if the stated or suggested intention of the film maker is to induce philosophical contemplation concerning the aesthetics of sexual desire, sensuality and romantic love. Love scenes, erotic or not, have been ...
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Psyche Revived By Cupid's Kiss
''Psyche Revived by Cupid's Kiss'' ( it, Amore e Psiche ; french: Psyché ranimée par le baiser de l'Amour; russian: Амур и Психея, Amúr i Psikhéja) is a sculpture by Italian artist Antonio Canova first commissioned in 1787 by John Campbell, 1st Baron Cawdor, Colonel John Campbell.Johns, C.M.S. (1998) ''Antonio Canova and the Politics of Patronage in Revolutionary and Napoleonic Europe''. Berkeley, CA: University of California Press, p. 149. It is regarded as a masterpiece of Neoclassicism, Neoclassical sculpture, but shows the mythological lovers at a moment of great emotion, characteristic of the emerging movement of Romanticism. It represents the god Cupid in the height of love and tenderness, immediately after awakening the lifeless Psyche (mortal), Psyche with a kiss. The story of Cupid and Psyche is taken from Lucius Apuleius' Latin novel ''The Golden Ass'',Apuleius. ''The Golden Ass''. trans. Lindsay, Jack. Bloomington, Indiana: Indiana University Press, 1962: ...
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