Odoardo Ceccarelli
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Odoardo Ceccarelli
Odoardo Ceccarelli ( 1600 – 7 March 1668) was an Italian singer, composer, and writer prominent in the Sistine Chapel Choir and the Barberini court. Described from the beginning of his career as both a tenor and a bass, he created roles in several operas, including Fileno in Michelangelo Rossi's ''Erminia sul Giordano'' and Orlando in Luigi Rossi's ''Il palazzo incantato''. Life and career Ceccarelli was born in Bevagna. His father Pannonio was a meat carver. His grandfather Alfonso was a notorious doctor and genealogist who was executed in 1581 for falsifying documents. The first record of his activity in Rome is from 1620 when he was listed as a choir member at the church of Santo Spirito in Sassia. In 1622 he entered the Collegium Germanicum. He remained resident there for a year, but continued to sing in the choir of Sant'Apollinare, the Collegium's church, on multiple occasions up to 1645. During his time with the choir he trained with Giacomo Carissimi who trained sever ...
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Bevagna
Bevagna is a town and ''comune'' in the central part of the Italian province of Perugia (Umbria), in the flood plain of the Topino river. Bevagna is south-east of Perugia, west of Foligno, north-north-west of Montefalco, south of Assisi and north-west of Trevi. It has a population of c. 5,000, with the town of Bevagna proper accounting for about half of that. History The city was originally an Etrusco-Oscan settlement. Around 80-90 BC it became a Roman ''municipium'', called Mevania, in the Augustan Regio VI. It lay on the western branch of the Via Flaminia, west-north-west of Forum Flaminii, where the branches rejoin. It is mentioned on several ancient itineraries, following the Vicus Martis Tudertium on the way out of Rome. In 310 BC the consul Fabius broke the Umbrian forces here; but otherwise it is not mentioned until the 1st century AD. In 69 the army of Vitellius awaited here the advance of Vespasian. Pastures near the Tinia river and the white oxen of the Cl ...
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Frederick Of Hesse-Darmstadt
Frederick of Hesse-Darmstadt (28 February 1616 – 19 February 1682) was a German protestant and soldier who converted to Catholicism, became a cardinal and was appointed Crown-cardinal of Austria. Early life Frederick was born in Darmstadt, Germany, the 12th child of Louis V, Landgrave of Hesse-Darmstadt. Born into a Lutheran family, he converted to Catholicism at the age of 20 and entered the Order of St. John of Jerusalem.''Pope Alexander the Seventh and the College of Cardinals'' by John Bargrave, edited by James Craigie Robertson (reprint; 2009) He served as a soldier during a number of conflicts and became an admiral in the navy of the Kingdom of Spain. In 1647 he became ''Grand Prior'' of the Order of St. John in Germany and travelled throughout Italy, Spain and Germany. Ecclesiastic career Eventually he made his way to Rome and entered the service of Pope Innocent X. In 1652 he was elevated to cardinal by Pope Innocent and participated in the Papal conclave of 1655.< ...
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Oratory Of Santissimo Crocifisso
The Oratorio del Santissimo Crocifisso or the Oratory of the Most Holy Crucifix is a building in central Rome, Italy. Located next to the church of San Marcello al Corso, it served as a prayer hall and meeting house for the Archconfraternity of the Most Holy Crucifix (''Arciconfraternita del Santissimo Crocifisso in Urbe''). It is best known, like the Oratorio del Gonfalone, which shares the same artists, for its Mannerist decorations. The structure was built by Giacomo Della Porta in 1568, near the church of San Marcello, for the Confraternity of Crucifix, founded to venerate the Crucifix (crocefisso) from the nearby church. The confraternity was composed of some of the richest men in Rome, including the cardinals Ranuccio and Alessandro Farnese, nephews of the Pope. The theme of the interior decoration is the ''Triumph of the Cross''. It employed Giovanni de' Vecchi, Cesare Nebbia, Niccolò Circignani, and Cristoforo Roncalli. It was also host of musical concerts, starting ...
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Rodolfo Celletti
Rodolfo Celletti (1917–2004) was an Italian musicologist, critic, voice teacher, and novelist. Considered one of the leading scholars of the operatic voice and the history of operatic performance, he published many books and articles on the subject as well as several novels. Biography Celletti was born in Rome on 13 June 1917. He served in the Italian army from 1937 to 1943, and after World War II, took a degree in law from the University of Rome. He became a successful business executive in Milan, and then created a second career for himself as a (self-taught) musicologist and critic. For many years he was the music critic of the Italian weekly magazine ''Epoca'' and was a regular contributor to ''la Repubblica'', ''L'opera'', ''Nuova rivista musicale italiana'', ''Opera'', and ''Amadeus''. In addition to his articles in specialist publications and ''The New Grove Dictionary of Opera'', he published several books, most notably '' Le grandi voci'' (1964), at the time considered ...
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John Potter (musician)
John Potter is an English tenor and academic. Early life and education John Potter's musical education began as a chorister in the Choir of King's College, Cambridge, after which he became a scholar at The King's School, Canterbury and exhibitioner at Gonville and Caius College, Cambridge. His coaches included lieder specialist Walter Gruner, accompanist Paul Hamburger, and the tenor Peter Pears. Performance Potter specialises in early and contemporary classical music vocal music. In addition to his solo work, he has performed with many vocal ensembles including the Hilliard Ensemble, The Swingle Singers, The Dowland Project, the Gavin Bryars Ensemble, and Red Byrd, of which he is a co-founder. His discography includes over 100 recordings encompassing his eclectic musical interests including Léonin and Led Zeppelin. He has received a fifth gold disc for the Hilliard Ensemble's '' Officium'' album. He is also an ensemble coach, mentoring groups such as Trio Mediæval from Nor ...
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Falsetto
''Falsetto'' (, ; Italian diminutive of , "false") is the vocal register occupying the frequency range just above the modal voice register and overlapping with it by approximately one octave. It is produced by the vibration of the ligamentous edges of the vocal cords, in whole or in part. Commonly cited in the context of singing, falsetto, a characteristic of phonation by both sexes, is also one of four main spoken vocal registers recognized by speech pathology. The term ''falsetto'' is most often used in the context of singing to refer to a type of vocal phonation that enables the singer to sing notes beyond the vocal range of the normal or modal voice. The typical tone of falsetto register or M2, usually has a characteristic breathy and flute-like sound relatively free of overtones—which is more limited than its modal counterpart in both dynamic variation and tone quality. However, William Vennard points out that while most untrained people can sound comparatively "breathy" o ...
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La Miracolosa Imagine Della Madonna Delle Gratie Depinta Da S
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * ''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings, a ...
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San Luigi Dei Francesi
The Church of St. Louis of the French ( it, San Luigi dei Francesi, french: Saint Louis des Français, la, S. Ludovici Francorum de Urbe) is a Roman Catholic church in Rome, not far from Piazza Navona. The church is dedicated to the Virgin Mary, to St. Denis the Areopagite and St. Louis IX, king of France. The church was designed by Giacomo della Porta and built by Domenico Fontana between 1518 and 1589, and completed through the personal intervention of Catherine de' Medici, who donated to it some property in the area. It is the national church in Rome of France.Les pieux établissements de la France à Rome et à Lorette (in French)
It is a

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Ferdinando II De' Medici, Grand Duke Of Tuscany
Ferdinando II de' Medici (14 July 1610 – 23 May 1670) was grand duke of Tuscany from 1621 to 1670. He was the eldest son of Cosimo II de' Medici and Maria Maddalena of Austria. He was remembered by his contemporaries as a man of culture and science, actively participating in the Accademia del Cimento, the first scientific society in Italy, formed by his younger brother, Leopoldo de' Medici. His 49-year rule was punctuated by the beginning of Tuscany's long economic decline, which was further exacerbated by his successor, Cosimo III de' Medici. He married Vittoria della Rovere, a first cousin, with whom he had two children who reached adulthood: the aforementioned Cosimo III, and Francesco Maria de' Medici, Duke of Rovere and Montefeltro, a cardinal. Reign Ferdinando was only 10 years of age when his father Cosimo II died. Because he had not yet reached maturity, his mother Maria Maddalena and paternal grandmother, Christina of Lorraine, acted as joint regents. His two rege ...
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Odoardo Farnese, Duke Of Parma
Odoardo Farnese (28 April 1612 – 11 September 1646), also known as Odoardo I Farnese to distinguish him from his grandson Odoardo II Farnese, was Duke of Parma, Piacenza and Castro from 1622 to 1646. Biography Odoardo was the eldest legitimate son of Ranuccio I Farnese and Margherita Aldobrandini. After Ranuccio's natural son and his potential rival, Ottavio, was relegated in a prison, he reigned initially under the regency of his uncle Odoardo Farnese and, after the latter's death, of his mother, Margherita Aldobrandini. He came of age in 1628 and in the same year he married Margherita de' Medici, Grand Duke of Tuscany Cosimo II de' Medici's daughter. His first notable act as Duke was an alliance with France in 1633, a move designed to counter Spanish predominance in northern Italy and support his territorial ambitions. He also asked for loans to improve the army, but his first campaigns were ineffective: Piacenza was occupied by the Spanish troops, and his army was defe ...
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Margherita De' Medici
Margherita de' Medici (31 May 1612 – 6 February 1679) was Duchess of Parma and Piacenza by her marriage to Odoardo Farnese, Duke of Parma. Margherita was regent of Piacenza in 1635, and regent of the entire duchy from 1646 until 1648 during the minority of her son. Life She was the fourth of eight children and the second daughter born to Cosimo II de' Medici, Grand Duke of Tuscany and his wife Maria Magdalena of Austria. Hence Margherita was a descendant of the Holy Roman Emperors. Margherita became engaged to Odoardo Farnese, Duke of Parma in 1620. They married in 1628 when he came of age. The marriage had been strongly desired by Odoardo's father, Ranuccio, who saw it as a means of strengthening the alliance between the Duchy of Parma and the Grand Duchy of Tuscany, then ruled by the Medici family. Duchess of Parma The marriage took place on 11 October 1628 in Florence. The wedding celebrations were accompanied by much spectacle and pageantry, including the performanc ...
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Maestro Di Cappella
(, also , ) from German ''Kapelle'' (chapel) and ''Meister'' (master)'','' literally "master of the chapel choir" designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term has evolved considerably in its meaning and is today used for denoting the leader of a musical ensemble, often smaller ones used for TV, radio, and theatres. Historical usage In German-speaking countries during the approximate period 1500–1800, the word often designated the director of music for a monarch or nobleman. For English speakers, it is this sense of the term that is most often encountered, since it appears frequently in biographical writing about composers who worked in German-speaking countries. During that period, in Italy, the position (Italian: ''maestro di capella'') largely referred to directors of music assigned to cathedrals and sacred institutions rather than those under royal or aristocratic patronage. A Kapellmeister ...
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